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BDSM Newbies and Erotic Romance: Q&A with The Discipline author Jade A. Waters

17 Mar

by Rachel Kramer Bussel

Author Jade A. Waters has made a name for herself with her sexy approach to erotica writing. I have published her work in several of my anthologies and have always been impressed with the way it draws the reader in, whether she’s writing about a flogger (in The Big Book of Orgasms) or Shakespeare and theater and love (in Best Women’s Erotica of the Year, Volume 1).

After publishing numerous short stories, the San Francisco Bay Area-based author landed a three-book deal with Carina Press for her Lessons in Control trilogy, which follows Maya and Dean, both relative newcomers to the world of BDSM, on an exciting erotic journey. The series started with The Assignment, which featured the pair starting to date, with Dean giving Maya a series of increasingly risqué assignments, involving everything from public sex to bondage to sex clubs. Now, it continues with newly published The Discipline, as they take their sexual fantasies to a new level,  and the third book in the series, The Reward, will be published on June 12.

What especially drew me to her series is that while many kinky erotic novels are set in the world of dungeons with confirmed Masters and submissives, everyone fully aware of their BDSM identities from the start, both Maya and Dean are navigating those exciting but often confusing paths together. She has to figure out how much she can share with him about her past, which includes an abusive ex, and he has to figure out how far he can go with his kinky fantasies, especially as they ease into becoming reality. In Maya, Waters has created a heroine who is starting to tiptoe out from the shadow of her troubling history and into a future where she can crave roughness and tenderness from the same person. In our interview, I asked her about her writing career, choosing ebooks over print, BDSM and consent and what we can expect from this exciting literary love affair.

RACHEL KRAMER BUSSEL: How and why did you get started writing erotica and erotic romance?

Well, I’ve been writing fiction and poetry since I was a young girl, but I was also on the precocious side growing up…which eventually translated into a thing for provocatively reading synonyms from a thesaurus to my high school sweetheart over the phone. (For some reason, me reading the word “smoldering” often resulted in his squeaky voiced “Can you come over, maybe?”) Around the same time I discovered Anaïs Nin and The Best American Erotica 1993, and I realized I wanted to give sexy fiction a try. My first attempt was a story about a Russian princess trapped in a tower; her king father was attempting to marry her off to a bunch of disappointing courters, and she was supposed to be saved by a seductive stranger…but I never did finish that story. After that, I penned the occasional ditty every few years. The truth is that I fought the idea of writing erotica for a long time for too many reasons, but once I finally decided to up and go for it, it was on. I wrote two stories that I tried to submit to a small call (one of which ended up appearing later in Coming Together: Among the Stars), and then when I decided I was really serious in early 2013, I submitted “The Flogger” to you. That ended up being my first publication in The Big Book of Orgasms later that year!

RACHEL KRAMER BUSSEL: When did you first get the idea for the romance between Maya and Dean, and was there a specific inspiration for it? Did you always plan for it to be three books?

JADE A. WATERS: Maya and Dean’s story was one part my own experience, and about three parts “what if?” The initial idea was sparked because I had a short-lived relationship with a man who playfully gave me an assignment on date one. I thought it was fun (my turn-ons are “playing” and “trying things”), but it wasn’t my thing in the long run, nor would we have ever worked out in a serious way. Pair with that my own history of having been in an abusive relationship in college, and the “what if” arose as I toyed with the idea of how the assignments and power dynamic would play out long term for someone who liked the submission, but who had only experienced it in a negative context. Maya’s independence is a mix of sass and survival—safety and control are imperative to her daily life, so I wanted to explore how that would work if she desired something considerably contrary. When I started book 1 I had some faint ideas of what could happen as they explored and their relationship continued to develop—so I imagined it could be a series, but I didn’t have much beyond an overall arc when I wrote The Assignment.

RACHEL KRAMER BUSSEL: There are some very vivid descriptions of things like sex clubs and rope bondage. Did you do any research for the books?

JADE A. WATERS: I do like to do my research. 🙂 It was a mix of memories of a few trips to sex clubs in the past, knowledge from a friend who studied shibari, and a lot of scouring the internet for alternate ideas. Also, reading is key. You pick up a lot from other stories and supplement with research as needed.

RACHEL KRAMER BUSSEL: Can you tell me about your writing process? For the trilogy, did you write at a set time every day? Did you outline?

JADE A. WATERS: My “process” has morphed like crazy throughout this series. Book 1 was a breeze; it just popped right out. Book 2 had a lot of life and health issues throwing everything off, and required significant time and rewrites. Book 3 happened pretty quickly but needed a solid tweak between the manuscript turned in and what readers will see. The one thing that definitely held true throughout was that I’m a morning writer. It’s my most creative, calm time. I get up at 4 most days to get an hour or so of work in before I go to my day job. Weekends, I’ll start at 6 or so and go until the lunch hour.

I’m pretty simple when it comes to the how—it’s just me and a Word doc—but I like my coconut milk lattes and water in hand and to just go at it. Editing I seem to be able to do later into the day, which is helpful—but any big overhauls need morning light. As for outlining, that’s a big yes for novels. I use a combination of the Hero’s Journey, a 9-step outline process I picked up at a conference a while back, and then a method posted by Glen C. Strathy that I love. I merge these three styles together in a giant document that I print and keep on hand complete with character sketches and floor plans of characters’ houses as I work.

RACHEL KRAMER BUSSEL: How did you decide on e-publisher Carina Press, an imprint of Harlequin, as the publisher for your series?

JADE A. WATERS: My agent, Jessica Alvarez, and I shopped The Assignment around for a few months. Some publishers weren’t sure on a series. When the offer came in, we had two—one was for print for a single book, and the other was for the whole series with Carina. While I loved the idea of print, I’ve been fortunate to have been in print in several anthologies and I knew there was time for a print novel later. Carina was enthusiastic about the whole series, which excited me! So, after talking it around with Jessica, it was an easy yes.

RACHEL KRAMER BUSSEL: Both Maya and Dean are intrigued by BDSM, but are both new at exploring it. Why did you decide to have them both be inexperienced? What was it like to write about a dom who has to act in control but is also, at times, unsure of what he’s doing when it comes to their power dynamics?

JADE A. WATERS: Ultimately, everyone has to be new at BDSM before they’re into BDSM. The desires can be part instinct, but we don’t just wake up one day knowing we like to be spanked or whatever without giving it a whirl. There are a bounty of books out there right now with a super experienced dom and inexperienced (and oft virginal) sub, and it drives me nuts. I wanted to explore two people who had a little exposure and interest in trying more, so that they could develop and cater to their own needs, but together. I find that exploration concept really sexy, which is why it was such an integral part of Maya and Dean’s relationship. However, it definitely posed some challenges in portraying Dean. He had to be in control, and yet he had to make rookie mistakes (he does in The Assignment, after all). It’s maddening to read and watch, but life is all about learning, and that’s what they do. Maya and Dean’s flubs allow them to figure out how to communicate and negotiate their boundaries—something I don’t think ever stops, in reality, in BDSM or any relationship. So they continue navigating that throughout the series.

RACHEL KRAMER BUSSEL: Maya is intrigued by BDSM and submitting to Dean, but very wary based on abuse in a past relationship that had included some elements of BDSM, and she is also works with abused women at her job, which complicates her perspective. Was it challenging to incorporate the subject of domestic violence into a book of kinky erotic romance?

JADE A. WATERS: In some ways, yes, but not completely. I remember that when I told a non-erotica writer pal about Maya’s background early on, as well as some of what happens in the book, she’d said, “Wait, you’re basically giving her PTSD and having her trigger in an erotic romance book?” I’d found the question rather curious. I think we as a society have a tendency to gloss over the fact that real people have real histories and that can impact one’s choices and experiences. Maya is a fictional character, sure, but I like my characters to be real people. As someone who actually lives with PTSD—which does flare for most PTSD sufferers randomly throughout life—and yet someone who is also extremely sexual, I didn’t find the combination all that strange; I know what that feels like. It doesn’t saturate every moment but there are periods when it’s active. In the same way, making sure that past experience didn’t oversaturate the relationship was a challenge I enjoyed. To me, Maya’s story is about finally coming to terms with her past throughout the course of the series while she finds not only love and lust but herself in her relationship with Dean.

 One of the biggest themes of The Assignment is safety, which is what allows Maya to indulge the side of her that wants to have sexual adventures ranging from bondage to public sex to visiting a sex club. What about Dean makes her feel safe, and what, if anything, about Dean makes her feel unsafe?

JADE A. WATERS: Dean is naturally dominant, but he’s also a playful, compassionate guy. Maya is playful too, which is why they respond so well to one another. His openness allows her to feel safe, as does all his checking in—he may be giving assignments, but they really cater their dynamic together, and flesh it out through the series. We learn more about Dean in The Discipline, and some of his experiences have given him his own reticence that he [foolishly] tries to cover up. But as their relationship grows, it’s got to come out. I’m really into the pieces unfolding in time with people much like peeling back an onion, and yet, that lends to the challenges these two face. Maya’s questioning of safety comes from her background, pure and simple. It’s hard for her to place her trust entirely in someone else’s hands, but she wants to with Dean. Later, when she’s found her confidence in submission, she’s able to use that to call Dean out when he’s holding back. I wouldn’t say she feels unsafe then; in fact she feels safe enough to make the call and draw him out to meet her, too.

RACHEL KRAMER BUSSEL: If Maya had not met Dean, do you think she would have found other ways to explore her interest in BDSM?

JADE A. WATERS: Maybe? Frankly, I think she was too busy avoiding. If—and I mean if—she did find it later, I think it would have taken her a long time, because she was mighty happy with her fancy free love and sex life. There’s something about Dean that pushes that button for her in the perfect combo of dominant, charming, and sweet.

RACHEL KRAMER BUSSEL: The San Francisco Bay Area, the setting for the series and your home, is very prominent in the series. What’s so sexy about the area? Do you think people are more open to exploring BDSM there than in other parts of the United States?

JADE A. WATERS: I didn’t realize how into the area I was until I started writing erotica, honestly. Someone pointed out that I had a water motif and I had to pause before I realized, um, hello, I’ve been writing watery motifs for a while. I lived in Nevada until I was a teen, and from there I was in Sonoma, Marin, all over the East Bay…this place is just so incredibly lovely. (A 12-year-old me protested becoming a California girl and I now proudly tote that badge.) There’s water everywhere, be it moderate rains or on the coast. And waves…they’re so sexy to me. It’s that soothing but rhythmic one-two punch. I’d read a few erotica books set in other highly populated areas and none seemed to be here, so I felt like it was high time the Bay Area got some quality love! As for BDSM here…San Francisco is such a far cry from many places in our country. There’s a lot of open-mindedness (never mind several BDSM and sex club options), so, if there aren’t more people exploring it here there are at least more aware of and open to it here, I think. 

RACHEL KRAMER BUSSEL: Was your focus on safety and consent a response to the perceptions in popular culture of BDSM? Were you trying to address any cultural myths about kinky relationships?

JADE A. WATERS: YES!!! (Sorry, was I shouting?) I have read and heard about far too many misconceptions that BDSM is actually abuse. This is dead wrong. A consensual BDSM relationship is a beautiful thing. A nonconsensual relationship of any type is abuse. But BDSM is not a synonym for abuse, and many people still believe this is the case because unfortunately in real life and in fiction some do treat it as an excuse to abuse. That’s a no-no. Also, I think consent is an extremely important topic. I need to preface this with the fact that I under no circumstances believe it is a fiction writer’s job to educate the public on consent or to only write consensual scenes—and it drives me crazy that people say otherwise. However, if one is writing a BDSM story and they don’t intend for the dom to be an abusive character, then one does have to be a responsible writer and make sure the consent, communication, and negation is there in a healthy way. For Maya and Dean’s story, consent and safety was imperative, both because I wanted them to have a real and healthy BDSM relationship, and because Maya’s backstory requires safety in her relationships. Period.

RACHEL KRAMER BUSSEL: What were your favorite and least favorite parts of writing this trilogy?

JADE A. WATERS: This is strangely the hardest question you’ve given me, Rachel! 🙂 Favorite…man, all of it? The way the story morphed over time, and at the same time challenged me and exorcised some of my own demons. I really loved Maya’s growth throughout the series (just you wait until book 3), and it felt good to watch her develop. Same for Dean. Hardest? Mmmm…my life, like, completely blew up at the start of drafting book 2. So I think it would be cool to try writing a series not under so much life stress! (You hear that, Universe? Eh-hm.) Part of that was the pace, and part was just all that was going on. But, I think it worked out all right!

RACHEL KRAMER BUSSEL: Can you give us a hint at what happens in The Discipline, which was just published, and the third book, The Reward?

Jade A. Waters: Happy to! The Discipline sees Maya and Dean learning the discipline of having a serious relationship while also exploring more sexual discipline, which means more play, and several really hot fantasies that will definitely challenge them. A. Lot. By The Reward, they’re not only more stable but stronger…however, some past challenges will confront them, hard. We will see tremendous growth in both characters…as well as in their relationship. It’s a mighty reward!

RACHEL KRAMER BUSSEL: What have the responses been like from readers to the series?

JADE A. WATERS: Fairly positive, I think! Some people seemed to really like their dynamic and the story, which is amazing to hear. Some wanted more Dean in book 1, which I knew would show up in book 2 because The Assignment was more about Maya’s growth…so I’m hoping they find what they’re seeking when they read on. I try not to read reviews too closely and when I do I just figure to each her own, but so far it seems people are enjoying, which is such a compliment.

RACHEL KRAMER BUSSEL: Anything else to add?

JADE A. WATERS: Yes…a giant thank you for having me over!!

Click here to read a sexy free excerpt from The Discipline, which is available for purchase for Kindle, Nook, Google Play, iBooks and Kobo.

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Rachel Kramer Bussel (rachelkramerbussel.com) has edited over 60 anthologies, including Best Women’s Erotica of the Year, Volume 1 and 2, Come Again: Sex Toy Erotica, Begging for It, Fast Girls, The Big Book of Orgasms and more. She writes widely about sex, dating, books and pop culture and teaches erotica writing classes around the country and online. Follow her @raquelita on Twitter and find out more about her classes and consulting at eroticawriting101.com.

EXCERPT: Sex on the job erotica from sexual fantasy book Begging for It

23 Jul

by Rachel Kramer Bussel

In lieu of the usual Lady Smut Sexy Saturday Round-Up, today we are running a very hot erotica excerpt. Hope you enjoy it!

Begging for It: Erotic Fantasies for Women

Begging for It: Erotic Fantasies for Women

Blurb: What would you give — or give up — to fulfill your most cherished sex fantasy? In this Cleis Press collection, erotica editor Rachel Kramer Bussel brings us femme fatales and shy women, women on a mission and women opening up to new worlds of discovery: women who know what they want and are not afraid to beg for it! Let yourself go with these 20 tantalizing tales of tortuous longing and release.

~~~~~

I edited my new anthology Begging for It: Erotic Fantasies for Women with one goal: to showcase the wide range of women’s sexual fantasies in erotic short story form. Of course, a single anthology cannot cover the extremely wide range of our naughty imaginations, but I love the way all 20 authors took that theme and ran with it. Below is an excerpt from a story in which a woman is granted a wish by her husband of anything she wants for her birthday. What she picks, furtive public sex at the Fix It Depot where he works, is hot hot hot. Check out this steamy snippet below.

From “Morning’s Come” by Sommer Marsden in Begging for It:

My fingers were shaking and it was making tying my shoes damn near impossible.

“Morning’s come,” Riley said softly in my ear. “And soon so will Meg.”

I blushed. The heat in my cheeks made me feel light-headed.

“What if we get caught?”

He shrugged. “We’ve never gotten caught before, but if we do…”

I waited, watching him as he laced up his work boots.

“Then I find a new job,” he laughed.

I smiled. I’d feel awful if that happened, but this fantasy was a craving, a craving that seemed to go right down to the core of my bones. “I’m excited.”

He kissed the top of my head. “Me, too. Happy birthday, baby.”

The drive to work took forever.

“Good news is, we’re short staffed, today,” he whispered, leading me down the wide cold aisles of the store. Overhead, no-nonsense steel shelves towered, holding everything from plumbing pipes to bug spray to lightbulbs. The store was big and impersonal and perfect.

In his section, there wasn’t a person to be found. But every so often, from the maze of aisles, came a random customer. And that was what got my blood flowing fast.

“The one I was telling you about is right…here.” Riley pulled me around the corner and we stopped together, right there, in front of a spectacular gray-speckled marble shower display. The doors were open but when he pushed them shut they were thick, textured glass.

My mouth popped open in surprise and awe. I loved it. Riley laughed, and pushed my mouth shut. “You’ll draw flies.” Then he stepped inside and pulled the doors shut. I could see him…but not. He was a figure there behind the textured safety glass. Clearly a person but not clearly identifiable, not even by gender.

He pushed the door open and winked at me. “Coming?” Then he laughed at his own joke and said, “Well not yet. But soon. However”—he put a hand out to me—“that will only happen if you join me.”

“Are there cameras?” I asked, reaching for his hand. My shaking had turned to a more significant tremor as adrenaline flooded my system. My nipples peaked, stiff and tender inside my bra. My panties grew damp from arousal that had built from the moment I awoke. I was having trouble drawing a deep breath.

He tugged me into the shower stall and pushed me to the smooth, cold wall. “Yes. There are. But they aren’t at an angle where they’ll pick this up. Not even us entering the display.” Riley popped the button on my jeans, drew down the zipper. “Speaking of entering. I’d l like to enter you very soon, birthday girl. Slide into that wet, slick cunt of yours.”

I hummed softly, so turned on I was reduced to noises and not words. I pushed my hand down into his jeans and wrapped my fingers around his cock. I started a slow, easy stroke until he said, more than a little breathless, “Take it out.”

We warred with each other and our clothes until I found myself laughing. But then Riley pushed his fingers inside me and started to thrust and all the laughter died on my lips. I arched my hips, with my jeans pooled around my legs, and met every single stroke of his fingers.

“Hurry,” I said, my pussy slick and swollen from wanting him.

Riley was there too—at that sweet spot where desire met need. Turned on, scared, worked up. He nodded and said nothing. I noticed he hadn’t shaved and pulled him down for a kiss. The kiss turned fierce, his stubble scratching my face until it burned. He had his jeans down, his cock out and his hands on my hips, pinning me to the wall.

Voices drifted from far off, licking at my ears, amplifying my pleasure.

“—Anyone working in this section?”

And an answering voice: “Guess not.”

I bit my lip to keep from laughing. “Turn around,” Riley growled. “Put your pretty hands up on that wall while I fuck you.”

A shiver marched up my spine, and I obeyed him. Putting my hand with my wedding rings on top of my other hand, I braced myself as I pushed my ass back toward him, teasing him. Tempting him to enter me.

His fingers breached me again, one fingertip finding my clit. He kept me there, heart pounding, suspended in pleasure just a heartbeat away from coming.

I hiked my top up and pushed my upper body to the cool marble for a moment as he ran the tip of his cock along my drenched slit. His other hand came around to the front to stroke and tease my clitoris.

“Hello?” someone called outside the shower stall.

“Hurry,” I gasped, my cunt pounding in time with my heart. This wouldn’t take long. Not long at all.

People were circling his department. It was only a matter of time before someone found us. Or saw us through the pebbled glass. The realization forced a wave of breathtaking excitement through me.

*****

Begging for It is available now in print and ebook from Amazon, Barnes & Noble, your local independent bookstore and for Kindle, Nook, Google Play, iBooks and Kobo.

*****

Sommer Marsden (sommermarsden.blogspot.com) is a professional dirty-word writer, gluten-free baker, sock addict, fat wiener dog walker and expert procrastinator. Called “one of the top storytellers in the erotic genre” by Violet Blue, Sommer’s the author of numerous erotic novels including Lost in You, Restricted Release, Restless Spirit and The Accidental Cougar.

*****

Rachel Kramer Bussel (rachelkramerbussel.com) is a New Jersey-based writer, editor, blogger and erotica writing instructor. She’s edited over 60 anthologies, including Best Women’s Erotica of the Year, Volume 1; The Big Book of Orgasms; Come Again: Sex Toy Erotica and others. Find her @raquelita on Twitter, at her blog Lusty Lady and at eroticawriting101.com.

How to have an orgasm from being spanked

15 Jan

by Rachel Kramer Bussel

Spanking is one of my favorite things to read about, both because I enjoy getting and giving spankings, but even more, because how a person reacts to a spanking can tell us so much about them. The eyes may be the window to the soul, but for spankophiles, a spanking can be a window into equally powerful revelations.

Erotica authors can make spankings playful, painful, punishment, reward, ritual, initiation; the possibilities are endless. They can be purely physical, or they can tap something deep inside, bringing out raw emotion, longing, desire, unlocking secrets that can’t be unearthed in any other way. But there’s no one-size-fits-all spanking. What’s sexy to one person may be abhorrent to another. Some have very precise and specific ingredients that go into the perfect spanking; for others, it’s on a case-by-case basis. You can’t simply magically intuit what type of spanker or spankee someone will be without some clues to guide you.

If you stumbled across a spanking taking place, even if you watched closely, you might not know exactly which category it fell into; is it being enjoyed or endured? Is the spankee getting turned on or simply waiting it out until they get to whatever happens next? Is the spanking a sexual act, or something else? Writers have the power to get inside the heads of those on the receiving or giving end of those firm, hard smacks and let us find out what exactly makes this something characters crave (or cringe over)? When I am right there with a character who’s having the time of his or her life because of a spanking, I’m in reading heaven.

Best Women's Erotica of the Year, Volume 1

Best Women’s Erotica of the Year, Volume 1

It’s no surprise, then, that in my new anthology, Best Women’s Erotica of the Year, Volume 1, spanking makes a few appearances. One of the most intriguing to me is “Restitution” by Ria Restrepo, about a famous pop star, Ella Lopez, who’s caught shoplifting and is being interrogated by a police officer under the watchful eye of whoever’s observing and monitoring their every move through a two-way mirror, helping to negotiate what her punishment will be. She’s told that she’ll be let off the hook for the shoplifting if she takes 20 bare assed spankings from Officer Hernandez. Heart pounding, she agrees. Here’s part of what happens:

“I want you to sing for me, little diva. Call out the numbers.”

“Yes, sir,” I said, my voice raspy and unfamiliar.

He shifted away from me and I held my breath, awaiting the first blow. When it came, it was hard, punishing, brutal—everything I thought it would be. My body lurched forward, jostling the table enough to knock the water bottle onto the floor.

“One,” I cried out on a pent-up gust of air.

Then came the next smack on the opposite cheek, and I called that one out too. There was a mean sting on my skin when his large hand first made contact, followed by a deep ache in my flesh as it absorbed the full force of the strike. He spread the slaps around, alternating sides, occasionally landing near the juncture between my thighs—those were the best ones. 

Each time, pain roared through my body, making my nipples throb and my cunt clench in sympathy. But it was a delicious torture that built with the burn until I was on fire. I could feel my juices sliding past my cunt lips and onto my thighs. I couldn’t believe it; I was going to come, just from him spanking me.

I asked Ria Restrepo to share a little behind the scenes insights into just how this story plays out, including what factors went into Ella being able to orgasm from being spanked. While this may not work for everyone (nor is that everyone’s goal), knowing what it took for Ella might set the stage for it happening for you.

Here’s what she told me: “Ella ultimately gets off from the combination of physical, emotional, and mental stimuli she experiences. She finds pleasure in pain, so the sensation of a firm hand smacking her tender flesh is highly arousing. But being dominated by a man she’s attracted to, knowing her spanking is being watched, and the taboo nature of a police officer abusing his authority in such a way all heighten Ella’s arousal. It’s often said that the brain is the greatest sexual organ and that’s definitely true in ‘Restitution.’ Ella is very aroused before Officer Hernandez ever lays a hand on her.” This buildup was another thing that made me want to publish her story. Ella’s body is primed, and the reader’s mind is also primed to be fully appreciate every aspect of her spanking—and what comes after it.

Something I especially think Lady Smut readers will appreciate is that Restrepo’s tagline for her BDSM erotica is “strong women who desire stronger men.” In other words, kink for her isn’t about submissies being truly degraded or seen as somehow lesser, but about owning up to—and sometimes asking for—the kind of treatment they want from a dominant. Sometimes what seems like “suffering” is actually delight; in Ella’s case, she’s being punished, but it’s clear that she is getting off, literally, on the harsh blows being delivered straight to her bottom, from a man who’s strong in more ways than one.

I asked her how her tagline plays out in “Restitution” and she said: “The best dominants aren’t intimidated by strong, independent women. They value a woman’s willing submission and work hard to earn her respect, admiration, and trust. Having a strong woman, who can stand on her own two feet, kneel before them in supplication is a cherished gift.”

She went on: “In ‘Restitution,’ Officer Hernandez may have authority over Ella by virtue of his position as the police officer who arrested her, but his dominant nature goes deeper than that. There is an ineffable quality truly dominant men possess—it’s in their demeanor, the way they stand, the way the walk, the glint in their eye. They exude confidence in their ability to understand what a submissive needs and give her exactly what she desires. Therein lies Officer Hernandez’s true power over Ella and makes him ‘stronger.’”

I love Restrepo’s concept of submission and that she makes sure to link women who submit with women who are independent. In this conception, dominant and submissive are yin and yang, each valuing what the other brings to the dance of BDSM. Her story would have been something else entirely if I felt like Ella was truly being manipulated into doing something she didn’t want to do, if the “punishment” only worked one way—to get the spanker off. Because it’s so clear, as you read in the passage above, that her body is singing with each strike of his hand, the power play works perfectly.

I also appreciated the detail Restrepo used in the short but powerful spankings scene. She didn’t belabor the story, but gave the reader just enough to perfectly capture exactly how Ella was being spanked, and where, and to let us know that the man delivering those blows knows precisely what he’s doing. While of course her story is pure fiction and not an actual instruction manual, I do believe that readers interested in pursuing spankings of their own could glean a thing or two about the art and joy of taking a spanking from Ella.

Want to find out what happens after that spanking? Read “Restitution” in Best Women’s Erotica of the Year, Volume 1, out now in print and ebook form. You can also hear me and other contributors read from the book this Tuesday, January 19 at 6:30 p.m., at Good Vibrations, 1620 Polk Street, San Francisco.

Have a sexy story you want to get published? I’m accepting short story submissions by women authors from around the world through April 1 for Best Women’s Erotica of the Year, Volume 2, and the guidelines can be found at bweoftheyear.com.

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