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Romance with Discipline

5 Apr
Mask by Leonor Fini

Mask by Leonor Fini

by C. Margery Kempe

I gave a paper at the Popular Culture Association Conference last week called, “Knocking from Inside: Forging Strength through Pain in V for Vendetta and The Story of O” and it seemed to go over well in the BDSM/Kink area panel, despite the fact that I was the only panelist who turned up. (O_o) The title comes from a Rumi poem about struggling with your own constrictions:

I have lived on the lip of insanity, wanting to know reasons, knocking on a door. It opens. I have been knocking from the inside!

But at a romance panel the next day I was disturbed to hear a lot of negative attitudes toward the erotic. One speaker described the arc of Fifty Shades‘ narrative as starting out as ‘BDSM’ and then ‘becoming romantic’ — as if it were not possible to have romance in anything but a vanilla relationship. I don’t know if the ignorance or the arrogance annoyed me more.

O’s voyage is one of self-discovery, but it’s also one that allows her to finally love without being dependent on her lover, as she is at the start of the book. When he sends her to the chateau in Roissy to undergo ‘training’ her only concern is pleasing him. She needs repeated assurances that he loves her, that he is pleased with her. But with all the floggings and bondage, she begins to transform and find a peace within herself:

And yet nothing has been such a comfort to her as the silence, unless it was the chains. The chains and the silence, which should have bound her deep within herself, which should have smothered her, strangled her, on the contrary freed her from herself. (38-9)

Pauline Réage [the pen name for Dominique Aury] herself seemed to find a powerful release from writing the book and discovering the truths which lay inside her heart, truths she had not heretofore acknowledged. Her essay “A Girl in Love” which is usually packaged with the otherwise lamentable follow up Return to the Chateau (which may have been penned by her lover and not Réage herself) demonstrates this power:

“The girl was writing the way you speak in the dark to the person you love when you’ve held back the words of love too long and they flow at last. For the first time in her life she was writing without hesitation, without stopping, rewriting or discarding, she was writing the way one breathes, the way one dreams.” (Return 7)

I have found this happening more and more in my writing as I stopped fearing what I could write or whether I could write and just wrote without censoring the thoughts that arose. Anything can exist on the page. It can also be edited or simply tucked away if it doesn’t fit into a coherent narrative. But the more we refuse to hold ourselves back, the more truthful our living. What exciting things can happen.

Even love. Are you still knocking from the inside?

Romance at the Popular Culture Association Conference

29 Mar

FiniOwl2smby C. Margery Kempe

I’m away in DC at one of my favorite academic conferences; partly because it’s chock full of friends that I only get to see these days at the conference, but also because it’s always a lot of fun! Here are some of the panels (thanks to Teach Me Tonight) that will be of interest to you folks, but see the whole program here.

Romance I: Fifty Shades of Scholarship

Romance II: Authors, Characters, Readers:  What’s Changed? What’s Changing? What’s Stuck?    

Romance III: Publishing, Texts, and Authorship

Romance IV: Across the Media: Iconic Moments, Cultural Narratives, and Real-Life Love

Romance V – Special Session: A Natural History of the Romance Novel Tenth Anniversary Roundtable: Pamela Regis and the Rebooting of Popular Romance Studies

Pamela Regis – In this presentation I will reconsider our shared work—to understand the genre itself and the texts that comprise it—from the temporal vantage point provided by the decade that has passed since the publication of my account of the genre in A Natural History of the Romance Novel. My focus will be on the state of our work on the American romance novel, and the challenges that face us.


Romance VI: Paranormal Romance    

Romance VII: Problem Texts and Questions of Ethics 

Romance VIII: Homosociality, Homoeroticism, and Bisexual Desire

Romance IX: African American / Black Romance

Romance X: Romance at the Boundaries: Race, Place and Translation

Romance XI: Romance Pedagogy: Teaching, Learning, Critique

Romance XII: Open Forum: Where are We, Now, in Popular
Romance Studies?

Romance XIV: Vampire / Romance Joint Round Table

Romance XVI: After Fifty Shades of Grey: Kink and Romance
Perspectives

Vampire in Literature, Culture, and Film VIII: Paranormal and Romance

Vampire ROUNDTABLE V: Walking the Line Between Paranormal and Romance: A Roundtable Inquiry into the Heart of Paranormal Romance

Fan Culture and Theory: Uneasy Pleasures: Ethics of Studies/Fan Studies Scholarship

Romance I: Fifty Shades of Scholarship

Romance II: Authors, Characters, Readers:  What’s Changed? What’s Changing? What’s Stuck?    

Romance III: Publishing, Texts, and Authorship

Romance IV: Across the Media: Iconic Moments, Cultural Narratives, and Real-Life Love

Romance V – Special Session: A Natural History of the Romance Novel Tenth Anniversary Roundtable: Pamela Regis and the Rebooting of Popular Romance Studies

Pamela Regis – In this presentation I will reconsider our shared work—to understand the genre itself and the texts that comprise it—from the temporal vantage point provided by the decade that has passed since the publication of my account of the genre in A Natural History of the Romance Novel. My focus will be on the state of our work on the American romance novel, and the challenges that face us.


Romance VI: Paranormal Romance    

Romance VII: Problem Texts and Questions of Ethics 

Romance VIII: Homosociality, Homoeroticism, and Bisexual Desire

Romance IX: African American / Black Romance

Romance X: Romance at the Boundaries: Race, Place and Translation

Romance XI: Romance Pedagogy: Teaching, Learning, Critique

Romance XII: Open Forum: Where are We, Now, in Popular
Romance Studies?

Romance XIV: Vampire / Romance Joint Round Table

Romance XVI: After Fifty Shades of Grey: Kink and Romance
Perspectives

Vampire in Literature, Culture, and Film VIII: Paranormal and Romance

Vampire ROUNDTABLE V: Walking the Line Between Paranormal and Romance: A Roundtable Inquiry into the Heart of Paranormal Romance

Fan Culture and Theory: Uneasy Pleasures: Ethics of Studies/Fan Studies Scholarship

And mine:

BDSM/Kink/Fetish studies (Frantz) BdsM/kink in film, Pornography, and Japanese Culture
Virginia suite C 8:15pm-9:45pm WED 27 March

“from now on, i will do the things i like:” Ito Seiu, Minomura Ko, and the emergence of kinbaku (erotic rope Bondage) in Japanese Popular Culture
Douglas Thomas

Pornography as the New tool of the intellectual historian
Joseph Wright

Masochistic desire in luis Bunuel’s Belle de Jour
Julia Smith

Knocking from inside: Forging Strength through Pain in V for Vendetta and The Story of O
K.A. Laity [AKA C. Margery Kempe]

Held Captive by Shoshanna Evers: Q&A About Her Enslaved Trilogy

7 Feb
Gingersnap

The best part is that it’s a Christmas Story (!)

Do you know what Ginger Figging is? I’m sitting at a breakfast table at Romanticon a few years ago. There’s this personable, charming, intelligent woman sitting across from me eating her scrambled eggs.  It’s Shoshanna Evers.  We’ve been making chit-chat and so I ask her what she writes.  She says her latest book is about ginger figging.  Everyone at the table is clueless, but of course we all want to know what THAT is.   Shoshanna explains and our eyes widen. Shoshanna finishes her eggs and apologizes for the graphic sex talk so early in the morning (You’re curious aren’t you? Look it up on wikipedia here

…But that all happened before the 50 Shades revolution.  

Cut to the New Jersey Put Your Heart In A Book conference: An editor panel kicks off by talking about what’s exciting in the upcoming year.  An editor from Simon & Schuster says Shoshanna Evers is the name to watch.  That’s right–Miz Ginger Figging herself.  After publishing shorter works with Ellora’s Cave, a non-fiction book on how to write hot sex, and even self-publishing some of her own work–she landed a six book deal with Simon & Schuster.  She’s a Cinderella story for our digital publishing age.  

Dom Fantasy

Young hot male gives it up to a sexy older woman.

MADELINE IVA: Tell us all about your new series with Simon & Schuster/Pocket Books.  (What’s it about?, when does it release?, etc.)

SHOSHANNA EVERS: Well, Simon & Schuster is calling this series “a sensual romp across the playgrounds of the unbelievably rich and extremely sexy.” So yeah – we’ve got the billionaire “BAD Boys” – that’s Billionaire Arrogant Doms, aka BAD, lol – these three very alpha male hot Doms who run the Brooks Wilde Chase Fund. And the series is about the women they fall for, and how that works out in a BDSM relationship.

EnslavedThis is the blurb for the first book, Enslaved, which, incidentally, is available for pre-order now. *coughs*

From a red-hot erotica writer comes an original eBook—a sensual romp across the playgrounds of the unbelievably rich and extremely sexy.

Elisabeth Anderson’s seen Trevor and his friends at the infamous Manhattan BDSM club WhipperSnapper, where everyone calls them the BAD Boys, for “Billionaire Arrogant Doms.” The BAD Boys—Trevor Brooks, Marc Wilde, and Roman Chase—are aptly named; they’ve become rich from the ground up with their aggressive investing at the Brooks Wilde Chase Fund.

Enamoured…Rich to the point that these guys can do anything they want and get away with it, or so the rumors go.

Trevor gives Elisabeth full reign of his estate in Westchester, letting her do as she pleases. He has only two rules. Rule One: she must obey and submit to him while she is living in his house. Rule Two: always answer the blue cell phone. She’s happy to oblige, because being with Trevor makes her want to obey, to love him the way he seems to be falling for her. But Elisabeth’s never been good at being the quiet sub, she’s more of a fiery “brat” who gets off on the punishments she receives more than on pleasing Trevor.

Elizabeth can’t submit to Trevor the way he needs her to, so his friend and business partner (and fellow BAD Boy) Roman takes her in hand. But love triangles can have sharp edges…and somebody’s bound to get hurt.

The Enslaved Trilogy starts with the BDSM erotic romance ENSLAVED, which releases on April 8th, 2013. ENAMOURED releases May 13, 2013, and ENRAPTURED, the final book in the Enslaved Trilogy, releases June 10th! If you want an email when the books come out, you can sign up for my mailing list on my website at www.ShoshannaEvers.comEnraptured

MADELINE IVA: Tell us about the transition your work has taken from (I’m just assuming here) straight erotica/erotic romance to something (again I’m assuming!!! Feel free to correct me if I’m wrong) a series that is more plot driven.  Do you have an agent who helped make the magic happen–and how steamy will this new series be, btw?

SHOSHANNA EVERS: I think, ultimately, that all of my stories are relationship and character-driven rather than plot driven (well, we might see that change with my next Pocket trilogy – The Pulse Trilogy, which is a dystopian post-apocalyptic series. Talk about a change, lol!).

The Enslaved Trilogy is absolutely erotica/erotic romance. We’re talking graphic, intense, full-on sex and BDSM scenarios, including (in the first book, ENSLAVED) a male/male subplot. I was surprised by how much S&S let me get away with (um…the heroine may or may not actually have sex with another man in the book…) and the freedom I was given to tell it like I do—raw.

Chastity BeltMy agent is Courtney Miller-Callihan of Sanford J. Greenburger Associates. She’s awesome, and she was pivotal in making this deal happen. Basically, she took me on as a client for my book THE PULSE, and when she sold it and two sequels to Simon & Schuster’s Pocket Star imprint, they asked me to write what I’m known for first – which is BDSM erotic romance. Thus, the Enslaved Trilogy was born! Also, that started an insane kickoff of very tight deadlines, lol.

MADELINE IVA: You wrote something I remember seeing a while back that you promoted as this extremely raw, cave-man-ish, thang (I don’t even know exactly how to describe it, I just got the sense of it being super out there,) work that I think you self-published. (?) Did THAT work have any relationship or drive the inspiration for your new post-apocalyptic work?

Held Captive

A young woman who’s had a long-time fantasy about gettin’ grunty old-style suddenly finds her fantasy comes to life. Classic over-the-top erotic fantasy & NOT FOR THE FAINT OF HEART.

SHOSHANNA EVERS:  LOL! Yes, Held Captive by the Cavemen is super out there, to put it mildly. It’s a short novella, a time-travel erotic story where this modern-day woman accidentally gets thrown back in time, and is essentially gangbanged by a tribe of hot cavemen. They’re not Neanderthals – they’re homosapiens – humans. Just really, really, primal humans. The sex is intense and hardcore, and she has a fabulous time. It’s definitely “dub-con” (dubious consent) and it’s not for the faint of heart, lol. Read the warning in the blurb and  heed it!

But, with the very long time that traditional publishing works, I actually wrote THE PULSE, which is the new post-apocalyptic series you’re talking about, about eighteen months before I even started writing Held Captive by the Cavemen. Since I self-published the cavemen story, I was able to have it available to my readers really quickly. But The Pulse Trilogy will also be from Simon & Schuster/Pocket so it won’t be out for a while.

Thanks for having me today!

MADELINE IVA: You’re welcome.

So everybody, you can find out a lot more about Shoshanna’s books and check out her free reads at www.ShoshannaEvers.com.  Don’t forget to leave a comment below and perhaps win one of Shoshanna’s e-reads–your pick!

The Dark Erotica Champ: Q&A with Erica Chilson

31 Jan

Brace yourselves readers! Last weekend Liz Everly reblogged this post against saccharine romance by Erica Chilson.  Here’s a shortened version of Erica’s thoughts on your typical alpha male transformation in an average erotic romance novel:

      The first 25% or so of these saccharine romance novels is the best of the book. The male is strong, gruff, often misunderstood.Yummy, angsty goodness ensues![...]The female is usually a career woman in her early twenties, who is a spunky little spitfire. Hot as F*ck, too! Yet, she is always a mary sue virgin. Yup, they manage to make it through high school, college, and work, without anyone tapping that hot, tight ass[…]Back to our alpha male. He is so fine that he woos that lacy thong (on a virgin, no less. *rolls eyes*) right off her perfect ass within hours of meeting her. He is so hot he could melt paint or burn Satan. He’s also a total badass.*Fans self* [...]Cut to a hot smutty sex scene where our virgin is always shaved bare and an expert (no fumbling embarrassment whatsoever). They connect on a deeper level just hours after meeting. The I love yous flow like water. *Gags* [...]Next morning my alpha male is a pussy-whipped, spineless doormat. EVERY FREAKIN’ TIME! I get turned the hell off. “Honey, let me do that for you. We don’t want you to break a nail. Let me carry that for you. Don’t worry your pretty, empty head for a moment…” You get the point… *caresses her cheek and tucks her hair behind her delicate ear*[...]I’m like, “What the F*ck, Batman. Where did my alpha go?”…I realize woman love this shit- NOT ME- EVER! Even in small doses. Yes, romance is supposed to be fantasy, but the lesbians in a ff book [have] a stronger personality than the alpha male once he has a taste of that irresistible, personality-changing cunny.

I about died reading this.  Like Tiffany Reisz, Eric Chilson has successfully tapped into this world of loving to hate and hating to love.  She does it with a brawler’s spirit that called to me. I simply could not resist asking her to participate in today’s Q&A.

A note of caution first–what is Dark Erotica you ask?  Well, according to Good Reads dark erotica books (most of which seem to be written by Kitty Thomas) involve a much more tortured side of erotic sex–and I mean that literally.

good girlMADELINE IVA: You say ‘there are no good girls and no bad girls, that we’re all just human beings’. But, come on, Erica, don’t bad girls have much better sex lives than the good girls? ;>

ERICA CHILSON: I’m a very good girl who can turn into a very bad girl in an instant. I hold my inner-bitch back for the safety of the universe.

MADELINE IVA: (!)

ERICA CHILSON: I let her out to stretch her legs every once and a while. She leaves chaos in her wake. You’ll recognize her by her throaty, sadistic laugh and the trail of victims begging her to come back.

MADELINE IVA: Back to your blog post: how bad can a fight get between a ‘spunk bitch’ and her ‘mean, gruff alpha male’? And what’s the make up sex like afterwards?

ERICA CHILSON: A fantasy I’ve had for years is beating the ever loving shit out of my ex. I want to ride him to the ground, sit on his chest, and pound all of my aggression out on his patronizing face. The release would be epic.

checkmateI brought this lifelong fantasy to life in CHECKMATE. Two characters who hurt each other in countless ways engage in therapeutic ass-kicking sessions. Regina & Jamie beat each other until they reach climax. Anger and hatred [...] are funneled into fiery passion that is stoked through sex or violence.

MADELINE IVA: Is there an erotic romance you’ve read in which the Alpha falls in love but doesn’t (in your own words) ‘lose his massive set of testicles’ afterwards?

ERICA CHILSON: Oh, wow! I’ve read thousands of books. I’ll seriously have to think on this one. I understand why a woman thinks the power of love will soften an Alpha male. Soften the edges perhaps, but not castrate him.

MADELINE IVA: I’ve never seen such unanimous reviews on Good Reads before. People say that reading to the end of your first book was ‘like watching a car wreck–I just couldn’t look away.‘ They also seemed to believe that the ending was ‘massively f***ed up.’ And these are the people that liked the book! Give us a hint–what are they talking about?

ERICA CHILSON: HEA! HEA! People only want to read about happily ever after. I put my characters through their paces. I offer them a glimpse of their HEA and rip it away just before their fingers find purchase.  Fantasy is sweet and everyone is happy in the end, [but] life is a wicked mistress. She doesn’t believe in HEA. A romance novel usually ends with a marriage. I can attest that a marriage is not HEA- it’s work, the hardest work you’ll ever trudge through. I don’t write HFN, either.  Life will tear a partnership to bits, but if you’re strong, you’ll survive.

RestraintMadeline Iva: I can believe what you say about the trudging hard work…I’ll have to take your word on the tearing partnership to bits part. Tell us about your book RESTRAINT.

ERICA CHILSON: RESTRAINT dealt with rape, the loss of innocence. Everyone was f*cked up in some unique way. They weren’t right within themselves. In no way were they ready by book’s end to be right with each other. Broken people will break anyone in their path.

MADELINE IVA: I hadn’t thought of it exactly that way before, but I can see what you mean. Your book comes with a warning that forced sex is involved. Do you draw the line at writing certain kinds of sex in erotic romance?

ERICA CHILSON: I draw no lines in my work. RESTRAINT’s foundation was built on the violent, life-altering effects of force. Something that happens to countless women every day. I’m drawn to Dark Erotica for a reason. I’ve been through situations that turned me into someone I won’t acknowledge. I read and write it to prove that I’m not there anymore.

As for whether or not rape lessens the saccharine nature of a book: It depends on the author, the way the force was presented, and the personalities of the characters. I’ve read a lot of this type of book and it has ranged from extremely syrupy sweet to a punch to the gut you’ll never forget. I don’t want my readers to forget the trials I put my characters through. They should expect that sharp jab.

unleashedMADELINE IVA: Part of the reason why I was drawn to your blog post was that it was written with a sort of over-the-top sort of intensity that made me cheer. Valentine’s Day is just around the corner. What’s an ideal Valentine’s Day with your favorite hottie like? Whips? Chains?

ERICA CHILSON: My answer will undoubtedly surprise readers. I’m a highly cerebral person, who finds sex to be 90% mental. Our date would involve tests of mental and physical prowess. Nothing gets me hotter than a man who can best me. If he can catch me, he can have me- in any way he pleases.

MADELINE IVA: What’s an average hospital visit from your favorite hottie like? Whips? Chains?

ERICA CHILSON: Hmm… now, why am I in the hospital? The answer is drastically different if some toxic relationship with an asshole landed me in the hospital. That would be the moment for a long lost badboy hottie from my past to swagger in.  My TRUE knight in shining armor’s first words will be, “You look like shit. Is the other guy still breathing?”

Guest Post: A Feminist Submissive by Kate Kinsey

11 Dec
A few weeks back, I reviewed Kate Kinsey’s book “Red” and loved it. We at Lady Smut also loved her honesty, integrity, and willingness to answer our questions, so we kept the conversation going. We realize most blog posts are not this long. But this is a subject and a lady that requires more than your average length post. So dear reader enjoy our first guest post—by the wonderful Kate Kinsey.
7271436_origI am a well-educated woman in my forties, unmarried and childless by choice, with not just one career, but three: graphic artist, fine artist/crafter and writer. I am independent, opinionated, and I have no qualms about calling myself a feminist.
I am also a submissive in a BDSM relationship of twelve years. That’s right. I wear a collar. I kneel. I say, “Yes, sir.” And I enjoy it.
Every woman with half a brain who approaches BDSM as a lifestyle choice has asked themselves the same question: how can any modern woman — let alone a card-carrying feminist — embrace submission?
Well, at first you feel kind of weird about it. Maybe a tad guilty. Then you do some long, hard thinking about the paradoxes that populate and define BDSM. You do some more long, hard thinking about who you are, what you want, and what makes you happy and fulfilled.
You think about the fundamental thing at the very heart of feminism: the right to choose your own path.
Fifty years ago, a woman being spanked over her husband’s knee for buying the wrong brand of coffee was considered completely acceptable. Now, if a wife wants to be spanked over her husband’s knee just for fun, it’s considered weird at best.
Fifty years ago, it was purely a man’s prerogative to spank/chastise/beat his wife for deviating from the acceptable “norm” in any way… or just because he wanted to.
Now, if it’s the wife asking for the spanking because it arouses her, and arouses him as well, that element of choice and the difference in the motivation for it changes everything completely. Or does it?
Because, of course, our collective psyche carries all the baggage about what those acts mean symbolically and historically. Most of us understand that we are playing with those stereotypes, and that these often arouse us precisely because, on some level, we are turning those stereotypes and expectations inside out.
A submissive is not synonymous with “doormat.” Submission is all about making a personal choice to submit to a particular person, at a particular time, within carefully negotiated limits. To participate in our reindeer games, you must first figure out what you want and what you don’t want, and you absolutely must learn how to be honest and clear in your communication about it.
This is how all relationships are supposed to be, but BDSM has made communication and consent its holy mantra. We actually have checklists, for God’s sake! Some of us even have contracts!
I think back to my first “vanilla” sexual experiences, and I wish that I’d had the strength and wisdom to say to my partner: I want this, not that. More of this, less of that. And can we try X, Y and a little Z? Because that is exactly what you do before engaging in play of any sort in the kinky world, whether it’s a casual “scene” at the local dungeon or beginning a relationship
Unfortunately, some women do come into this without understanding that being a submissive does not mean you are submissive to just anyone and everyone. Sometimes we have to educate those self-proclaimed dominants who think any and every submissive is his for the taking. Want to start a small-scale war? Just let a dominant man walk into a club and snap his finger at the first woman he sees with a collar around her neck, barking, “Bring me a drink!” It’s not her master that will cut his balls off, it’s her.
 
I’ve used “him” as dominant, and “her” for the submissive, but that’s simply because that’s the particular dynamic that concerns feminism. The female submissive/male dominant coupling gets the most attention from the vanilla world, but it’s not the whole of BDSM.
BDSM is NOT about gender roles. Submissive and dominant have nothing to do with male/female. There are many female dominants and male submissives. There are women – straight and lesbian – who submit to other women, men who submit to other men. We talk about dominant and submissive as an orientation, like straight, gay or bisexual. It’s not unusual for someone to be dominant with one or more partner, and submissive with another.
I began exploring my fantasies when I was 38. I had been a rebel since college, fiercely independent and determined not to be defined by the men in my life. Yet in my secret fantasies, being dominated by a man in the bedroom really got my juices flowing. (I blame it on a Southern Baptist upbringing. I was intensely curious about sex, but was convinced that I would never have sex until my wedding night. Unless, of course, some dashing, mysterious pirate kidnapped and ravished me. Yes, please!)
When I finally began meeting dominant men, I found myself thinking, “Hell, I’m more dominant that he is!” I nearly put a stiletto heel through the foot of one “dominant” who got a little too persistent one night at the dungeon.
Then I met the right dominant. Not the right dominant for everyone, but the right one for me, and he happened to be male. I’d submitted to several women, and enjoyed it, but the sexual dynamic wasn’t quite right. I’d played with several men, and enjoyed it, but it wasn’t quite right either… until I found him.
There is something inside me that wants to submit, that gains tremendous satisfaction from it, but it will only come out when the right person calls to it. And when that happens, it’s as if the floodgates open.
Consider the enormous intensity of emotions that come from “play” that taps into our deepest, darkest and most primal places, that engages not just the body but the heart and mind.
It’s deeper and wider than mere “sex”: new sensations that you never knew were possible, exploring the body more thoroughly than ever before, sending adrenaline and endorphins and hormones coursing through your veins to heighten every sensation. You are doing things you have always wanted to do but never before dared, things that require more trust and honesty than you have ever shared with another before….
How could I not adore the person who gave me all of that? When I came through whatever he asked of me, and saw his pleasure and pride in me, it was the sweetest satisfaction I’d ever known. Did I question myself as a woman? Yes. But I got over it. Because isn’t the surest definition of a feminist a woman who does exactly what she wants because it makes her happy and fulfilled?
It’s tough to admit but one of the things I came to love about D/s was the clarity and simplicity of it.
I’m certainly not arguing for a throwback to 1954, because such clearly defined roles can never work without the wholehearted choice of a willing heart. That was the whole problem with 1954: it was assumed that every woman would be a good little housewife whether she wanted to or not. There was no choice involved at all.
But neither should you think that a D/s relationship means Sir gets to have his way all the time and I just have to go along with it. I have choices. He has obligations. And every bit of it is open to negotiation all the time.
When I became my Sir’s “slave,” I willingly made all my thoughts and feelings his property, which meant that it was not my place to decide what to hide and what to reveal. Sounds barbaric? Then consider what it means: none of that silent stewing that we women so often fall pray to. I’m not allowed to say, “I’m fine” when I’m really pissed as hell. No sulking allowed.
In the D/s relationship, my responsibility is to be honest and truthful, as long as I express myself respectfully. And he has the responsibility to listen to what I tell him, to be sure my needs are being taken care of, that I feel valued and loved.
In agreeing to be his slave, I agreed to give up the struggle to always be right, and that was a BIG one for me. Not to get the last word. Not to score points with a stinging comeback. No more keeping score of his mistakes to hit him over the head with later. I realized just how much bullshit sexual warfare there had been in my other relationships. To give that up was such a relief!
There is no one correct way to do any of this. Do some masters/mistresses refuse to let anyone speak to their collared sub without their permission? Some do. Mine has always told me that he doesn’t require or want such micromanagement, and that he loves me for being an independent woman who can speak for herself. And if he’d wanted to micromanage me, I probably wouldn’t have remained his for all these years. The D/s only works when both individuals needs and desires mesh and complement each other.
The whole issue of the collar is a sore spot for many feminists. But there’s a vast difference in what an outsider believes the collar to mean, and what it really means to those who practice BDSM. A collar is as much as symbol of commitment as of ownership, the BDSM equivalent of a wedding ring, for those who take it seriously. For some, it’s just a fashion statement, a prop, a part of the “costume.” And it’s okay either way. We really like our costumes!
Last but not least, please understand that the desire to submit or to dominate is NOT the result of abuse or psychological damage. This is one of the most persistent and damaging stereotypes, and the favorite of those feminists who protest against BDSM as degrading to women. Are there survivors of abuse and incest in the BDSM community? Of course. They are also in your local Chamber of Commerce and PTA, because physical and sexual abuse is an epidemic in our society. But most of the people I know who practice BDSM come from very uneventful backgrounds.
The few I’ve known who do have abuse of some kind in their past have come to BDSM as a way of reclaiming the sexuality that was stolen from them. With its emphasis on communication and the sanctity of consent, BDSM gives them a safe space in which to work out those hurts and fears.
What has made Fifty Shades of Grey and other BDSM erotica so popular is exactly the same thing that brings women to BDSM in general. It’s arousing to think of being swept away by passion, to be so desired by a man that he wants to “take” you and “own” you. It’s exciting to break the taboos and walk along the edge of naughty. But none of it would be at all exciting or arousing if choice wasn’t at the core of it.
BDSM is all about choice, power, pleasure and self-realization. And if my book (Red) has helped readers understand BDSM even a little bit better, than I am more than pleased. I’m grateful.
For more information on Kate, check out her website.
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Sexy Saturday Round-Up

17 Nov

Photo by Dollen

Hello Sexy! This week I’ve been writing so much on Cravings, the second in my culinary romance series,  that I feel like my fingers need a break! There’s a lot of good writer-stuff in this week’s round up and a few sexy surprises thrown in. Enjoy!

Interested in BDSM or writing about it? Check out this blog. The BDSM Authors Play Room.

How to write niche erotica.

Sex scenes stuck in a rut?

The keys to conflict in romance writing.

Very useful post if you don’t know the difference between proofreading and editing.

Desiree Holt’s story about book covers and how they affect sales.

Jane Friedman on the power of book clubs.

Sugar Jamison on things writers shouldn’t do.

Just for fun, check out the sex experiment.

Stay hungry,

Liz

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