by Kiersten Hallie Krum
That’s right, I said watching. Good Behavior is a television show, newly debuted on the TNT network last week and holy cats, is it a doozy. It’s like the best dark romance we’ve never before had on TV and didn’t realize we were missing, with an unlikable heroine you wanna root for despite the jail time and the drugs and the booze, and a villainous bad boy with potential alpha hole tendencies you want to climb like a tree despite, ya know, that whole pesky hit man thing.
Also, it’s *seriously* hot. They are seriously hot together, and they’re not even sure whether they like one another yet, but they’re stuck together and, holy hopping snot, do they spark.
Lately in Romancelandia, the dark romance has become a thing–or a thing again as some form of dark romance has been around since the late eighteenth century. In its current conception, these are romances where the hero is a mobster or something nefarious and comes into the heroine’s orbit through some criminal manner. He proceeds to do some pretty terrible things to the heroine, despite having feelings for her. Often, these terrible things are sexual and there’s a lot of explanation about how the heroine shouldn’t like what she’s doing and oh this is so bad but she can’t stop it or A Bad Thing will happen. Things proceed, bad guys often show up putting lives in danger, feelings grow, behavior is forgiven, lather, rinse, repeat. I’m blasé about this sub genre because to me, it smacks too much of the rapetastic, forced seduction, Great Misunderstanding historicals of the 80s and early 90s only updated from disenfranchised Scottish bandits and English roses to Russian Bratva and the daughters of their mortal enemy. That’s not to say I don’t like romances with heroes and heroines of dubious character and motivation. Done right, I *love* them, but I’ve yet to find a “dark romance” that makes me care enough to send my very best. Even after reading all of the Dark Mafia Prince books and Kresley Cole’s The Master, The Professional, and The Player series, both highly recommend dark romances series, yet I remain unmoved. Though I will add the caveat that the biker romance sub genre could absolutely be seen as dark romances and, as any regular Lady Smut reader will know by now, with those books I am totally on board.
I DVRd Good Behavior because TNT advertised the crap outta of it for the last two months and that usually annoys me enough to either tune in to see what all the hype is about or tune out completely (which is what I did with that Animal Kingdom show despite the fact that it features the great Ellen Barkin). It took me till midway through the second episode to realize I was basically watching a dark romance, and, this time, I was loving it.
Given the lack of a comparable “blurb”, here’s the gist of this show: con artist, meth head, alcoholic, Letty Raines (Michelle Dockery, late of Downton Abbey) has just been let out of jail early for good behavior. She’s trying to stick to the straight and narrow, as ugly as that often becomes, in order to get back her parental rights to her son. But she can’t keep from her thieving ways, ways that include robbing high-end hotels (and that also involve ever entertaining costume and wig changes). While she’s robbing one hotel room, the guest returns early. As she hides in the closet, Letty overhears a hit man planning a murder with the soon-to-be victim’s husband.
Eventually, Letty makes her escape, but she can’t stop thinking about the woman who is about to be killed. She goes back to the hotel in a different disguise and tracks the hit man to a nearby club. After manipulating their version of a meet cute, she and Javier (for such is his name) proceed to have the best date ever, during which Letty gets totally hammered. They totally lie to each other nonstop through the entire date, but they’re both also having an outstanding time, sparking off one another second by second on multiple levels. They are totally into each other.
Dinner leads to some smoking hot sex, as it so often does, thank sweet baby Jesus. In the morning, Letty manages to sneak a peek at the information for the hit. She tries to warn the woman who is to be killed, but Javier (Juan Diego Botto) is right behind her and, when she and the victim confront him over a shotgun, he tells the victim that she knows why she’s been targeted even if he doesn’t. It’s here that the victim grabs the shotgun from Letty and holds it on Javier. So clearly, she definitely does know why she’s been targeted. By now, sirens can be heard as they called the cops before confronting the hit man. Javier, mostly unruffled by this chain of events, orders Letty to take the car out front, along with the money in it, and go. Letty, still a work in progress, goes, leaving the other two to whatever will play out.
Shaken by what’s happened, Letty decides to do a swan dive off the wagon, buying up a bunch of meth and washing it down with vodka. First though she calls her parole officer and leaves him a broken message about how she’s giving up and giving in. In the middle of her bender, Javier finds her (making a wildly dramatic entrance). He flushes the rest of her meth down the toilet and tells her that, since she took his money, she now works for him.
That’s just episode one.
In episode two, Javier forces Letty to play his wife at an exclusive hotel in the Smokey Mountains. He’s on a job and he needs her to play the role. Role-playing is what Letty does best–both on the job and in her life–and she can’t escape the siren song of all the wealthy trappings that surround her, waiting to be plucked. Plus, there’s the fact that Javier will kill her if she tries to run.
And he absolutely will do this. He might not want to and he might hate doing it, but make no mistake, Javier is more than capable of killing Letty. She knows this and believes this, but she’s also deeply attracted to him and not just sexually, though that continues to flare. It’s like once the light goes on and Javier realizes she’s a thief and a con artist, all the pieces click for him and he really likes the puzzle that falls into place. He doesn’t like the drugs and self-destructive behavior, but he does like the woman he sees is there once Letty gets over and past her own shit. She genuinely wants to be a better person, she just keeps giving up. Javier doesn’t pat her hand and placate by saying, “I know you’re trying,” he tells her “Try harder. You could do if you’d just stop screwing up.”
Javier gets her. He gets all of her. By the time he catches up with her, he knows her entire past, her rap sheet, her sentencing, what made her lose her parental rights, even how many abortions she’s had, for crying out loud. The guy’s information is damn thorough. And when he reads down the laundry list of her crimes, ticking off her life in one line item after another, the despair that engulfs Letty to hear her life encapsulated like that is palpable. When, seconds later, Javier points the gun at her forehead, Letty closes her eyes, waiting to die because, after that list, what really does she have to live for?
Initially, Javier does seem to plan to kill her, but in that moment, he sees something in her that stops him. I think he sees how broken she is and just can’t put her out of her misery. Because he also sees (as does her parole officer, ironically) that she has immense potential to live an extraordinary life if she’d just stop screwing it up. So instead, he kidnaps her and forces her compliance in his next hit.
Letty is drawn to him. She disgusted by and terrified of him, but she’s also keeps coming back to him. She could’ve seen him go to the club and, knowing he was out of the hotel, go back to his room and find the information on the hit. But she follows him instead and forces a meet, then goes to dinner with him and then to bed. She feels that pull too and despite ongoing attempts, can’t shake loose of him. Part of this is because Javier knows she’s a runner and is constantly in her path. He doesn’t want to kill her and more doesn’t want to lose her, and so he puts in considerable effort into keeping on top of her. But this is still a seriously scary dude.
Established as a couple on the 10th anniversary trip, Letty makes friends (as ordered by Javier) with the wife of his mark. She can’t keep herself from lifting a necklace from the woman’s friend, though, and later models it for Javier. They commiserate over the gullibility of the woman and sink more deeply into their role play, spinning out the fiction of how they met ten years prior and how he won her. This leads to some sexy times–like, uncomfortably sensual without being exploitative or extraneous–in the middle of which Javier whispers, “Happy Anniversary, baby,” with a wicked grin. And Letty laughs, full and unabashed, no calculation, because in that moment, they’re still role-playing their fiction, but yet there’s a level on which it’s deeply real, and they both know it. They get it. They get them. (This was also the moment when I was completely done and totally in.)
— Chad Hodge (@chad_hodge) November 16, 2016
Afterwards, he again orders her to return the necklace and he gets pretty damn scary about it too when she bucks, all while still inside her. Yeesh, it’s awful but still so sexy. It’s the dark romance!
This is Letty’s last straw and she finally bolts, but she’s waylaid out the back of the resort by the mark and his wife who are sneaking a joint. Forced by the role-play to smoke with her new friends, Letty’s still there a moment later when Javier comes around the bend. He immediately hauls Letty in and kisses her, a hard kiss of genuine relief, and tells her sincerely, “I’m so glad you didn’t leave,” which manages to bewilder Letty even more.
Look, I don’t know if or how the show is going to maintain and expand this initial premise going forward, but even if it winds up being Letty and Javier pulling of con jobs and arguing and struggling with each other and with themselves to be better people and what that might mean in the kind of lives they’re leading, I’d totally watch that. Their chemistry alone is compelling, but there’s also the complexity of their characters. We’ve already been given hints that Javier’s murderous business may have a noble patina (though murder for hire is bad! Bad, I say!) and while Letty is an adept thief and grifter (and Meth is bad. Bad, I say!), she often displays an emotional fragility and vulnerability at odds with her history and felonious bent. She wants good things, she wants to do good things, she wants to be a better person, she just has no idea what that means in real life. It’s possible, Javier could help her find out.
The romances–dark or otherwise–that compel me the most as a reader and are at the core of what I want to create as a writer, are ones where the heroine and hero “get” one another like no one else can, and where they love one another not in spite of what may be their worst traits, but almost because of them too. They’re the romances where they ultimately make one another better people (and that being better might have dark tints to it depending on the story) and that intimacy that grows between them enriches who they are and who they can be together. I see those things Letty and Javier in Good Behavior. I can’t wait to see more.
To sum up, here are some quotes from behind the scenes videos on Letty and Javier from their portrayers.
Juan Diego Botto on Javier: When Javier looks at Letty, he sees a beautiful, smart, intelligent, sensitive woman, and he’s absolutely fascinated by her. He’s fallen in love with her. We’re, all the time, fighting. I like you but I hate you. I want to be with you but I want to be alone, I’ve always been alone. That is happening all the time.
Michelle Dockery on Javier and Letty: Him being a hit man is in some ways irrelevant to Letty. She’s not attracted to him because he’s a cold-blooded murderer. It’s not about that, in fact she wants him to stop doing that. It’s more about this connection that they have from the get go that makes him want to be a better person.
Juan Diego Botto on Javier’s role in Letty’s sobriety: He’s very on top of her not to drink, but I think the main role that he plays in her being sober is confidence; I think I make her feel better about herself, and that’s, I think, the bigger role that I play in her recovery.
Good Behavior is on Tuesday night on the TNT channel. Check your local listings. Past episodes are available at TNT.com.
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Writer, singer, editor, traveler, tequila drinker, and cat herder, Kiersten Hallie Krum avoids pen names since keeping her multiple personalities strait is hard enough work. She writes smart, sharp, and sexy romantic suspense. Her debut romantic suspense novel, Wild on the Rocks, is now available. Visit her website at www.kierstenkrum.com and find her regularly over sharing on various social media via @kierstenkrum.