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Naked People Everywhere!

15 May

Serendipity-Nudist-Pool-AreaA new book I’m outlining has me considering whether it might work in the plot if I plopped my characters in the heart of a nudist colony. Now, believe me, I understand that such places specifically emphasize the fact that they have nothing to do with sex or lewd, provocative behavior. But, you know, I’m an erotic romance writer so methinks I can bend those rules a bit.  Except I started wondering: do people even go to nudist colonies anymore? Do they even still exist? I decided to do a little research, and what I found was rather revealing. :-)

For starters, people who practice this type of living no longer refer to their residences as “colonies.” The word “colony” has a negative overtone, such as “leper colony,” and it also sounds like it might be a cult. Folks who dig 24/7 naked live in “nudist communities” or “naturist villages” and frequently refer to themselves as “naturists.” There’s an organization that represents these clothes-free fans, the International Naturist Federation. According to their website, naturism is defined as “. . . a way of life in harmony with nature, expressed through social nudity, linked to self-respect, tolerance of differeing views together with respect for the environment.” Now you know.

There are also naturist resorts, where families can go for a vacation to get their naked on and enjoy activities such as swimming or tennis. OK, side note here . . . swimming in the buff is fun and I can totally picture that as a vacation kinda thing to do. But naked tennis? I’m pulling up some images in my mind about that one and they’re not good. Certain . . . appendages . . . would be swinging and shaking during naked tennis. And, sheesh, ow. It just seems painful and, you know, not pretty.

Alrighty then, moving on. So let’s say I do put my characters in a naturist village. What are the rules for living there? Aside from the obvious, sans clothes. From what I could find, there don’t seem to be a lot. Photography is discouraged unless you’re taking a quick shot of the family or your friends. But snapshots of others? Not so much. Put towels down wherever you sit. (good). Men who may show obvious arousal should discreetly cover up until said arousal calms down. Also, naturist resorts also claim not to tolerate “lewd and lascivious behavior.” Oh, but there’s where things get interesting.

One of the most famous naturist resorts is Cap-d’Agde in France. There you can live, work, shop, dine, whatever you want, in the buff. Singles live there, families live there. A large part of the place is a resort for vacationers. It’s touted  as a good place to have fun in the sun in the nude. But when the sun goes down, the parties heat up. Several reviews on travel website Trip Adviser mentioned the “swinger like” atmosphere that comes out once darkness hits. People spend the daytime part of their vacation in the nude, and the nighttime part dressed in party clothes (it can get cool at night, apparently) slumming for a good time. The Cap D’Agde website even has a section “for swingers” that provides information on a club called “Le Glamour.” Here we learn that “Downstairs is the sex area. There are some facilities with mattresses, but also a lot of people are just standing around having sex.” Well. That’s interesting. My plotting mind is churning with ideas.

Whether or not I decide to go the naturist route, I’ve certainly learned a thing or two about what I thought was a a leftover relic from the ’70s. For me, when I’m out in public my clothes are staying on. But for my intrepid hero and heroine, perhaps not so much . . . :-)

Name That Character

1 May

by Elizabeth Shore

Who Am II’ve recently begun outlining a new contemporary erotic romance. I’ve got the story fairly well conceived, but I needed inspiration for my characters’ names so I turned to one of those “name your baby” books. While thumbing through the pages and weighing my choices, I came across an interesting tidbit. Back in 2006, a psychologist conducted a study in which six pictures of women all deemed equally attractive were shown to a population of college students with fake names attached to each picture. Three of the women were given “pretty” names, and three were given “unattractive” names. The names’ desireability, by the way, had been previously determined by an earlier student survey. You can probably guess the results. Not only did the women with the pretty names garner far more votes by the male population, but they were the clear winners among the female voters as well.

Name association is powerful. Think of the images brought to mind when you hear the female names Bertha, Edna, or Agnes versus Tiffany, Bambi, or Dawn. Quite a difference, right? Now let’s consider a female protagonist who’s sexy, smart, and beautiful beyond words. She travels the globe on behalf of her spy agency, using her intellect and feminine wiles to pry information from powerful men and get whatever she needs. What’s this savvy gal’s name? Isabella? Nicole? Lola? Maybe even Sophia or Gigi. The name of this character depends on many factors, including one’s personal history with a particular name. But it’s a safe bet that our female spy protagonist isn’t going to be called Ethel. Or Madge.

This is true for the guys as well. Our heros need heroic names. The powerful leader of a multi-billion dollar international conglomerate just isn’t going to be named Dudley. He might, however, be Jackson, Mark, or Miles. There are also regional association to consider. Jeb or Clint are names with more of a southern flair versus Malcolm or Frederick that sound more northeastern.

But what if, as a writer, you simply love the name Wilbur? It’s got some positive association for you because you once knew someone with that name, or maybe you just like how it sounds coming off the tongue. Can you create a macho, powerful character and name him Wilbur? Why not? (and don’t wimp out and call him Will for short. He’s Wilbur, damn it!) For a writer, it’s an interesting challenge. Give your character a name that doesn’t initially conjure up a specific image, whether that be sexiness, or masculinity, or power, or elegance. Call your heroine Beulah, for example. Make her a stunning beauty, a media maven, a corporate powerhouse. Whatever you want, but something that doesn’t initially seem to fit the Beulah image. I think it’s a creative opportunity for a writer to own that name and turn it into something that doesn’t, at first glance, seem like an obvious choice.

I suppose there are some names that just aren’t going to fly, despite the talents of the writer. A main character named Rambo, for example, calls to mind a specific image that may be impossible for readers to shake. Same with Rihanna. Or Madonna (but really, would you actually name a character Madonna?).

In the meantime, I continue developing my characters. In time, as I get to know them, they’ll eventually tell me their names.

Writing Advice from the Sisters

19 Apr

by C. Margery Kempe

I’m a member of Sisters in Crime and the 2012 Publishers Summit Report has come out. This is the advantage of belonging to writer organisations: insider info. I’m a member of the upper Hudson (NY) chapter, Mavens of Mayhem, too and act as their social media wrangler. I’m giving a talk on Saturday about using Twitter as a writer.

The perks of membership: you get a lot of useful information and mentoring that might cost big buck as a conference or workshop, but are included in your membership fee. I know there are lots of chapters of Romance Writers of America across the States and the Romance Novelists Association in the UK.

I can’t give away all the secrets in the report, but I thought I would mention a couple of things that will get you thinking about how the writing field is changing:

Agent and President of the Writers House agency, Simon Lipskar suggests among other things that you surround yourself with people who give you good advice. If people like your editor and agent are not being honest and tough with your work, they’re not really going to help you in the long run. Lipskar puts it bluntly: “Get a different agent and editor.”

You may think that the Library Journal is only going to be interested in big names, but editor Barbara Hoffert says that they know libraries will buy big names, so they do look for smaller presses and debut authors. They need a big lead time, however; libraries may do their ordering six months in advance.

Sarah Weinman of Publishers Marketplace affirms that e-books remain the fastest growth area for publishing revenues and “bringing major change” to the field (sorry, but having been published in ebooks since 2008, can I say duh!). There are concerns about how the current cases under review by the Department of Justice may affect Amazon and Apple, but you can’t put the genie back in the bottle. She does think more short stories will appear online from major publishers.

There was a spotlight section with Shawn Nicholls, the Senior Digital Marketing Director of HarperCollins talking about marketing and how much of the responsibility now rests with the author. Nicholls talks about Facebook and Goodreads, putting excerpts on Scribd and running contests on Goodreads (they do print only). Not a word about Twitter, which shows where the Big 6 5 4 are on technology –

– behind their authors!

Where do you find your next read? Where do you find your readers?

Judging Books By Their Covers

17 Apr

Louisiana BayouIn preparation for the release of my upcoming book, Hot Bayou Nights, my editor asked me to let the art department know what the important elements are in my story that should be included on the cover. I was asked to look through several cover artists’ catalogues and let my editor know what I like and don’t like in a cover. Looking at covers in that way, meaning consciously thinking about what draws me toward some and not others, was a new experience for me but one I found really fun.

To Love AgainRemember when romance covers, especially historicals, all kind of looked alike? Those were in the Fabio heyday, when his chiseled form and face graced every other one of them. Prominently featured was the half-clothed heroine, heaving bosom threatening to spill out of her dress, posed submissively with a macho he-man. Those covers were all the rage for awhile, and the publishers put a lot of effort into producing them. Photo shoots with elaborate costumes and backgrounds were set up, and the cover illustrator would be involved in posing the models just so before heading back to the studio to paint the cover. This isn’t to suggest that there isn’t a lot of effort going into producing today’s covers because I know there is. But covers today look quite different and it’s interesting to review what covers make us want to give the book a closer review and what covers turn us away.

One of the things I had to consider was whether I want to include on my cover the faces of the hero and heroine. Tokyo TeaseCovers like this one, featuring just a sculpted torso, are quite popular. The anonymity of the hero’s face allows readers to imagine their own fantasy hero, kind of like a faceless mannequin lets us imagine ourselves in the fabulous clothes the mannequin’s wearing. For me, just the torso doesn’t quite do it. I can get with the appeal of imagining exactly the kind of face I want on my cover hero, but I do that anyway when I’m reading the story. Also, while I have NO PROBLEM with the sculpted abs, I guess I want a pretty face to go with them. Just a preference.

ServedMoving on, there are the book covers that are just photographs with nothing else, meaning no background. I see that a lot on gay romance covers for some reason. They’re nice covers, no unnecessary clutter. This book Served gives an example of what I mean. Kind of a different style, right? I get a good impression of the beach from this cover even though it’s not actually there, and can also surmise that there may be some menage scenes. That, however, raises an issue. It’s pretty clear that Served is a gay romance, but do we assume that the Tokyo Tease romance is straight? I do, but it’s not entirely clear to me why. I haven’t read the book, but I’ve made an assumption about the content. Interesting . . .

With the omnipotence of ereaders, romance readers don’t have to feel like they need to hide what they’re reading since no one can tell anyway. Before that, however, there was the era of benign flowers or jewelry or a garden path on a cover that looked romantic but didn’t scream to everyone around its identity. Pretty, but kind of dull.Must Be Magic

There are choices to be made between clean covers, maybe just the h and h embracing with little else, or elaborate, with h and h, a prominent background, and showy font. What about color versus black and white? Or monochromatic? Do you always stop and browse if there’s an animal on the cover? Cute puppy, perhaps? What about if the cover features your favorite escape, like a beach?

It’s tough to pinpoint exactly what draws us to covers. Ultimately I think it’s a combination of several elements: the book’s cover, title, author, and just plain what we’re in the mood for at the moment of purchase. As I ponder what I’d like on my cover, I’d love to hear from others as to what sucks you in for a look and what makes you walk on by.

Romance with Discipline

5 Apr
Mask by Leonor Fini

Mask by Leonor Fini

by C. Margery Kempe

I gave a paper at the Popular Culture Association Conference last week called, “Knocking from Inside: Forging Strength through Pain in V for Vendetta and The Story of O” and it seemed to go over well in the BDSM/Kink area panel, despite the fact that I was the only panelist who turned up. (O_o) The title comes from a Rumi poem about struggling with your own constrictions:

I have lived on the lip of insanity, wanting to know reasons, knocking on a door. It opens. I have been knocking from the inside!

But at a romance panel the next day I was disturbed to hear a lot of negative attitudes toward the erotic. One speaker described the arc of Fifty Shades‘ narrative as starting out as ‘BDSM’ and then ‘becoming romantic’ — as if it were not possible to have romance in anything but a vanilla relationship. I don’t know if the ignorance or the arrogance annoyed me more.

O’s voyage is one of self-discovery, but it’s also one that allows her to finally love without being dependent on her lover, as she is at the start of the book. When he sends her to the chateau in Roissy to undergo ‘training’ her only concern is pleasing him. She needs repeated assurances that he loves her, that he is pleased with her. But with all the floggings and bondage, she begins to transform and find a peace within herself:

And yet nothing has been such a comfort to her as the silence, unless it was the chains. The chains and the silence, which should have bound her deep within herself, which should have smothered her, strangled her, on the contrary freed her from herself. (38-9)

Pauline Réage [the pen name for Dominique Aury] herself seemed to find a powerful release from writing the book and discovering the truths which lay inside her heart, truths she had not heretofore acknowledged. Her essay “A Girl in Love” which is usually packaged with the otherwise lamentable follow up Return to the Chateau (which may have been penned by her lover and not Réage herself) demonstrates this power:

“The girl was writing the way you speak in the dark to the person you love when you’ve held back the words of love too long and they flow at last. For the first time in her life she was writing without hesitation, without stopping, rewriting or discarding, she was writing the way one breathes, the way one dreams.” (Return 7)

I have found this happening more and more in my writing as I stopped fearing what I could write or whether I could write and just wrote without censoring the thoughts that arose. Anything can exist on the page. It can also be edited or simply tucked away if it doesn’t fit into a coherent narrative. But the more we refuse to hold ourselves back, the more truthful our living. What exciting things can happen.

Even love. Are you still knocking from the inside?

Romance at the Popular Culture Association Conference

29 Mar

FiniOwl2smby C. Margery Kempe

I’m away in DC at one of my favorite academic conferences; partly because it’s chock full of friends that I only get to see these days at the conference, but also because it’s always a lot of fun! Here are some of the panels (thanks to Teach Me Tonight) that will be of interest to you folks, but see the whole program here.

Romance I: Fifty Shades of Scholarship

Romance II: Authors, Characters, Readers:  What’s Changed? What’s Changing? What’s Stuck?    

Romance III: Publishing, Texts, and Authorship

Romance IV: Across the Media: Iconic Moments, Cultural Narratives, and Real-Life Love

Romance V – Special Session: A Natural History of the Romance Novel Tenth Anniversary Roundtable: Pamela Regis and the Rebooting of Popular Romance Studies

Pamela Regis – In this presentation I will reconsider our shared work—to understand the genre itself and the texts that comprise it—from the temporal vantage point provided by the decade that has passed since the publication of my account of the genre in A Natural History of the Romance Novel. My focus will be on the state of our work on the American romance novel, and the challenges that face us.


Romance VI: Paranormal Romance    

Romance VII: Problem Texts and Questions of Ethics 

Romance VIII: Homosociality, Homoeroticism, and Bisexual Desire

Romance IX: African American / Black Romance

Romance X: Romance at the Boundaries: Race, Place and Translation

Romance XI: Romance Pedagogy: Teaching, Learning, Critique

Romance XII: Open Forum: Where are We, Now, in Popular
Romance Studies?

Romance XIV: Vampire / Romance Joint Round Table

Romance XVI: After Fifty Shades of Grey: Kink and Romance
Perspectives

Vampire in Literature, Culture, and Film VIII: Paranormal and Romance

Vampire ROUNDTABLE V: Walking the Line Between Paranormal and Romance: A Roundtable Inquiry into the Heart of Paranormal Romance

Fan Culture and Theory: Uneasy Pleasures: Ethics of Studies/Fan Studies Scholarship

Romance I: Fifty Shades of Scholarship

Romance II: Authors, Characters, Readers:  What’s Changed? What’s Changing? What’s Stuck?    

Romance III: Publishing, Texts, and Authorship

Romance IV: Across the Media: Iconic Moments, Cultural Narratives, and Real-Life Love

Romance V – Special Session: A Natural History of the Romance Novel Tenth Anniversary Roundtable: Pamela Regis and the Rebooting of Popular Romance Studies

Pamela Regis – In this presentation I will reconsider our shared work—to understand the genre itself and the texts that comprise it—from the temporal vantage point provided by the decade that has passed since the publication of my account of the genre in A Natural History of the Romance Novel. My focus will be on the state of our work on the American romance novel, and the challenges that face us.


Romance VI: Paranormal Romance    

Romance VII: Problem Texts and Questions of Ethics 

Romance VIII: Homosociality, Homoeroticism, and Bisexual Desire

Romance IX: African American / Black Romance

Romance X: Romance at the Boundaries: Race, Place and Translation

Romance XI: Romance Pedagogy: Teaching, Learning, Critique

Romance XII: Open Forum: Where are We, Now, in Popular
Romance Studies?

Romance XIV: Vampire / Romance Joint Round Table

Romance XVI: After Fifty Shades of Grey: Kink and Romance
Perspectives

Vampire in Literature, Culture, and Film VIII: Paranormal and Romance

Vampire ROUNDTABLE V: Walking the Line Between Paranormal and Romance: A Roundtable Inquiry into the Heart of Paranormal Romance

Fan Culture and Theory: Uneasy Pleasures: Ethics of Studies/Fan Studies Scholarship

And mine:

BDSM/Kink/Fetish studies (Frantz) BdsM/kink in film, Pornography, and Japanese Culture
Virginia suite C 8:15pm-9:45pm WED 27 March

“from now on, i will do the things i like:” Ito Seiu, Minomura Ko, and the emergence of kinbaku (erotic rope Bondage) in Japanese Popular Culture
Douglas Thomas

Pornography as the New tool of the intellectual historian
Joseph Wright

Masochistic desire in luis Bunuel’s Belle de Jour
Julia Smith

Knocking from inside: Forging Strength through Pain in V for Vendetta and The Story of O
K.A. Laity [AKA C. Margery Kempe]

A Hero or a Zero? Finding Inspiration in Real Life Detectives

4 Mar
Real detectives don't look like this.

Real detectives don’t look like this.

Hidey-ho,  readers! Madeline here.  I’ve been doing research lately on my current WIP by studying real men who fight crime.  It started with grilling a cop who came by to investigate our car when it was broken into, and has continued with taking notes on news programs or real-life cop shows that go through a homicide case from soup to nuts.  Sometimes I feel like a sleuth myself tracking down a difficult-to-find source.  For instance, I knew about an out of print video of an FBI profiler but had to track it down in live streaming format when all other sources failed.

So far I’ve filled up three note pads with the details surrounding detectives–mainly the jargon they use.  There’s a certain way that these detectives use language in their reports, and they tend to fall back on this kind of nomenclature when talking to each other or when picking their words with care as they interact with civilians. Not bullet holes but defects.  Not people, but certain individuals.  Post-mortem abrasions vs. peri-mortem contusions.

While I’m soaking up the lingo, my mind is performing a casting call.  I need some heroes and some zeroes.

Picking my heroes is easy.  I spot them right away.  Picking the true zeros is much harder.

They look like this.  (Blue tooth earpiece not shown.)

Hero or Zero? (Blue tooth earpiece not shown.)

I was surprised by how fast I identified the heroes.  Some are real diamonds in the rough.  I was watching one captain, for instance, who’s fast on his feet and relentless.  Sounds like a hero, right? Sure, except the guy sports a pervy little mustache and has a phone headset in his ear at all times.  Ish.  At the same time, whenever I watched him in action, for some reason I felt an inner thrill.  Yes, he was pouring through the garbage at an apartment complex in the middle of the night.  Yes, I know that doesn’t sound romantic or cool. When he came up with dumster-diving gold: a scorched t-shirt used in the shooting I wanted to clap. How did he know? How did he find it? The man is a genius. When it’s clear that the trial is going to be a slam dunk, I’m scrambling to finish up my notes while Captain ‘stache hands out all the credit to his men. Now that’s a hero.  I’ve resolved to give him a little make-over before he goes into my book.

The make-over.

The make-over.

The rest of the men I watch who aren’t heroes aren’t really zeroes either.  Mostly they’re  just normal.  Obviously they’re very hard working guys, I just wonder if they have insight into how criminals think? I’m not seeing it.  Can their mind remain agile when they’re tired after forty-eight hours without sleep?

I’ve found one spectacular zero.  He complains on camera about the heat and how overwhelmed he is.  Poor thing.  Yet he’s got five senior detectives on the scene with him.  They’re helping him keep up his paper work, they’re canvassing the neighborhood for him, and they’re all wearing long sleeved shirts and ties just like he is.  But while they are doing whatever they can to help him solve this case, he is wondering where he can find some water and wanders off camera saying he thinks he’s maybe going to pass out.

Excuses, excuses.  What I’ve learned by doing this research is that a zero feels entitled.  He is always pretending to be more than he seems.  In fact, he’s less.   The heroes, meanwhile, may not look like much to the eye at first, but they have hidden depths of fire and nerve.

Do you think women romance readers can enjoy a hero who’s not an Adonis with a strapping build?  I could.   Based on guys I’ve dated, I can confidently state I could get into a hero who’s a little ugly.  But, sorry Captain, even I draw the line at a hero with a pervy little mustache.

Sexy Scotland, Honey, and Skeps: Digging in to Research

26 Feb

Right now, my first culinary romance is out (SAFFRON NIGHTS), my second book in the series, CRAVINGS, is with my editor at Kensington and I am starting to write and research the third.  I’m calling it HONEY, but that name may change. (Glimpse the crazy life of a series writer. Let’s not go into the fact that I also write another series under another name.)

I’ve long been fascinated by honey and bees. The more I read about them, the more fascinated I become. I long for the time, property, and money to dive in this hobby and keep my own bees.

So far my research is consisting of reading books and web research. The book I’m reading now is “Robbing the Bees: A Biography of Honey–The Sweet Liquid Gold that Seduced the World” written by a non-fiction writer, Holley Bishop, who became obsessed enough to get her own bees.

For my story, I don’t need to go into in-depth descriptions about how hives are built and hive-society works, and so on. But I think reading as much as I can about it will help to inform the story. For example, in doing this research, I’ve become enamored with skeps, those round straw-built hives and I may give my character a little antique collection of them. These little details are one of many that helps to give characters depth.

7966339598_19c41d75e4

Photo by UmbrellaHead.

And I do need a more than a basic understanding about honey—after all the story is set around large honey business in Scotland.

My main female lead inherits a country farm in Scotland. At first I thought if might be France. But France with it’s perfect climate and upscale culinary appetite was a bit too easy for my beekeeping adventure. Scotland is fraught with weather adventures that challenge beekeepers. The more challenge the better.

So Scotland it is. And while France has a sex-appeal, Scotland is much more alluring and more sexy to me. Something about those highlands and the rugged wild nature of parts of Scotland that just makes my insides sit up and take notice. So to speak.

So I’ve been digging around a bit about Scottish country living and have even picked the kind of house Jennifer lives in. (If you follow me on Pinterest, I’ve got a research board full of gorgeous photos of Scotland.)

I also have a friend who lives in Scotland. She’s filled me in on things like the weather, how long the daylight hours are, and just how difficult it would be to have sex outdoors in most places in Scotland.

One of these days, I hope to be able to travel to the places I write about. The few times I’ve actually done that have turned out well. But, for now, it’s personal connections, books, and the internet. How about you? What kind of research methods work best for you?

Every Day Sexy Food

12 Feb

The couple in my book, SAFFRON NIGHTS,  is exploring aphrodisiacs of the exotic variety. They are traveling the world in search of the real thing. Of course they find a whole lot more than the reported aphrodisiacs. But some of those in the book include saffron,  durian, which you can’t find everywhere, and that odd Stinkhorn mushroom only grown in Hawaii, along with truffles, ginseng, and so on.

I thought it might be fun to take a look at some of our every day food that has been reported to have aphrodisiac qualities. Some you might have thought about, but others might surprise you.

Chocolates. Yep, you’ve heard about chocolate. Most of us get this one. But science has proven that chocolate makes you feel good, so, of course, if you’re with someone that you’re attracted to, one pleasure might lead to another.

Honey. This one might surprise. We put it in our tea, add it to bake goods for sweetness, and so on. But for countless years, people have thought of it as a love-potion. Hmm. And if your think of it’s qualities—sticky and thick. You can probably figure out why.

Photo by Siona Karen

Photo by Siona Karen

But honey is fill of nutrients as well as sweetness. Being easily metabolized and rich in B-vitamins, enzymes and amino acids it helps to pump the energizers through your system. Healthy people are definitely sexy people.

Tomatoes. As I wrote about on my own blog, here,  tomatoes have been known as the “love apple “and have a delicious, sinful history of being outlawed by the church and so on. We all know how sinful things are just SO much more sexy, right?  We also know how tasty they are. Add in some of the juiciness and fleshiness of it and well, you get the picture.

Bananas. Okay we all get the obvious here, right? That luscious phallic shape. But you’ll also find that bananas are loaded with potassium, magnesium and B vitamins. It also contains chelating minerals and the bromeliad enzyme, said to enhance the male libido.

Photo by Fabio Ricco

Photo by Fabio Ricco

Asparagus. In 19th century France, bridegrooms were served three courses of the sexy spears at their prenuptial dinners. Years later, science has backed this one up, too: asparagus is a great source of potassium, fiber, vitamin B6, vitamins A and C, and thiamin and folic acid. The latter is said to boost histamine production necessary for the ability to reach orgasm in both sexes.

You see,  you don’t have to travel to world to explore the pleasures of aphrodisiacs like my characters—or spend a lot of money on this. Some of them might be in your pantry, or growing in your back yard. If you interested in food and sex, you might like to follow my boards on Pinterest. I have a Sexy Food board and a board called Yum with some very sexy images I’ve collected. See you there.

Sexy Saturday Round Up

8 Dec
Photo by Dollen

Photo by Dollen

Ho-ho-ho Christmas revelers.  Here is a bit of holiday cheer, just for you.

Smutketeers is rockin’ around the Christmas tree with a 12 day massive book give away, including a 200.00 gift card.

50 Shades of Grey is the Gift that Doesn’t Stop Giving—to this publishing house at least.

We think eggnog is an aphrodisiac–so we’ve included this interview with foodie romance novelist Kimberly Kincaid.

Once you’ve made peace with your relationship to eggnog, here’s a dose of sanity about how to think of your thighs

Will you be home for Christmas? Amber Adams thinks whoever said you can never go home was an idiot. 

What’s Santa got in his sack just for you?  Let’s see…

Carina Press is putting out a call for holiday novellas in four flavors.

Oliver Rhodes wants you to take control of your brand.

Nara Malone offers a simple way to double your daily word count: http://passionatereads.com/2012/11/08/nanowrimo-tip-simple-way-to-double-daily-word-count/

Finally, for all you history geeks out there doing research, know when to say when.

Now go stand under some mistletoe. :)

Peace & Nutmeg,

The Lady Smut Elf

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