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Fantasizing About The Hot Villain: Women as Hunters

20 Apr

by Madeline Iva

Who here sees a movie and winds up fantasizing later on about the hot villain? Raising my hand. WHY is my question. Why aren’t we fantasizing about the hot hero? (I mean, maybe we are. Sometimes.) Last week I talked about the hot villain being redeemed all the way into becoming an anti-hero. Here is another post about how we are bitten by the compulsion to use a hot villain as fantasy fodder.

How many Harry Potter fans found Snape a bit more interesting than all the other characters? Raising hand again. Of course, Malfoy fan fic is popular all across this great land. (Bonus points for those who add a queer element.)  But cold snobbiness is not so obviously a turn on–so what is?

THE VILLAIN AS ROMANTIC CHALLENGE:

Some women are hunters.

I loathe shopping, but I believe that some women shop as a form of hunting. They hunt down a bargain, they trap their sale item, and display their trophy at home. Myself, I love capturing a shy person at a party.  If I can get a shy guy or woman to crack open and talk about themselves, then I am so happy lapping at all that hidden goodness within.  Here’s my theory: if you are more comfortable at a party when you have something to do vs. just hanging out, I’m guessing you like to hunt a potential mate who presents some kind of challenge.

On the other hand, we need to respect the fact that some women like hunting men as an attention game for the sheer sport of it, whether they’re also looking for sex, romance, or a husband.  The idea of women hunting after men often used to have a really negative connotation.  But let’s face it, women really are socially very powerful.  For instance, there’s a Georgette Heyer book called AN INFAMOUS ARMY in which the heroine ‘Babs’ is in a mood, so she decides draw a man clear across the room to her with just one look.  She’s that kind of vixen.  Later on, she’s almost undone when she finally lands a guy she actually likes, because the vixen thing only works well when you don’t care, and by that point she cares a lot more than she wants to.

Spike is love’s bitch, and he’s man enough to admit it.

I decided to try a Babs-ian moment at one point in my life.  People were dancing and I was having some kind of crazy hormonal surge that left me feeling ridiculously full of confidence.  I spotted this guy on the other side of the dance floor–a blonde–and just BAM! Gave him one look.  It worked.  I watched with a bit of amused disbelief as he came across the crowded dance floor.  He turned out to be mega-cool and by the end of the night we had a thing going on.  (He dumped me a few months later.) On the other end of the spectrum, luring my Sweetie into a relationship was a much more subtle and drawn out process.  In those moments where I would entice him to yet another fun social event where we could bond, I was like a different person.  Kinda hunter-y, though that’s not how I’d put it at the time.  But definitely confident, goal-oriented, and–um–compelling.  Of course, I was an insecure mess the rest of the time, obsessed and anxious, desperate and yet still hoping.

My point is: the heart you have to conquer is the heart you’ve earned.  And when it comes to villains, they’re just not easy to conquer. Maybe they’re selfish, or mis-trusting.  Your above-average intellectual villain wouldn’t fall for you just because of your looks.  He’s probably more discriminating.

THE VILLAIN WHO HAS A HEART–though it’s “small and tiny, and he can’t remember the last time he used it.”

Your ideal hot villain cares for only one or two people–if that.  So in the fantasy, the villain who only has the capacity to love in the low single digits–loves you. You get to be within that circle of protection. You get to be one of the chosen few.

Even better–villains are often virgins of the heart when it comes to romantic feels.  He’s having new feelings he’s never had before, and this makes your encounter all the more scrumptious.

The fantasy about the villain is he can be so awful to others, but stops being simply awful to you.  He just can’t.  He may even be frustrated and unhappy that he can’t.  Being unable to act like an utter sh** the way he does to everyone else becomes proof that whether he wants to or not, he’s got the feels for you, and he’s got it bad.

THE VILLAIN AS COLD, ISOLATED MAN:

Fassy as Magnito in the Xmen franchise might as well be singing “Allllll by mysellllf”.   He’s an iceberg and you want to thaw him out. 

THE VILLAIN YOU PRACTICE YOUR SUPER-POWERS UPON, AKA THE PLOT OF EVERY DARK ROMANCE EVER WRITTEN:

 I love a Villain who does some bad stuff but also some good stuff and shows real anti-hero potential. In Dark Romance the villain/hero does a lot of bad stuff–even to the heroine.  Yet the heroine holds out a kind of hope:

  • if we can bond,
  • if I can show him I trust him,
  • if become one of the very few HE TRUSTS

…then I’ll be safe via some combo of my looks/personality/vulnerability/wits/social powers, and gift of persuasion…

…and therefore I survive and therefore I WIN.

Yeah—call this Stockholm Syndrome–sure, go ahead.

But Stockholm syndrome had a negative connotation of a kind of victim-hood, whereas what I’m talking about is slaying your skulking hottie villain with love-bonding.

This is less about being a victim and more about working raw survival skills when you’re at a complete disadvantage using only your powers of attraction and persuasion – which can feel like a sort of triumph and conquest. It’s like killing someone with one tiny piece of string.

SO WHY ARE WE LIKE THIS?

Why are we attracted to men with limited or negative qualities? Why aren’t we just wired to dive onto that sunny, friendly, honest good guy and not let go?  Welp.  I think it has something to do with The Warrior Gene problem.

THE WARRIOR GENE

There actually is a genetic variant that some humans (men) have which they call the warrior gene.  With this genetic variant you can get empathy, but it’s rather limited.  For instance, you can have soldiers who are efficient killing machines in battle, but still display love and caring for their family and children. This gene shows a middle ground between ‘normal’ people who really don’t like to hurt others, and sociopaths who have a hard time caring for anyone but themselves.

Okay, so here’s my whack theory: I hypothesize that there’s a counterpart to the Warrior Guy gene.

THE WARRIOR MATE GENE

Let’s call it the Warrior Mate gene.  The Warrior Mate gene (if it exists) would be a genetic variant that makes women highly attracted to Warrior Guys–even if Warrior Guy is sometimes a dick. I mean, in terms of evolution, Warrior Guy is the perfect mate waaaaaay back in the day, right? He won’t attack and abuse the children or you, but–and this is key–he will protect the family against ruthless, violent attacks. His lack of emotions in the moment of battle will give him an edge and he will be competent and unhesitating when it comes to killing.  Of course you’d be wired to look for this guy and to be attracted to him and draw him in close.

Further whack theory: this is why we women have evolved to process relationships to a much greater degree than men. (There’s science to back this up.) We need to sort through all the good and the bad when it comes to guys–sifting fine nuances in behavior–because sometimes the bad can work in our favor. I mean, look, if the Huns are on our doorstep we can’t go fight them all if we’ve got three knee-biters to look after. Right?

Do you revel in a good villain? Let me know in the comments section below.  Speaking of reveling:

We’re only two weeks away from our big event at RT.  Join LadySmut bloggers at the RT Booklovers Convention May 3-7, especially at our super special reader event – Never Have You Ever, Ever, Ever. Win crowns, fetish toys, books and more! Goodybags to first 100 people in line! Wednesday, May 3 at 1:30.

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on AmazonBarnes & NobleKobo, and through iTunes.  Sign up for Madeline Iva news & give aways.

Reasons To Bang The Bad Guy, Pt. 1

13 Apr

by Madeline Iva

Saranna DeWylde got me thinking yesterday about why we’re so attracted to awesome villains like Loki. Because we are. I am.  Before I unleash my perverse romantic side, let us be clear: I’d never go near an evil dude in real life.  (I can’t help thinking of this guy who said to me in college: Women only like assholes, never the good guys.  No, David, most of us like the good guys.) That said…here’s the break-down on why we are simply fascinated with depictions of excellent villains and their equally hot cousin, the anti-hero.

(What is an anti-hero but a villain who was so damn attractive he was morphed by popular demand into Super-Duper Flawed Guy.  Examples: Damon on Vampire Diaries, Spike on Buffy the Vampire Slayer, Sawyer on Lost — I could go on and on and on…)

From a romance perspective, a great, charismatic villain provides hideous temptation to fantasize.Their are specific qualities that particularly tempt us.  Let’s explore them, shall we?

THE VILLAIN AS A FANTASY OBJECT OF REDEMPTION:

  1. We especially like a villain with teeny bit of good in him: Romance readers are always willing take a small nugget of goodness and blow it up into something mate-worthy–even heroically substantial. Readers feel this especially for good looking men.  Would that we were as kind to women*** Anyway, Jamie Dornan playing Paul Spector in THE FALL is a serial killer, but also a loving dad to his daughter–therefore, it hurts when his world is falling down around him at the end and he has to explain to his daughter that he’s not going to raise her anymore and probably not see her again. There’s not the usual feeling of satisfaction that he’d been caught for his evil deeds and is going away for forever.  (I think the point originally was to show the audience that he’s victimized his daughter as well–but there was such an intense depth of emotion to the scene that it mutated into something more complicated, intriguing, and relatable.)
  2. Villain as misunderstood– underneath his/her reprehensible actions, there’s a world of hurt in that villain.  The villain needs someone to kiss the boo-boos and make it better. Frankenstein’s monster just wants to give the little girl a flower. Is it his fault she passes out from fear and people mis-construe the way he carried her off? He’s just MISUNDERSTOOD PEOPLE!
  3. Villain as a fish out of water – Loki fits this — he’s a fish out of water in Valhalla.  He’s intelligent and incredibly powerful, but despite his talents he’s not the leader–he’s not even one of them. Despite his strong call to lead, he’ll never get the chance because he’s a cuckoo in the nest. He’s all twisted up from the git go cause of the lies and things that were hidden from him – none of which is his fault. And frankly, NO ONE CARES to make it right with him. All paranormal monsters are always a fish out of water when it comes to normality–even when normality is being an immortal god in a giant hall at the end of a rainbow.
  4. Villains as victims/victims of betrayal:  Sebastian Stan was cat nip as THE WINTER SOLDIER in the movie of the same name.  Inside that weird bromance-core was an understanding of Stan’s plight: He can’t HELP IT – it’s not his fault—he’s been brainwashed!!!!  And those lips, yi.  Meanwhile, James Franco in Spider-man loved his father, and was blinded to the truth by his father, because his best friend and father both lied to him. The ending of the first Spider Man is drenched in irony through Franco not realizing that his virtues (his loyalty to his father) means his best friend becomes his worst enemy. I remember watching the first movie long ago and liking Franco in his proto-villain phase far more than anyone else in the movie even before Franco became a big deal.

    James we hardly knew ye as Harry Osborn.

  5. Villain as vulnerable: we relate to flaws A LOT. A top-notch villain can is as much a prisoner of his past and deep psychological needs as anyone else.

    Kylo Ren is angsty, unstable–ready to crack open and bleed pain. Yum!

  6. For some villains, happiness is just so close–yet so far away! Show me a villain who has the chance to change and I’ll show you a riveted romance audience.  The best villains often have pain they cling to that goads them towards doing evil–and when there’s a chance the villain might back off from this emotional sticky point before the point of no return oh, we are in our happy place! That’s how you know romance audiences–we want happy endings for anyone we find interesting.

NEXT WEEK: VILLAINS & OUR FORBIDDEN DESIRES

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on AmazonBarnes & NobleKobo, and through iTunes.  Sign up for Madeline Iva news & give aways.

***Women on the whole are a lot more unforgiving towards other women than they are towards men. I think with a romantic perspective and therefore believe that my readers view worthy, hot men as objects of romantic conquest/relationship projects. At the same time I believe almost all women are still socialized to be harshly judgmental when it comes to other women–especially those depicted in romance novels.

Is that statement upsetting? I would never want to accuse someone unjustly of sexism, but even I fall down when taking the quiz below–see how you do:

  • Name three women you know personally who sleep around a lot, but you DON’T think are sluts
  • Name 3 woman you know who doesn’t prioritize their kids but you don’t judge them as neglectful moms
  • Name three women you know who have some kind of authority over you or someone very close to you that you don’t think of as busybodies or annoying bitches.
  • If you read a romance novel about an unmarried woman, who is intensely focussed on her career, and doesn’t want kids, or to take care of the people around her–would you see her as a role model? Or would you think she’s too selfish and unlikeable for a romance heroine? Now if the character was switched to a romance hero, would you also think he was selfish and unlikeable?

 

 

Bang-able Villains

12 Apr

Hello Lovely Readers! Elizabeth Shore is away today. Instead, we have a happily edgy post from the amazing and kick-ass Saranna DeWylde here.  I asked Saranna to do a guest post after I saw this exchange on facebook:

Yes! Exactly!

So I asked Saranna to talk to us about why we women are sometimes (often?) a bit more interested in a really good villain than they are the hero.

I absolutely love a well-constructed villain. I don’t mean an anti-hero, I like them, but this post is all about the E-ville. Is that a misspelling? Not at all. Say it out loud, roll it around in your mouth. You’re not a good villain unless you have the mustache-twirling pronunciation. Maybe even a bit of goatee stroking. You know what I mean?

No, I didn’t. 

When I first think about favorite villains, Hannibal Lecter comes to mind, but he’s not really a villain anymore, is he? In the television show, he’s more of an anti-hero.

 

Is he??? I haven’t seen this show, but I’ve heard so much about it…Check out the preview above.

What especially interests me about villains and their bangability is societal reaction and what we deem acceptably attractive in people. No one thinks anything about me saying I’d like give Darth Vader a run for his money except to say that maybe his parts don’t work in that suit. I maintain he could probably give really great orgasms with The Force. A little breath play, and pretty much whatever else he wanted you to feel. (Is it getting hot in here, or is just me?)

Old Darth does it for Saranna, Kylo Ren is all tortured and interesting to a new generation.

If I say I thought Paul Spector was hot from The Fall, I’d be one of those twisted girls into serial killers. But I know real serial killers. I was a prison guard. I hung out with them for eight hours a day, sometimes sixteen. None of them look like Jamie Dornan. And none of them were ever the least bit attractive to me.

Which is not to suggest that because someone is physically handsome in real life he’s NOT a serial killer….Tiago Henrique Gomes da Rocha

(Incidentally, I didn’t crush on Jamie Dornan until The Fall.)

Fictional evil is attractive. There’s a nod to everything that’s not the ideal. That’s not a princess. That’s not perfect. And part of us wants them to win because that means we can too. A charismatic villain makes so much easier to acknowledge our own sins, see our own dark places, and we can empathize with him in fiction, because we don’t have to own our massive flaws for real.

I find when a hero holds up his virtues it’s much harder for me to say, yes…that’s me too. The writers of Luther posited through show dialogue that women specifically were attracted to evil men because we were able to claim some of their power for our own. There might be something to that.

While we’re at it, I kind of have a type. The Devil. Almost anyone can play The Devil, and that’s an insta-girl boner. Hell, this could probably comprise most of my list. Apologies to Tom Ellis in Lucifer, though. He’s hot, but he started out an antihero so he doesn’t make my list. So pretty, though.

Tom Ellis as Lucifer

With that said, let’s open our Slam Books to

Top Eleven Villains I’d Bang.

Not ten, because I’m being contrary in honor of our villains. (After, you better share yours, too, or I’m not going to share my slap bracelets.)

In no particular order:

Darth Vader– As I said before, he could do some crazy shit with The Force. I just keep thinking about that choke hold. Amirite?

Patrick Bateman (Christian Bale), American Psycho– That might actually be bad sex. I’m not so much down for the coat hanger and he’s so arrogant, he’s probably terrible in bed. I think I really just want to pet his shoulders and his hair after we eat at Dorsia.

Paul Spector (Jamie Dornan), The Fall– Well, I mean. C’mon.

Paul Spector in The Fall, aka Jamie Dornan

Santanico Pandemonium (Salma Hayek), From Dusk Till Dawn– Everyone wants to let her bite them. Everyone. She’s single-minded in her approach to food and any other pleasures. I support this wholeheartedly.

Jordan Belfort (Leonardo DiCaprio), The Wolf of Wall Street– I’m not sure if it’s the part where he says, “the book, motherfucker) or if it’s because he’s unrepentant about what a piece of shit he is, and I don’t know if I’d think the real JB was attractive, because he did actually hurt people. But his characterization? Yeah, I’d hit that.

Lizzie Borden (Christian Ricci) Lizzie Borden series– Here’s a woman who isn’t taking shit from anyone. She knows what she wants, and isn’t afraid to take it. Whatever the cost.

Viggo Mortenson, The Prophecy– His portrayal of the Big D is one of the best ever. He’s not meant to be attractive, yet, somehow still is. He’s horrible, and awful and I love every second of it. “Little Tommy Daggett. How I loved listening to your sweet prayers every night. And then you would jump into bed, so afraid that I was under there. And I was!” Really, do you promise? Please?

Gabriel Byrne, End of Days– Gimme. (I also dug him as the priest in Stigmata, but he was sort of a hero there. Kinda. It doesn’t count.)

Mark Pellegrino, Supernatural– He’s almost an anti-hero. But not quite. Just enough… I love his character so much.

Sam Neil, The Omen Part 6400-I don’t know. I just can’t help myself.

Bradley James, The Omen TV series-He doesn’t want to be bad, he just is. And when he finally owns it? Boo yeah. Bring it, handsome!

Anyway, those are my eleven for the moment. My list is ever-changing, but I’d love to know which villains you’d like to lock in your bedroom. Tell me in the comments below.

Want more Saranna? Check her out on facebook, or sign up for her newsletter at her website. Tomorrow I’m responding more to Saranna’s post — check it out!

And follow us at Lady Smut where we’ll happily explore your dark side all night long.

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on AmazonBarnes & NobleKobo, and through iTunes.  Sign up for Madeline Iva news & give aways.

Person Of Interest: My TV Show Hangover

30 Mar

He’s a soft-spoken, hot killer–if you like that sort of thing.

By Madeline Iva

The upside to having a week long bout of stomach flu was enjoying a PERSON OF INTEREST marathon, aka watching Jim Caviezel eye candy.

I’d never been interested in watching the show until I saw a recommendation on i09 that was like: The last season is out! You have to go check out the entire show on Netflix! Well, okay then.

Now I’ve finished the last episode, and I am in the thrashing throes of a terrible TV show hangover…So thanks, i09.

Of course, seeing commercials for the show at one time, I thought: Hey! It’s that guy who was the leader of the Others on Lost.  And hey! It’s that guy who was in that whack sci-fi alien/Viking film (Outlander—but not the Outlander you’re thinking) and G.I. Jane. Damn he’s hot. Even when he’s looking anxious and sad.

I *liked* Carter and am following her from this show to other work she’s done.

So why wasn’t I interested? Cause it seemed to be about these wistful attractive women in danger, and this creepy-yet-competent ex-military guy who saved them with some slightly futuristic computer device. Yawn. Happily, it’s not like that AT ALL.

WARNING: SEMI-SPOILERS AHEAD!

Even in the first episode there a tart reversal and the heroine in need of saving turned out to be something else all together.  That made me happy and kick-started my whiffling through all five seasons before pulling the plug on Netflix. (I have a book deadline coming up and need to buckle down.) Also, I had no idea that it was a bit futuristic. (Though since the election it leans into that zone where it’s not completely Science Fiction, it’s really more like Really Scary Science Fact.)

The show with an AI called “the Machine” spitting out numbers that saved people morphed a lot as it went on. It started out as a kind of surveillance heavy 24, with a lot of white, male characters. Instead of dumbing down like most shows do, it went the other way…We saw more POC story lines and actors join the show, more female characters & LBGT references—and more female villains. The show found a sci-fi geek audience and as a result, leaned into progressive, liberal ideas and concepts as it went along, reversing its stance on the surveillance machine from “I know it violates our rights–but look! It does good things!” to “I’ve created a monster! A MONSTER!” wails of despair and gnashing of teeth.

But when we’re talking the best parts of the show, I’m sorry, CHARACTER IS KING! Pontificate on all the weighty discussions you like including:

  • AI and personhood
  • Safety vs. privacy in the modern state
  • Misuse of governmental power

my true obsession will still lie with Jim Caviezel and powerful story arcs about Carter, Sameed and other human characters. The AI lacked all qualities I want to spend time my with: sexiness, humor, cleverness, and personality.

Jim Caviezel, on the other hand, is this reader’s hero proto-type. The character he plays, John Reese is brooding, handsome, soft-spoken with a sense of humor, and yet, um, deadly.  Because he’s in mourning for his dead one true love, every episode leaves you wondering–will he feel the pull of desire/love/passion again? Oooooh how I wanted him to! But then I’m a complete masochist for the unattainable hero.

A do-er, not a talker, Reese has done bad things to a lot of bad guys—and yet, he can no longer tolerate the grim, clandestine life where he was given orders, but no iron clad proof of guilt for those he assassinated. Unquestioningly following orders eats at his soul, until he’s at the point where despite orders, he can’t betray his partner—who at the same time betrays him.  At the top of the show, he’s lost his mission in life, his identity, and even his one true love.  He needs redemption and a purpose—enter Harold who has a quirky all-powerful machine and gives John Reese’s ex-CIA black ops dude a goal in life.

Tarij Henderson – so sparkly bright and fun off the TV show, plays Detective Carter–who goes looking for “the man in the suit” out shooting knee caps of bad guys and breaking a thousand laws while doing so.   Now, I knew from Kiersten Hallie Krum via facebook, that Carter left the show at a certain point. For Kiersten it was hard to keep going after that. For me, knowing Carter was going to leave but not when or how ended up giving the show tremendous suspense — and like a horror movie I waited, tense and clutching my pillow to see when It Happened, getting more and more wrenched about it the more I liked her character. Henderson did a phenomenal job with developing her character and growing it. By the time she left the show, I was nodding my head thinking about what Lexi says about the infuriating state of racial diversity in entertainment today…This is another tragic example, and though the actors actually sought to correct that as much as they could in their penultimate scene together, grrrrrr. And now I’ve followed Tarij over to not just her Oscar nominated role in HIDDEN FIGURES but also over to EMPIRE where she’s did an actor 180 and portrays a completely different kind of role. (Why has no one on Lady Smut talked about Cookie yet? Why?)

Kevin Chapman plays detective Lionel Fusco, a crooked cop who finds redemption after some swift strong-arm tactics from Reese sorts him out.  Lionel got some great noir-ish lines and had fabulous delivery. I wonder if they had planned on making him such a big part of the show from the beginning, or if he was a happy discovery.  Reese has done much worse and seems less fundamentally tethered to the world.  As Jim Caviezel said at one point (I paraphrase from an interview I found on You Tube that took place at some con) Reese is a shark.  If he stops moving, he dies.  Other men have described him as batman in a suit.  It’s very interesting that the show portrays these two paths to redemption, each with its own singular flavor.  Lionel’s character has some charming grit, and a less tragic trajectory.

Michael Emerson was born to play the role of Harold, reclusive billionaire dork.  Harold builds the machine that plunges the characters into their episodic heroism.   Amy Acker (you know her from Firefly) got the thankless task of spending half her time having moral dialogues with Harold, while the other half was spent voicing the words and motives of the AI. Not fun—not fun at all, and yet she carried the weight of a whole other character upon her shoulders to the point where you felt like there actually was a machine with some proto-personality hovering about inside the internet ether.

I enjoyed the inclusion of Sameed – a short, female version of John Reese’s character, showing that a woman could do whatever a man could– and playing a kind of sociopath role to boot. No guilty torment for Sameed!

Although the show starts off Reese and Harold as the stars and swiftly includes Lionel and Carter as side kicks, the show changes direction in a fundamental way.  Soon, it becomes more of an ensemble cast with Harold and Amy Acker’s character, Root, in the staring roles.  We often see a lot more of Sameed as well, and John Reese’s role shrinks substantially over five seasons.

I think this was a wise move on the part of the producers…nor did a greater sense of inclusivity (fall out from Carter leaving the show?) seem to bother Jim Caviezel much in interviews about the show.  There was a way in which the show settled his character arc and then let it rest there.

Then they turned to other topics that more heavily involved Michael Emerson’s role as Harold, and his moral responsibilities as the one who created the surveillance AI machine. By the end, the AI character, AKA “The Machine” had as much character growth and backstory as any of the other characters—not an easy trick to pull off.  

Another thing that I liked about the show was that it started off grim, and only got more grim as it went along. But I’m perverse that way…

I’ve watched all five seasons now, and I now have a horrible tv show hangover. I actually went to You Tube and started watching a lot of videos taken at various Comi-Cons to ‘learn more’ but really to ramp down my addiction until I could walk away.

Hangovers I now think, are more than any other reason why we authors have social media platforms…So people have a place to go when they can’t say goodbye.

In all these interviews, I never really wanted to hear anything about what the creators had to say about the show, even though they were articulate men of ideas. I wanted to hear from the actors instead. This is because in essence the creators HAD their say…and we saw it all play out. Choices about character deaths, romances, etc, we saw the creator’s ideas were splatted across numerous episodes and dialogue everywhere. I was more interested in the background behind the show. What kind of training the actors go through? What kind of humor did they share? How did cast members related to each other? (Jim Caviezel trained with special delta forces men in San Diego, Tarij told all kinds of Jesus jokes poking fun at Jim, and Michael Emerson is every bit as articulate and intellectual as his character.)

Now I’m going to go off and write something in Jim Caviezel’s character’s voice…buh-bye!!!

Follow our blog — we’re not soft spoken, we’re outspoken, but charming nonetheless.

And check us out at RT Booklovers convention where we’re going to have a really fun event:  Never Have You Ever, Ever, Ever — and win crowns, toys, books and more. (Ooo, and we’ll have brownies….) Goodybags (with fun stuff!) to first 100 people in line! Wednesday, May 3 at 1:30 p.m. Link: https://www.rtconvention.com/ event/never-have-you-ever- ever-ever

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on AmazonBarnes & NobleKobo, and through iTunes.  Sign up for Madeline Iva news & give aways.

 

 

 

 

“Up On the Hog Babe, Let’s Go For a Ride”: The Hot Men & Sexy Voices of Male Audio Narrators

27 Mar

HOT MEN, SEXY VOICES: Last Saturday was #VALoveFest at Virginia Festival of the Book 2017.  Among the excellent panels during the day by far the most popular was THE MEN OF ROMANCE panel where audio narrators shared their experiences about the work, a bit about their backgrounds, and their appreciation for the romance genre.  Below is a video that you must watch/listen to if–like me– you twitch involuntarily at any real man who is into romance.

Andi Arndt was the fabulous moderator. She spoke with David Brenin, Luke Daniels, Will Damron, Derek Perkins and Aiden Snow. Jennifer Dodde Conner captured this video of the event. (Caution! It looks like the video goes sideways for a second–but it’s just for a moment and then gets righted again.)

Details of note:

Luke Daniels has done audio for Heather Graham and Sylvia Day among many, many, others.

When Will Damron does the really sexy stuff he uses the name Jeremy York.

Aiden Snow mostly does military romances, but he likes romances that play out deep gender and relational dynamics.  Most of the time, however, he said “it’s like: ‘Up on the hog babe, let’s go for a ride.'” And all the women in the room about fainted.

Speaking of Aiden Snow —  I saw him walking across the lobby at the festival — and having been converted by my friend Adriana Anders to beardy hot goodness, I said to myself ‘Damn, who is *that* guy?’ (Shoulda stopped him and gotten a picture.  I’m just kicking myself now. Oh well!)

Derek Perkins is British and does a mean Scottish Accent.

I, for one, find a man’s voice at the top of the list for the sexiness factor.  I think that romances often neglect the serious ear appeal of the right voice.  There are men who I find reasonably attractive, but when they speak and their voice is like low thunder, I’m suddenly riveted by their whole being.  I want to chitter like a cat at the window watching birds fluttering around outside.

Perhaps it’s because there is something fundamentally right and reassuring to me about a relaxed, warm male voice.  It’s a verbal embrace, a reassuring caress in my ears that everything is going to be all right.

I’m so curious to find out if any of you listen to audio books and if you do listen to audio books, are you aware of who the audio narrator is? I know Richard Armitage narrated two Georgette Heyer book, but do you actively seek certain narrators?

Are you like me? Does the right male voice send you?

If you want to listen to more of the panels from Love Fest, including HEROINES OF DESTINY — which is the panel that I moderated–go here on facebook:

https://www.facebook.com/events/1905127766399699/permalink/1909010616011414/

Kiersten Hallie Krum will be back next week — and I’ll be blogging more on Thursday about other fascinating & fun parts of Love Fest.

Meanwhile, get on the hog, babe, and follow us at Lady Smut. ; >

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on AmazonBarnes & NobleKobo, and through iTunes.  Sign up for Madeline Iva news & give aways.

 

 

 

 

 

 

 

 

 

 

Heroines of Destiny!

23 Mar

You could go to college and get married — or you could be a brown fairy with wings instead! Choices, choices, choices.

by Madeline Iva

Go to college, have a career, get married, have children.  Is this the modern woman’s destiny? What if you don’t tick one of those boxes? I’m moderating a panel called HEROINES OF DESTINY on Saturday, 10AM at Virginia Festival of the Book, so I’ve been questioning the concept of destiny lately, especially for women who swim against the strong current of societal expectations.

The ancient Greeks thought of destiny as inescapable–your fate would find you no matter what.  Struggle as hard as you could against your destiny, the outcome would still be the same.  Cassandra is the ultimate heroine of destiny — Her inescapable fate was signed the moment she rejected Apollo’s advances, and that was that.  He cursed her with the gift of prophesy; no matter how often or how much she warned people of their fate, she was never believed. Yet she kept trying to over and over to change the outcome, only to watch events play out the way she foretold–even her own death.

Moving forward a thousand years or so, our panelists (including Pintip Dunn, NYTimes bestselling YA author) will discuss how their book’s heroines are fighting a certain destiny — whether it’s to marry and have children, to accept the loss of a lover, or to remain locked up in prison for a crime that hasn’t been committed yet.

I love the idea of a heroine who changes the course of her life because she’s fallen in love.  I see these works as feminist because the women go against the grain of their lives according to society’s expectations yet it all works out in the end.  Here are some of my fav fantasy examples:

THE LITTLE MERMAID: having fins while your loved one has legs is a pretty big romantic obstacle to overcome.  The Little Mermaid was very bold and plucky when it came to pursuing the object of her love–right down to changing her fundamental physical being–even though she had to pay a very large price.  Let all those considering plastic surgery and other gendered forms of modern torture beware.

STARTDUST: Yvaine is a star, who’s destiny is to twinkle in the sky and watch the doings of men from afar.  Yet she decides to abandon her place, and come down to the world of men to explore their hearts, as well as experience their joys and suffering.  I have some serious issues with parts of this novel/movie, but I appreciate the idea of a great and powerful star forging a new destiny for herself–with the man she loves.

Yvaine is a star who rocketed to earth and met her one true love.

Another way to think of HEROINES OF DESTINY is to think of powerful women who shape the lives and change the future of those around them.

THE FORGOTTEN BEASTS OF ELD: Sybel is content with her own solitude and magical menagerie far from the world of men until fate brings her a baby and a flame haired hero.  Then she is drawn into the snarled paths of men’s destiny.  I love how McKillip shows Sybel, using her various powers to shape and thrust aside the male forces around her rather than become their pawn.  Sybel takes her time and sounds her own heart in her decisions about how to forge the future.  Though the world of men shakes and angers her, ultimately, she finds a way to shed their petty resentments, fear, and bitterness. She finds her way to true love by the end, yes, but more importantly she discovers the path back to the calm stillness of her heart that makes her serene and content.

Sooooo good!

And finally — by far and away my favorite:

MALEFICENT: A fairy creature (Maleficent) and a boy become friends–the first way in which Maleficent goes in a different direction from the other creatures in fairy land.  At one point Maleficent (now grown) is betrayed and loses her wings–a kind of symbolic fairy tale rape.  What happens after that is partly shaped by Maleficent’s determination to avenge herself, and partly shaped by her wounded heart.  The movie offers an unexpected twist at one point — wherein Maleficent, now the wise protector and leader of her land in times of crisi, can shed her identity as victim once and for all.  I LOVED THIS FILM SO HARD.  It really made me want to cheer.  Though it is not in a typical m/f  love story or romance, it provides that same kind of deep joy and overcoming of obstacles that make us romance peeps so very happy.

In my novel WICKED APPRENTICE, Zephyr averts disaster for the people and the land all around her once she becomes a powerful sorceress.  Meanwhile, her desires and magic work upon the hero until he goes from being a tortured, reclusive wizard into a magnificent hero who is the only one that can end a decades long war. She is most definitely a Heroine of Destiny — and if you haven’t read the book yet you should– it’s only .99!

Are you the heroine of your own destiny? What great heroines do you love –and how do they shape the the lives of those around them?

And follow us at Lady Smut–we’re fated to be together.

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on AmazonBarnes & NobleKobo, and through iTunes.  Sign up for Madeline Iva news & give aways.

Alternative Endings to the Bachelor

16 Mar

Huzzah! Rachel Lindsay–The first POC bachelorette.

by Madeline Iva

I saw the very first season of the Bachlorette while packing for a Big Move to the South.  I made it through a few seasons after that because I was fascinated by watching grown women aggressively fight for the attention of one man–while pretending not to. So deliciously perverse! Alexa Day posted about the announcement of the latest bachelorette on Tuesday, and the rest below is just one long riff about The Bachelor and other thoughts her post inspired.

I loved how the most interesting women (to me) on The Bachelor in the end ultimately had to be–I mean HAD TO BE–there for the money. (Student loans, I’m guessing.) Top ways to tell:

  1. They were very popular with the other women in the house. This, I think, is a key sign. But at the same time, they didn’t seem to have a secret boyfriend at home, or were there for some kind of acting career –and thus could dodge the “you’re not here for the right reasons” attack.   (BTW has anyone ever gone up and attacked a contestant saying “You’re just here to pay off your student loans—aren’t you, bitch?”)
  2. Often they would acknowledge being on the fence about their feelings for the guy. Why? Because they weren’t that into Mr. Available.  This only helps them not seem like a threat to the other women, of course.
  3. The fact that they weren’t so into the bachelor often seemed to make the bachelor far more into them.  Like he wanted to chase them hard.  After all, for most men, chasing is their comfort zone.  (Some of us are challenged when it comes to being adored.) Logically, enlightened men *know* it’s okay for a girl to chase a guy.  But they’re not actually comfortable with it.  It’s not their usual pattern–and sometimes breaking patterns feels odd.
  4. Because these women were just “passing time” to earn their paycheck, they could neatly avoid conflict in the house with the rest of the women–and work on soothing things out.  This is where their attention was.  It’s like they reguard the other women in the house as their fellow co-workers and wanted to be team players more than they were actually vying for the heart of one man.
  5. There’s almost an instant, quick and quiet break up following the conclusion of the show when one of these women was chosen.  The fact that a break up would immediately follow seemed like wonderful karma to me.  That’s what you get, you bachelor guy, for going for the girl that’s “not that into you” and ignoring the ones who were good people and desperate for your man-love.

At any rate — I’m glad that the show chose a POC bachelorette.

But I gotta wonder: how is this show going to continue to appeal to any but the most conservative audience? Because with polyamory becoming an accepted thing amongst all the hipsters and millenials, doesn’t the idea of picking ‘the one’ seem just a wee bit old fashioned?

I’m not saying that there’s anything wrong with being a monogamous type of person (I’m one myself). I’m just saying that when the Batchelor says “OMG, I’m in love with BOTH of these women” is this still the shockingly upsetting drama that it used to be?  Aren’t twenty and thirty somethings across the land saying “And? This is a problem why?”

Or–a more radical theory still–was the repetition of season after season of The Bachelor/Bachelorette actually paving the way for widespread polyamory across our heartland over these last ***seventeen*** years by making TV America overly familiar with the idea that one person can easily fall in love with two (or more) people at the same time?  I mean, think back to when polyamory started becoming a thing–right? Amiright?

I’m just waiting for the season when the Bachelor/Bachelorette decides to propose to *both* women or accept a proposal from *both* guys.  Now that would be a ratings booster.

Maybe if this this new bachelorette says yes to a black man AND a white man we can all have our cake and eat it too.

MEANWHILE — Idris Elba for Bond.  Seriously.  Accept no other substitutes.  Unless it’s Tom Hiddleston.  Then we’ll have to talk.

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on AmazonBarnes & NobleKobo, and through iTunes.  Sign up for Madeline Iva news & give aways.wickedapprenticefinal-fjm_low_res_500x750

 

NEVER SWEETER: The Sweet Darkness in Charlotte Stein’s Dark Obsessions Trilogy

9 Mar

This one is going into my “special” kindle folder. ; >

by Madeline Iva

We posted a fun excerpt from Charlotte Stein’s story NEVER BETTER last Sunday.  NEVER BETTER is the final book in her Dark Obsession trilogy, so of course, I read it first, and then worked my way backwards, cause I’m perverse like that. I gobbled down NEVER BETTER like a chocolate chip cookie and advise you to do the same.  Now I’d like to take you on a journey through the open-mouthed, kindle-clutching, eye-squeezing moments I had while reading NEVER SWEETER, the first book in the series.  How to do so without delivering any spoilers is gonna be hard, but here I go…

CONTEMPORARY ROMANCE GOES TO THE DARK SIDE

What really keeps a man and a woman apart these days if they want to be together? Not much. After plundering the treasure chest of meet-cutes and other fabulously quirky ways to bring two people together and then keep them apart for two hundred odd pages, contemporary romance has gone to the dark side.

I personally blame paranormal romance.  Let’s face it–paranormal romance is just so much easier.  Look at the obstacles a heroine faces—Example: “He’s a vampire who’s killed THOUSANDS of people and he’s hundreds of years older than me.  How could we ever be together?” it’s a really messed up situation.

CRAZY-WRONG “I’D HAVE TO BE INSANE TO BE WITH SOMEONE AS EVIL AS YOU” SITUATION= STRONG ROMANTIC ROAD BLOCKS = LOTS OF ROMANCE FEELS & GREAT TENSION

After all, 50 Shades was based on a paranormal romance, wasn’t it?  E.L. James just fished around for a modern day ‘real’ equivalent for a evil-but-not-really, self-loathing, brooding hero.  She came up with a billionaire sadist, around the same time other authors were also plonking down flags into anti-hero territory. Do we want to blame 50 Shades for all the motorcycle clubs, hit-men, crime families, and other anti-hero-ish trappings that are so popular these days? No, but I think the E.L. James phenomenon illustrates a sweeping trend, and Charlotte Stein has taken some steps down the same path.

BUT CHARLOTTE STEIN ISN’T LIKE THAT! SHE’S SO SWEETLY DIRTY…

But maybe sometimes she isn’t. INTRUSION and some of her other works have strayed from abused heroines into more plum-colored territory. Which brings us to NEVER SWEETER.  Let’s look at the blurb:

Letty Carmichael can’t believe her eyes when she catches a glimpse of her high school tormenter, wrestling champ Tate Sullivan, on campus. College was supposed to be her escape from Tate’s constant ridicule. Now he’s in her classes again, just waiting for his chance to make her life hell.

skipping, skipping, skipping…

Loving him is impossible. Craving him is beyond all reason. So why can’t she stop?

Falling in love with your high school bully is messed up, peopleKids, don’t try this at home.

However, line by line Stein just sucks you in.  Great dialogue, great side-kick friend, very specific descriptions of torments she endured and then Tate — a classic Stein-i-an hero, just takes over.

What do we like about Tate? We like that he’s open, agreeable, and fast on his feet.  We like that he’s hotness plus, and can read people–especially the heroine–quickly.  We like that he’s a sexual beast wrapped up in a Nice Boy package–but is he really trustworthy?  It’s that last part that keeps readers furiously turning the pages and riding all the highs and shocking lows.

Why was he such a monumental dick? This is the big answer we need to know. Stein gives you answers, and then sweeps on by.  Do we believe these answers–ah! This is where she’s brilliant, because doubts may  linger, and she plays upon these same doubts later.

I just went through such a roller coaster of emotions with this book.  It really was so incredibly sweet at points–which is what I do look for from Stein–and so sweetly filthy at others–which is what I relish about Stein–and at other times it was kinda like a horror movie.  There’s a Carrie reference and it’s seriously well earned.

I think at one point I shouted “No!” in shock.  At another point I kinda cried, almost.  The whole time I felt as guilty as the heroine for being so sucked into a kind of situation that I would NEVER EVER EVER!!!! endorse in a million years in ‘real life’.

So go buy it already.

Meanwhile, I got the skinny from Charlotte Stein about RAW HEAT — her so good it hurts post-apocalyptic romance that’s out of print right now. Talk about bullying! It’s really unfair clobbering my friends and even total strangers over the head for not having read RAW HEAT if it’s not even in print. Stein has said she’s going to re-pub it in a collection with some of her other post-apocalyptic/paranormal stuff.  So happy about that. Soon none of you will have any excuse.

Okay, I’ve started going into Charlotte Stein withdrawal, so I’ll sign off for now.

Follow us at Lady Smut–if you want to.  It’s your own choice.  Really. We’d never bully you about it.

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on Amazon, Barnes & Noble, Kobo, and through iTunes.  Sign up for Madeline Iva news & give aways.wickedapprenticefinal-fjm_low_res_500x750

 

I Was Enjoying DARK MATTER ‘Til They ****ing Killed My Favorite Character

23 Feb

by Madeline Iva

***Yeah, this post is chock full of spoilers.  You’ve been warned.*** Dark Matter is a successful comic book made into a Canadian television show that you can binge watch on Netflix–which is what I did.  The gloomy ship, the tough characters and the cloudy mystery about their identity sucked me right in until I was devouring episodes left and right.

One. He's the good guy on a ship of tough criminals. So how did he wind up with them?

One. He’s the good guy on a ship of tough criminals. So how did he wind up with them?

WHY I LOOOOOOOOVED DARK MATTER SO MUCH:

The premise is pretty brilliant.  Six people wake up in sleep pods on a dark ship in space.  Their memories have been wiped.  In addition to that, the android that sort of runs the ship wakes up and starts attacking them, so they knock her out and end up injuring her.  To get her back up requires a memory wipe, so she too doesn’t know what happened to them all.  It’s science-fiction, but it’s also mystery.  Who are they? Who did this to them? Why? 

darkmattertwo

Two. She’s hot.

They give themselves numbers and I knew that they’d eventually run into their pasts and get names, but it made me extraordinarily satisfied that they call each other by numbers.  It becomes an alternative identity.  Later on Three learns his name is Marcus–but if the others still call him Three, it’s like they’re disavowing his messed up Marcus past and saying that he can go back to being their three–i.e. annoying, but not a completely heartless dick.

I like One best.  He is a good looking guy–but I mean, they’re all good looking, so really, it isn’t only that. However, in a ship full of tough people, he’s the good guy.  Which is a little scary, because the rest (Five excepted) so obviously are not. I usually don’t like the super good guys.  I like the maybe-villains.  But One is played by a very talented actor, who via subtle expressions and delivery squeezes a three-dimensional performance out of a two dimensional character.

Three is all walking id, questioning every decision that isn’t based on pure selfishness–so of course, he is fun to watch and a bit of a wild card. Later on, we see Three has a real soft spot for women. At one point we think Two has been executed and Three’s face is really something to see in that moment.  Three, also, is one of the best actors on the show–at certain moments.

THREE

THREE. Also the show’s id character. Also kinda hot. Sometimes. Also a good actor.

Two is the toughest character in the beginning.  Played by an asian female with some extraordinary thighs, she takes command of the ship with her bad-ass attitude.  One is quickly drawn to her, but when she wants to scratch her bootie itch and have a little meaningless sex, it’s Three she calls upon, not One. Which makes One smart.  So there are tensions between One and Two because: love triangle!  Not to mention that One and Three are diametrically opposed in terms of morality.

Yet pretty soon, it turns out that One discovers he’s got a BIG secret to keep and Three is right there when this secret is revealed to One.  So the two are connected in that way for a while and it’s massively uncomfortable for One. Which is great! (Although I hope you can follow what I’m saying, because it’s starting to sound like weird SFF algebra.)

Probably the most handsome guy on the show. But....meh.

Four is probably the most handsome guy on the show. But….meh. He adds the most in ensemble moments.

The show delivers Big Secrets every so often and they are mostly yummy.  The show is at it’s best when it returns to its gloomy mystery origins: you just don’t know who you can trust.  Goodie!

It’s often young Five who circles us around to these gripping plot reversals. I think I liked her at first simply because I associated her with these moments. But I also delight in Five being a Young Adult character–a main character and a girl–in a sci-fi television show.  I’m trying to think of another major adult SFF show where that’s the case, and I can’t.

Five aka "The Kid."

Five aka “The Kid.”

I enjoyed watching the Android–though you and I know her as Lauren  from LOST GIRL.  She gets dinged up from the git go and starts to go “off program”. For instance, she starts seeking approval from the humans.  The “right” thing to do would be to wipe her system and reboot–a kind of android seppuku. At one point there’s the potential to “upgrade her system” to make her feel and seem more like a human and a ‘rouge android’ element is introduced.  The program upgrade makes the Android seem like a whole other character.  The actress performs this well, but…ugh! (more later below).

So there was something here for everyone–I thought a lot of the ideas in the show were fabulous.

WHAT WENT WRONG…

I’m not saying this show was perfect.  One problem I had with five is that she’s so obviously an older actress playing a younger character.  She and Two are equally short, and she has far larger breasts, so buying that she was a teen was a challenge (She’s was twenty-two when they filmed).  I had to keep squinting to suspend disbelief about her.  I mean, it’s not just that they all decide she’s a young teen when she looks anywhere from sixteen to twenty-three, it’s that they keep saying things like: “She’s just a KID!” like she’s only twelve or something…But that’s not saying anything against the actress, who is quite good. Another thing is that she keeps having new clothes to wear when a) she was a stowaway, presumably on the ship without luggage, and b) everyone else on the show seems to be in the same-o, same-old clothes.

Android fail. Every few episodes she's getting zapped and it's lights out.

Android fail. Every few episodes she’s getting zapped and it’s lights out.

I had problems with the android ‘upgrade program’, although it was more like an epiphany. The plot of this particular episode struck my robot-romance fixated nerve.  It made me realize that the ‘upgrade’ shortcut would never work for a successful robot/human romance.  What do we love about idea of a cyborg/AI/robot/android romance if it’s not that the android represents the most difficult challenge of all? Huge boundaries (impossible boundaries some would say) exist in terms of getting a cold and emotionless being to develop attraction, love, and passion. That’s a HUGE obstacle. A quick upgrade to the system???? That’s just cheating. )

I delighted in watching Six waiting in a doctor’s office for a very long time where they continuously ran ads about adventuring off world via clone proxies.  Your body and mind are scanned in a pod, and your look-a-like clone wakes up on some other world.  Your clone enjoys your vacay and then all the memories from your clone are downloaded back into your memory while you’re in the pod.  You wake up and come out of the scanner remembering the events and sensations of your vacation.  Meanwhile, the cyborg that looks like you and is walking around as you, is taken somewhere, has a memory wipe and is put into a vat for recycling…

Six

Six. Nobody trusts nobody–not even the android.

I thought the show was creating an ironic situation in which Six was ignoring a bit of information crucial (and funny) in terms of unravelling the core mystery.   My hope was that someone had wanted a bad guy dream team to go do bad deeds across the universe.  So they made clones of the original criminals and when those deeds were done, wiped the clone memories–but for some reason the clones weren’t put in the vat.  Instead they ended up in the sleep pods on the ship — To me this TOTALLY explained the mystery of how they wound up on the ship together and why they had no memories…

Six wakes up as a clone from the pod...

Six wakes up as a clone from the pod…

Alas, that was not the actual solution to the mystery.  This was the writer in me, weaving together my own plot soup based on ingredients provided by the show.

My sweetie hated the clone device.  He hated it because real clones (one day) are/will be real people. This show perpetuates the idea of clones as objects to purchase and discard.  The clone thing is used as a plot device later on in other ways, but the clones when badly hurt tend to simply disintegrate a la Buffy stabbing the vampires and making them go poof. Why would a clone do that, he asked? It’s stupid. A clone–because it’s an actual human body–would go splat, not poof. It would not disintegrate into a cloud of clumpy dust.

Yeah, so that was kind of a regrettable choice.  Meanwhile, I loved my idea of the crew being memory-wiped clones.  The show has them on the ship starting from square one in a state of distrust, but circumstances make them pull together.  We know they were probably very bad in their former lives, but rallied by the influence of Five, aka ‘The Kid’, they have a chance to become new, better people. (Insert here your own philosophical discussion with a friend over the role of memory in personhood and if one can change merely by starting over. This is the good kind of sci-fi.)  As they slowly pull together to become a unit they build loyalty to each other and we know that many of the forms their enemy will take are elements of their past coming to haunt them. Everyone knows karma is a bitch–but it’s very enjoyable to watch.

One finds out that there is indeed a very bad guy out there with One’s face. (See! One is a clone!) Unfortunately, however, for my pet theory, the bad guy Derek Moss says something like “I’d think you were a clone, but someone would have had to scan my body to do that, and no one did.”

Booooooooo!

dark-matter-season-2-coverHowever, I was still delighted that One had this evil Doppleganger out in the world that could cause him no end of trouble.

But here’s the big problem.  They f**king killed One.  Whyyyyyyy? It seemed gratuitous and unnecessary given that they never really followed the conspiracy plot path the killing seemed based upon.  You eventually find out where the crew’s memories are stored and I knew that Evil One aka Derek Moss was still out there.  So my FTL plotting muscles realized ‘the gang’ was going to kidnap Evil Derek and stick One’s memories into him.  But that didn’t happen either. 😦

But! When Derek reappeared, I was like: Yay! Evil Derek is better than no One at all.  Alas, in that very episode the show killed off Evil Derek.

Oh people.  I was so disgruntled.  One was the glue that kept my interest in the show at super-high levels. Yeah, I liked all these ideas about the others and sometimes their interactions were okaaaaaay, but for me, One was the secret sauce.  Yes, the whole prison break thing was good. Yes, finding out Two’s backstory was pretty cool.

Frankly, since One/Derek’s death, I’ve only made it through about four more episodes while mostly folding laundry and checking email.  I just don’t care anymore–Maybe other audience members, more familiar with the comic books than I am, are looking forward to what’s around the corner.  Maybe they know stuff that I don’t.  Apparently DARK MATTER  has a very loyal following.  But I, good people, am done.

If you know the Dark Matter comics, tell me — is there reason to hope? Should I give the show another chance?

Have you ever suffered torment from the character you were rooting for being killed off? (I’m looking at you SLEEPY HOLLOW fans.) Did you slog onward or just give up?  I’ve resorted to writing DARK MATTER fan fic as a way of detoxing.  Sigh.  It’s premised on my rogue clone idea…Maybe it’ll become its own thing one day.

Follow us at Lady Smut where we make the darkness matter.  And subscribe to our newsletter if you want fabulous free reads. ; >

Meanwhile, here’s something to pluck up your spirits — we ran a giveaway from Lux Aromatica last week, and to say thank you to our readers Lux made a coupon just for you.  2017-02-ladysmut-flash-sale

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on Amazon, Barnes & Noble, Kobo, and through iTunes.  Sign up for Madeline Iva news & give aways.wickedapprenticefinal-fjm_low_res_500x750

My Obsession with Jamie Dornan in THE FALL

11 Feb
You want intensity? I'll show you intensity.

You want intensity? I’ll show you intensity.

by Madeline Iva

I know, I know, some people worship Jamie Dornan for being Christian Grey in the 50 Shades franchise. I didn’t.  I perfectly indifferent until I saw him in a television show called THE FALL.  Then I got on board the Christian Grey/Jamie Dornan train. And how.

THE FALL gripped me by the scruff of the neck and won’t let go.  Speaking of scruff–Jamie Dornan wears scruff like no other.  Purrrrr.

One caveat — the show is slow.  It takes it’s time, both in being understatedly sensual, and in terms of deliberate pacing.  That’s its one flaw.  But other than that, the show just got to me, and how.

It feels so incredibly wrong to be hot for a character who is a serial killer.  I was hoping 50 Shades would give me a Jamie injection without all the, well, evil.  (But he’s a *good* father!) Rolling my eyes at myself.

Serial killer. Good father. You know how it is.

Serial killer. Good father. You know how it is.

So here are some reasons to check out Jamie Dornan in THE FALL and just become a fan in general.

  1. THE IRISH LILT.  Seriously, I could listen to him all day. It was a shock to start watching 50 shades and he had an American accent.  WTH????
  2. HE’S SUCH A GOOD DAD. I remember appreciating how hard it must have been for Jamie Dornan, who just had a wee little innocent baby to turn around and play a very hard-core decadent guy who’s into everything that’s the opposite of happy.  Yet in this role, it’s clear that Jamie Dornan found his way into the character through the character’s identity as a father and his emotional engagement with his daughter.  It’s touching. I know from doing research on serial killers that in fact, some serial killers actually do sincerely care about others in their lives and take actions to prove it.  Of course, if serial killers aren’t really monsters — if they are human, at least some of the time, then this is what makes them so horribly hard to catch.  This show shows the serial killer not as monster, but as human. A father and a husband.
  3. YOU LIKE CHRISTIAN GREY’S INTENSITY? Paul Pector is intensity squared.  Those haunted eyes. Shivers.
  4. HE DOESN’T ALWAYS KILL What I hate about myself watching these serial killer shows is that I keep wanting to not believe in absolute evil.  This show does a good job of exploiting that–but reveals how *stupid* it is for women to believe that someone who’s done violence to women won’t do it again.  The Fall also exploits how much we women want excuse bad behavior in men. He didn’t kill everyone.  He left some water for that one girl.  He didn’t physically harm his family. Yet it’s extremely dangerous to look for that kernel of goodness and grow it up into something bigger than it really is. How easy it is for the characters to forget he’s extremely dangerous–even for a second–even when he’s behind bars–and make a mistake.
  5. HE’S DILIGENT This is another true-to-life aspect of the show, and another trick for audiences. We admire hard work, and as he gets into a tight spot, but keeps working hard and diligently to get out of it–we are almost rooting for him.  There’s almost a giddy feeling that he pulled it off–and he is wondering over how he didn’t get caught that time.  Jamie Dornan does a wonderful, nuanced job–the scenes where he bathes the corpses–OMG. I have to give a lot of credit to the director–because everyone else in the show is just as good. But they’re not Jamie Dornan.
  6. HE NOTICES THE SMALL THINGS ABOUT A WOMAN Gillian Anderson wants to pry open his soul by the end and get him to admit what he did.  She knows that her sexuality will be effective–and it is.  He notices the details that Anderson’s character chooses when she interviews him.  He notices and at the same time he knows exactly what she’s doing.  Yet the conundrum of humanity is that he still ends up responding to it.  Her interview is akin to a seduction.  He does open up — and what happens is along the same lines as a romance.  The woman who had no power took on the mysterious, silent man, and now she wins everything she wanted– because of her femininity, and the man’s unwilling subconscious response to it.  Only in this situation, she doesn’t want a mansion and kids, she wants him behind bars for the rest of his life.

That doesn’t mean there aren’t further twists and challenges ahead.  This show does not go easy on women–and in doing so it gets across the gritty reality of the world we live in.  I LOVE IT SO MUCH for that reason alone.  But the real genius to the show is it uses the compelling form, face, and eyes of Jamie Dornan to turn me into Paul Spector’s willing victim.

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