What’s in a name? That’s which we call a rose
by any other name would smell as sweet.
So Romeo would were he not Romeo called.
But what about Romeo’s face? What about his body? As a writer, I know it’s all about the words, but hey, I’m a very visual person too. Take my office, for instance. All my projects are out on my desk, with the important ones on top. If it’s in the filing cabinet, then I’m not thinking about it. Outta sight, outta mind. I’ve got to see it to get excited about it.
So I really appreciate a great romance book cover–especially a great erotic romance cover. I love romance covers that make me take a second look. An excellent cover makes me covet a book that I wouldn’t have desired otherwise.
I tip my hat to the people who design them. I bet it’s a lot harder than it looks. For instance, those romance covers where it indicates a woman is in a menage with several guys. I bet this is a cover design specialty. Clearly you want to indicate that there are several men here and one woman, but you don’t want to make it look like a dog pile. Then there’s the way in which a few men are touching the woman at the same time. You don’t want the woman to look like she’s in a relationship with an octopus–some multi-armed, naked torso mutant.
Looking through some recent erotic romance books out in the world, I noticed that I have 5 categories of romance covers I’m drawn to. Here they are:
1) The arty cover. So arty, you might call it Ahhhhr-ty. I notice that black, red, and white cover designs are really in right now.
2) The squidy shameful cover–but one with taste. Something that indicates a little wiggling is going on inside the book.
3) The “I just got f***ed real good cover.
4) The “I’m just about to get f***ed real good cover.
5) And finally: the emotive cover. 
Faces are hard. I don’t want to de-personalize others, but it’s so easy to have an expression in a woman’s mouth that makes me wrinkle my nose.
A certain tension around the lips can read, well, bitchy. There’s bitchy hot, of course, which is great, but I’m talking bitchy in an annoying way. I also don’t care for the “I’m a dumb blonde mouth”. So anyway, my guess is that it’s a lot harder than it looks to get an erotic romance cover with emotions on the face that work. This one worked for me, but her eye is a little dead–if you’d started at her nose I wouldn’t have complained.
What kind of cover do you like best? I found an entirely different cover for A STUDY IN SHAME. Here it is. They look about the same in terms of age and color palate, so I wonder if one cover was designed for women, and another cover for men. What do you think?



I love SAFFRON NIGHTS cover. At first I was kind of Meh about it. But it doesn’t have any people on it–even though it does have the colors that seem to be popular right now. The no-people-on-the-cover thing seems to be popular now. Once again we have 50 shades of Grey to thanks for that. Fun post!
It has sexy, drippy chocolate on it — and that’s good enough for me!
I’m no artist but I do find poorly designed covers distressing. I’ve had a few, but I’ve been lucky for the most part that they’ve at least been competent if dull. There’s one cover I won’t put up ANYWHERE because it’s so ugly (under my given name). Yeesh!
What can you do, right? I love your Swan Prince cover.
The Tirgearr covers are lovely. I am very pleased!
Great post, Madeline! Covers are a huge deal. I remember that All About Romance used to have this contest every year in which they sought out the worst covers and skewered them mightily. There were some pretty horrendous covers out there, although I felt bad for the authors who often aren’t given much (if any) say on what cover the publisher comes out with.
Yeah, you’re right. But there are so many awesome covers too — I wanted to cheer on those folks who are doing it really well. I drool over the Avon Red covers.
Just seen this in my google alerts and you have one of my favorite covers up there! Scott Carpenter did Cowboys Down and I just love it. Some of mine are really horrible so when an artist gets it right – I could cry! it is difficult I know to marry the imagination of a writer and an artist – so I do appreciate all their hard work but sometimes I wonder what they were thinking.
Yes! I think it’s just a lot harder than it looks.