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NEVER SWEETER: The Sweet Darkness in Charlotte Stein’s Dark Obsessions Trilogy

9 Mar

This one is going into my “special” kindle folder. ; >

by Madeline Iva

We posted a fun excerpt from Charlotte Stein’s story NEVER BETTER last Sunday.  NEVER BETTER is the final book in her Dark Obsession trilogy, so of course, I read it first, and then worked my way backwards, cause I’m perverse like that. I gobbled down NEVER BETTER like a chocolate chip cookie and advise you to do the same.  Now I’d like to take you on a journey through the open-mouthed, kindle-clutching, eye-squeezing moments I had while reading NEVER SWEETER, the first book in the series.  How to do so without delivering any spoilers is gonna be hard, but here I go…

CONTEMPORARY ROMANCE GOES TO THE DARK SIDE

What really keeps a man and a woman apart these days if they want to be together? Not much. After plundering the treasure chest of meet-cutes and other fabulously quirky ways to bring two people together and then keep them apart for two hundred odd pages, contemporary romance has gone to the dark side.

I personally blame paranormal romance.  Let’s face it–paranormal romance is just so much easier.  Look at the obstacles a heroine faces—Example: “He’s a vampire who’s killed THOUSANDS of people and he’s hundreds of years older than me.  How could we ever be together?” it’s a really messed up situation.

CRAZY-WRONG “I’D HAVE TO BE INSANE TO BE WITH SOMEONE AS EVIL AS YOU” SITUATION= STRONG ROMANTIC ROAD BLOCKS = LOTS OF ROMANCE FEELS & GREAT TENSION

After all, 50 Shades was based on a paranormal romance, wasn’t it?  E.L. James just fished around for a modern day ‘real’ equivalent for a evil-but-not-really, self-loathing, brooding hero.  She came up with a billionaire sadist, around the same time other authors were also plonking down flags into anti-hero territory. Do we want to blame 50 Shades for all the motorcycle clubs, hit-men, crime families, and other anti-hero-ish trappings that are so popular these days? No, but I think the E.L. James phenomenon illustrates a sweeping trend, and Charlotte Stein has taken some steps down the same path.

BUT CHARLOTTE STEIN ISN’T LIKE THAT! SHE’S SO SWEETLY DIRTY…

But maybe sometimes she isn’t. INTRUSION and some of her other works have strayed from abused heroines into more plum-colored territory. Which brings us to NEVER SWEETER.  Let’s look at the blurb:

Letty Carmichael can’t believe her eyes when she catches a glimpse of her high school tormenter, wrestling champ Tate Sullivan, on campus. College was supposed to be her escape from Tate’s constant ridicule. Now he’s in her classes again, just waiting for his chance to make her life hell.

skipping, skipping, skipping…

Loving him is impossible. Craving him is beyond all reason. So why can’t she stop?

Falling in love with your high school bully is messed up, peopleKids, don’t try this at home.

However, line by line Stein just sucks you in.  Great dialogue, great side-kick friend, very specific descriptions of torments she endured and then Tate — a classic Stein-i-an hero, just takes over.

What do we like about Tate? We like that he’s open, agreeable, and fast on his feet.  We like that he’s hotness plus, and can read people–especially the heroine–quickly.  We like that he’s a sexual beast wrapped up in a Nice Boy package–but is he really trustworthy?  It’s that last part that keeps readers furiously turning the pages and riding all the highs and shocking lows.

Why was he such a monumental dick? This is the big answer we need to know. Stein gives you answers, and then sweeps on by.  Do we believe these answers–ah! This is where she’s brilliant, because doubts may  linger, and she plays upon these same doubts later.

I just went through such a roller coaster of emotions with this book.  It really was so incredibly sweet at points–which is what I do look for from Stein–and so sweetly filthy at others–which is what I relish about Stein–and at other times it was kinda like a horror movie.  There’s a Carrie reference and it’s seriously well earned.

I think at one point I shouted “No!” in shock.  At another point I kinda cried, almost.  The whole time I felt as guilty as the heroine for being so sucked into a kind of situation that I would NEVER EVER EVER!!!! endorse in a million years in ‘real life’.

So go buy it already.

Meanwhile, I got the skinny from Charlotte Stein about RAW HEAT — her so good it hurts post-apocalyptic romance that’s out of print right now. Talk about bullying! It’s really unfair clobbering my friends and even total strangers over the head for not having read RAW HEAT if it’s not even in print. Stein has said she’s going to re-pub it in a collection with some of her other post-apocalyptic/paranormal stuff.  So happy about that. Soon none of you will have any excuse.

Okay, I’ve started going into Charlotte Stein withdrawal, so I’ll sign off for now.

Follow us at Lady Smut–if you want to.  It’s your own choice.  Really. We’d never bully you about it.

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on Amazon, Barnes & Noble, Kobo, and through iTunes.  Sign up for Madeline Iva news & give aways.wickedapprenticefinal-fjm_low_res_500x750

 

Edge of Power by Megan Crane: A Review

6 Mar

by Kiersten Hallie Krum

The highly anticipated, third installment of Megan Crane’s EDGE series, EDGE OF POWER, is finally here. Okay, technically, it releases tomorrow. Allow me the dramatic flourish.

This is Wulf’s book, the charismatic, fear-inspiring, panties-melting, ruthless leader of the raider brotherhood. Fans of the EDGE series have been greatly anticipating his book since he first appeared sprawled on a beach with lazy deception in EDGE OF OBSESSION and all readers sat up and said “hel-lo!”

Look! A blurb!

The ultimate Viking warrior meets outlaw biker: Wulf, the Raider King. He rules a future, destroyed world with the force of his will alone. Now he will meet the one woman who will change…everything.

Wulf is king of his clan and the ruthless head of the raider brotherhood.

Every foe in his path surrenders to his will. But when his mortal enemy’s beguiling daughter gets under his skin the way no one else ever has, a whole new intensity from the Raider King is unleashed…the fiery strength of dark passion and hard-hitting lust.

Kathlyn is no fan of the life she’s been forced to live under her savage father’s unforgiving rule. But the bold and powerful barbarian who steals her innocence—and her heart—is a dangerous bet. There’s nothing safe about a man who wants to destroy everything she knows and burn it to the ground. Except if Wulf can set her free, maybe safety is overrated…

Will the overwhelming heat of her warrior-king lead to something more powerful than either of them can imagine?

Strewth!

EDGE OF POWER has a lot going on betwixt it pages. But for all that, it is a slower book than the three that precede it. Let me qualify: it doesn’t read slow and the pace doesn’t drag. You’ll be hooked and unable to set it down without finishing first. I read it in one big gulp. It bulges with Crane’s signature sexy scenes and ribald, earthy language, and creative descriptions. Her world building continues to be imaginative and engaging, with increasingly more than a touch of prescience. I’m constantly struck by the relevance of this world’s structure and politics, and it, I think not accidentally, regularly calls to mind The Handmaid’s Tale. In EDGE OF POWER, a noble woman’s sexual status is noted by the color she wears. Kathlyn can only wear gold, which not only marks her publicly as a virgin princess, “but the particular property of the king.” Her virginity is considered her father’s to own and dispel as he sees fit. Kathlyn’s worth, like most women in this world, is solely equated with her sexual status. Beyond that, she has no value to her father or her world at large. Given our current political climate, a large part of which is unduly concerned with policing the sexual and reproductive rights of women, this seems like a particularly uncomfortable insight to our possible future. With or without Viking raiders.

Click on image to buy!

Click on image to buy!

EDGE OF POWER is a long burn of a story. Despite being action man, take-what-he-wants, never apologize, battle loving, Viking raider clan leader, for most of this book, Wulf is forced to bridle his instincts and usual modus operendi for a long wait and the messy, bloody dance of politics with his enemy. It’s totally against his nature. He wants to main and pillage and plunder and exact righteous revenge for the sins and insults the king has waged against Wulf’s clan before Wulf and the brotherhood were even aware of his existence. This juxtaposition simmers through the entire narrative, building a tension along the way that is almost gleeful in its release, once all things align and Wulf is finally set free of his self-imposed restraint.

This is a book about patience, not a prized virtue among the brotherhood. Wulf has to be patient and resist his instincts to rip his enemies apart and just get the job done. He knows if he makes the wrong move, all of his people will be at mortal risk. He has to taper his usual methods and play the long game, consorting with known enemies, weaklings and fools to his eyes, in order to gain the advantage and have his plan come to fruition. Kathlyn is one woman, a woman who is not under his protection. He cannot risk his clan for the daughter of his greatest enemy, a woman whose loyalties and ambitions are still a mystery. Yet, as the story goes on, his instinct and need expands to include Kathlyn. Wulf struggles to make decisions he knows will benefit his clan and his detailed, complex plan, but these are choices he also knows for which Kathlyn will, and does, suffer. He wrestles with that dual edge of being the leader when the needs of the many outweigh the needs of the king.

But Kathlyn has been at this game far longer than Wulf can initially imagine. Her patience is epic and her ability to survive the most heinous of circumstances is far beyond Wulf’s expectations. “I’m a princess, not a raider,” she tells Wulf in their first encounter. “If I launched myself into battle every time someone insulted me, I would’ve been dead long ago.”

Since the brutal death of her mother at the hand of her sociopath, psycho father, King Athenian, Kathlyn has existed in a living hell, staying as quiet and unobtrusive as she can manage, enduring unfathomable humiliations and dangers just by being the yet virginal daughter of the king, a commodity her father plans to auction off to the highest bidder at his convenience. It’s a carrot he’s dangled before the nobles for so long that Kathlyn herself is seriously tired of the wait. She wants to wear anything other than the gold dresses that define her, and not only because she’s desperate for a wardrobe change. At her level of nobility, the deflowering of a noble virgin is a public ceremony, done on a large bed in the great hall before all the world. Nothing like performance anxiety, yeah? Kathlyn wants to control at least this one thing in a world where being a princess is more of a prison than the lowliest offender has ever seen.

This is a world, remember, that had deemed sex only necessary for procreation to repopulate the world. People here enter into winter marriages where, if a child is conceived, they may stay together for a year until that child is born. If there is no child, both parties go their own ways. Pleasure doesn’t come into the matter at all. No foreplay, no fun. Just copulation for procreation.

Or, at least, for the women. The men indulge in sex for pleasure all they want (naturally). Kathlyn knows all too well how rampant this hypocrisy is among the men of the court. Finally deeming her virginity a burden she can no longer bear, she decides to offer it to the Raider King, a barbarian she’s sure won’t quibble over defiling his “host,” the king’s, daughter. Doing the deed puts Kathlyn’s life at enormous risk, but she’s reached the end of that long stretch of patience that’s kept her alive this long. Whomever she’s bargained off to in the end, she wants first to be able to make one choice for herself, especially about so intimate an event. Because, for the first time in a lifetime of restraint, of not allowing herself to want or need anything only to see it wrenched away, of living a quiet half-life always aware that her father could kill her in the next moment, Kathlyn wants. Wulf awakens in her a pulsing need, not just for sex, but for the wild freedom he represents to her. The crazy idea of choice and desire, of a life spent living and not enduring.

Here again, though, Wulf must resist his urges and instincts as he knows screwing Kathlyn will put both her life and his mission in danger. Obviously, since this is a romance, that resistance doesn’t last, but there is genuine, uncharacteristic struggle in Wulf about what he does to and with Kathlyn. He takes time with her, not only sexually, protecting her in his limited way and when he can’t, working to at least make their sins worthy of her punishments. They also take great risks to be together, and eventually, this leads to their (temporary) downfall. Even when forced into humiliating situations together, designed to denigrate and demean Kathlyn especially, Wulf does what he can to protect her, always keeping in mind what risk it may or may not pose to his mission. He strains against the inability to shield her from her father’s unreasonable and unpredictable wrath. Wulf’s burden of failure grows as he and Kathlyn’s situation becomes more and more perilous. Ultimately, he has to choose between his clan and his woman, perversely giving Kathlyn the life he thinks she wants by taking away the man she’s discovered she needs. Heavy hangs the head of the king.

Author Megan Crane

Author Megan Crane

Yet Wulf has the advantage of knowing how this game ends, or at least how he expects it to end, given his faith in the superiority of his brotherhood and confidence in the soundness of their strategy. Kathlyn takes these risks with him fully expecting to pay the ultimate price. She is so weary of her life, so tired of being afraid, so done with being victimized by her savage, sociopath of a father, even death is a relief, death on her terms, making her own choices, and, for once, feeling bliss with a barbarian who turns out to be the only man in her life to ever give a damn about her. Her strength of spirit in mind-boggling. She not only endures, she triumphs in her resolution. Kathlyn may bend and submit as she needs to in order to survive, but she is far from beaten and defeated, even when physically, she is both. Crane sketches her with such deft and layered strokes that Kathlyn resonates with the emotional authenticity of real-life abuse victims.

EDGE OF POWER is richly drawn with a fascinating dystopian world that is not so far out of our reality. Wulf and Kathlyn’s slow burn of a relationship amidst the perils and pitfalls of a ruthless, unforgiving, brutal court and king is a careful tap dance of sexy subterfuge beneath which lies the delicate waltz of conflict between duty and desire, where a woman with no hope who is accustomed to being betrayed by those closest to her falls for a man whose stalwart faith in his brotherhood and his own purpose cannot be shaken. EDGE OF POWER is sexy and sensual, fierce and touching. A fitting fulfillment of the Raider King’s story.

EDGE OF POWER is available for pre-order and will be on sale March 7, 2017.

A copy of this book was provided to the reviewer by the publisher via NetGalley. You can see more Lady Smut reviews of this series, along with a guest post from Megan Crane about the EDGE series, here.

P.S. If you join Megan Crane’s Clan Facebook page and/or check out her website, you’ll see the absolutely stunning map that her animator (as opposed to animated) husband drafted. As a visually oriented person, having the colorful, detailed map definitely helps me to picture this new, greatly changed world.

Writer, singer, editor, traveler, tequila drinker, and cat herder, Kiersten Hallie Krum avoids pen names since keeping her multiple personalities straight is hard enough work. She writes smart, sharp, and sexy romantic suspense. Her debut romantic suspense novel, WILD ON THE ROCKS, is now available. Visit her website at www.kierstenkrum.com and find her regularly over sharing on various social media via @kierstenkrum.

We Saw Fifty Shades Darker So You Don’t Have To

11 Feb

by Elizabeth SaFleur & Madeline Iva

Happy Weekend! We’re here to share with you all our thoughts after seeing FIFTY SHADES DARKER at the movie theatre last night. fifty-shades-darker

Madeline: I loved seeing that group of women who all came into the theatre wearing masks. In fact, my role here is to see the film with eyes of love.  To understand why women love it, why it’s so ridiculously successful.

Elizabeth: This blog post also could be titled, Fifty Scenes of Dakota’s Boobs. Or Fifty Shades of Mixed Messages.

Madeline: You’re in a mood this morning.  I can tell.

Elizabeth: I don’t hate the Fifty Shades franchise. I don’t love it either. I’m neutral, though I was really hoping Hollywood did a better job of portraying the lifestyle than they did previously. Of course, I recognized this story, from the get-go, isn’t a BDSM erotic romance at all.

Madeline: I mean, I agree.–But what is it then?

Elizabeth: It’s a story of a man with PTSD from his childhood who channels his angst by engaging in supposed sadism (I don’t think he’s really a sadist, by the way) with submissives. He meets an ordinary girl who sends this man mixed signals. But she would. She’s in her early twenties and still figuring herself out. But, Jesus, the back and forth!

All that chest--and no touching it. I would go mad.

All that chest–and no touching it. I would go mad.

Madeline: Yes, she’s still figuring it all out.  Jackie and I talked about that with the first movie. This is a strong message that’s getting out into the world these days and I applaud it.  You hear that men? Women are not playing games.  They’re not f**king with you.  They’re trying to figure it out, okay? And sometimes it’s not easy.

Elizabeth: I get why people love 50 Shades. Billionaires, mild kinky scenarios—

Madeline: Yay to mild-kink! Or, as I like to call it, Kinky-lite.  We need t-shirts.  I’ll get my people right on that.

Elizabeth: –especially if you’ve not been exposed before. People also love the luxurious settings, a man changed by the love of a woman. That trope is old as the hills.

Madeline Iva: As old as the hills–and yet there are real haters out there.  Haters who love romance, confoundingly.

Elizabeth: I get why people hate it. Bad BDSM benchmark set, a weak(er) story structure and did I mention the mixed signals from both characters?

Madeline: One thing about the mixed messages: I think that the movie makers had to do it the way that they did. They had to be true to the book and in the book, she’s walking away from kink.  On the other hand, what do we want? We want hot sex scenes in the movie! Like we had in the first movie, only different.  They delivered both.  Could they have delivered a movie that had a lot less sex? I don’t think so.

Elizabeth: The PR/Marketing person in me also thought they missed an opportunity to make the movie the best possible thing ever. No excuse! I mean, built-in audience, Hollywood! We had a row of women behind us who came as a group all wearing masks. You can’t buy this kind of loyalty.50-shades-darker-teaser-mask

Madeline: You think they should have really dug in and changed things, deepened the script, the plot, etc?

Elizabeth: Yes! So, sadly, this movie isn’t going to win any Oscars.

Madeline: So, here’s what I say — is this even really a movie? I mean, I thought of it as something in film form that was an homage to the book.  I think we’re in the early days of a whole new medium. We need to come up with a jazzy name for it.  I mean, that whole weird section with the helicopter crash? “Real” movies don’t actually work like that.  Which is okay–but comparing this to a movie is like comparing apples to…an apple flavored jolly roger candy.  You know?

Elizabeth: It will certainly please the 50 Shades crowd, but in equal measure that it will tick off the real-life BSDM enthusiasts. (I can’t help but think of how this mirrors our very-politically-divided country right now.)

Fifty pull ups. Cause you know *that* joke isn't getting old.

Fifty pull ups. Cause you know *that* joke isn’t getting old.

Madeline: Aren’t they already ticked off? I mean, by this point, I can’t imagine real-life BDSM enthusiasts going see this movie for sheer love.  Me, I was frankly relieved that it was so kinky-lite in the first movie.  FIFTY SHADES DARKER’s little play-time scenes were icing on the cake.  Besides, I brought my husband to see the movie, and was hoping to placate him with all the sexy biz.

Also, as Jezebel writers said: “What was good: basically nonstop puss eating.”

Elizabeth: !

Madeline: So sez Jezebel, so say we all. On the other hand, people kinda wanted to see Christian’s dick.  Not me, just…people.  #dickparity is a thing, I guess.

Elizabeth: What I liked about the movie: Dakota Johnson has got acting chops.

Madeline: I agree.

Elizabeth: She’d better than most people probably realize given she had to develop that character herself. Anastasia Steele’s clothes. I want that La Perla bustier garter set she’s wearing.

Madeline: We all want that La Perla bustier garter set.  And the body to go with it.

And it looks even better from the back...

And it looks even better from the back…

Elizabeth: –Ya know, for sitting around my home office so I can pretend I’m about to be whisked to a ball. Also, her lips. M and I agree – she had the best lipstick. And it stayed on no matter what they were doing like sucking face, which they did often.

Madeline: I liked the sucking face.  Jamie Dornan sucks face well.

Elizabeth: Christian Grey’s boat. Niiiice. Jamie Dornan’s buffness and scruffness – just the way I like it. Oh, and his neck! I just wanted to bury my face in it.

You want to grab him. Admit it.

You want to grab him. Admit it.

Madeline: I did not need him so buff.  But I am obsessed.  (Posting on that later.)

Elizabeth: The general eye candy was great. They live in a beautiful world.

Madeline: I was going through eye candy withdrawl. This movie definitely helped.

Elizabeth: But I can’t get over the mixed signals: “Christian, I can never, ever give you what you need.” Ten minutes later, “Christian, spank me.” “Take me to the red room.” Make up your mind, lady. You’re either into the kink or you’re not.

Madeline: Okay, here’s my take on that — at first in their relationship he wanted total control.  Even to the point of saying he didn’t “do relationships”.  Gah.  It’s like a dance, and he was always leading.

In FIFTY SHADES DARKER, she takes control.  It’s not about consistency.  It’s about her leading. In the past, with all his interactions the dominant dynamic was about them pleasing him.  Now he has to keep up with her, follow her lead, and prove to her that he can please her.  It’s all about her, people! (Which is catnip to us romance ladies.)

She's steering the ship now.

She’s steering the ship now.

Elizabeth: His admission that he’s not a Dominant, but a sadist really bothered me.

Madeline: It was certainly abrupt.

Elizabeth: And they acted like being a sadist must be a very, very, very bad thing. It’s not!!

Madeline: She’s getting on her BDSM soap box people.

Elizabeth: If you’re truly a responsible sadist, you play with consenting adults, and you never harm anyone.

Madeline: Which is different from causing them pain

Elizabeth: Right.  Pain is temporary, and some masochists get an endorphin rush off controlled pain, which registers as a kind of pleasure…so they like it.

Madeline: Yes, yes, yes!

Elizabeth: Harming someone is completely different.

Madeline: Noted.

Elizabeth: I had an issue with the symbolic kink. The movie brings out the usual kinky props, but clearly for symbolic reasons. There’s the blindfold and the cuffs but within one minute they’re having sex. They bring out the spreader bar and within one minute they’re having sex.  He gives her four spanks and then they’re having sex. I get it. They’re young, full of hormones and hot. But don’t expect any real BDSM. The movie had tons of sex and a little slap and tickle.

Madeline: I didn’t mind that at all. Huzzah to symbolic kinky sex!

Elizabeth: Speaking of the spreader bar. People…please DO NOT go to Amazon, buy the first spreader bar you see and do that flip move that Christian did to Ana without a lot of practice.

Do not try this at home...

Do not try this at home…

Madeline: It did look…quite…gymnastic.

Elizabeth: I’m not quite convinced that spreader bar exists in real life.

Madeline: A retractable spreader bar.  Yeah, that was a new one to me too.

Elizabeth: So don’t risk spraining an ankle or wrenching a back.

Madeline: Her breasts were like a third character in the movie.

Elizabeth: If there was an opportunity to show them off, the movie did.

Madeline: It’s actually in her contract–she must be topless or naked at least every fifteen minutes of the movie. (Joking.) But reading interviews, I think the actress has made this her thing.  And if an actor is a bit of an exhibitionist, who are we to complain? (I’m looking at you, Orlando Bloom.)

Elizabeth: Why couldn’t we get his glory to be the third character? Equal rights, man.

Madeline: #DickParity — starting that hashtag right now

Elizabeth: This movie was more sex positive than the last — and Ana wasn’t as big as a doormat as she was in the first movie.

Madeline: Amen to that!

Elizabeth: Oh, and for grins you really must check out this post from a Redbook writer, I Tried All the Sex From Fifty Shades Darker In One Weekend. Hilarious.

Madeline: I can’t believe Redbook did that…that is awesome.  Final comments?

Elizabeth: Bottom line: If you are a 50 Shades fan, you’ll love this movie.

Madeline: Durh.

Elizabeth: If you are a real-life BDSM lifestyler, you’ll probably stay away anyway. Christian is someone who needs to be “cured.” Yeah, right.  But what he needs (IMHO) is help with his PTSD, not his BDSM proclivities (though I’m not convinced BDSM even really is his thing).

Madeline: What is his thing?

Elizabeth: Okay–Growing up, Christian discovers how to use kink to channel his anger from his childhood trauma.  And so maybe when he gets together with her, and they bond, that anger starts to go away? And that’s why he walks away from it all.

Towards the end of the series, he says he doesn’t want to do it anymore.  In the third book he doesn’t want a red room in the new house.

A Dominant, meanwhile, that’s their main thing–being in control.  If he actually can be happy without being in control, yeah, he’s not a Dominant.  And a sadist — I’m sorry, but you don’t just actually decide not to be someone who gets off on pain.  It’s like trying to pray your way out of being gay.

Madeline: So if this was real life–which it’s not–Elena would be right.  Ana and Christian together as a couple would be a compromise for him.  A compromise most couples don’t survive.

Kim Basinger plays Elena in the movie--which makes it all very meta.

Kim Basinger plays Elena in the movie–which makes it all very meta.

Elizabeth: Right.  If it was real life.

Madeline: Which it’s not.

Elizabeth: I don’t care if this story is fiction, that idea should be sorted out. Okay, Hollywood, can you do that for us? So we’re ALL happy? See built-in audience above.50shadesshouldersleeping

And don’t forget out V-Day Giveaway.  Subscribe to Lady Smut — push the pink bottom at the top right of your screen and you’ll be entered to win. 

Includes massage oil, candle, lip balm, and soap. Continental US only, please!

Includes massage oil, candle, lip balm, and soap. Continental US only, please!

5 Ways Millionaires & Billionaires Aren’t Like Us

11 Feb

By Elizabeth SaFleur

bizmeetingAccording to the latest Fifty Shades Darker movie, Christian Grey makes $24,000 every 15 minutes. Possible? Yes. Over the years I’ve met a few billionaires and lots of mega millionaires in my day job. Not sure what they make in fifteen minutes, but I can tell you these super-magnets for wealth exist.

Christian Grey is young, hot, and tormented.  He’s not like you and me with his anti-relationship contracts, and crazed need for control.

Okay, this is really just an excuse to post more pics of Jamie Dornan.

Okay, this is really just an excuse to post more pics of Jamie Dornan.

While your average mega-rich guy may not be like that, neither is he like us ordinary folk. Here are five things I’ve observed about the super rich.

  1. NEVER ENOUGH.  You worry about money.  I worry about money.  The uber-wealthy worry about money too, but not like you and me. As long as I’m paying the bills, taking a nice trip or two a year and someone comes to clean my house once a week– I’m golden. That’s enough. Millionaires and Billionaires worry about losing their super-wealthy status, and they worry about it all the time. They’ll always have money, but it’s having “enough” that’s troublesome.  Their version of “enough” is in the seven figures–for a while. Then they need more…and more…
  2. CHEAP IS CHEAP. The super-rich have odd ideas about what’s expensive. Watch them recoil in horror that a Frappacino at Starbucks costs six dollars.  However they’ll approve that 60 grand for the new pool in the third house with the swipe of a pen. (Or a phone call. They have people who handle that stuff for them.)
  3. RICH MEN DON’T ANSWER THE PHONE. It’s usually someone calling for money. Their voice mail is perpetually full. Their people will get back to you.  Maybe.
  4. RICH MEN DON’T RUSH. They walk. Other people can run–and should run, because rich men despise tardiness in others. So don’t be late for meetings with them.
  5. RICH MEN SAY NO. If a situation doesn’t suit them (like they don’t like the restaurant you pick or that company they thought they might buy), they walk away–even if they leave you hanging. Is that rude? Well, yeah.  Sometimes. Do people around them point that out? Well, no.
Thinking important business thoughts. This is what the super-rich do.

Thinking important business thoughts. This is what the super-rich do.

Ultimately, there are two kinds of super-wealthy men: those that buy their way into everything and those that buy their way out.  Is this nature or nurture? Are they rich because they have these traits, or does being rich change them? One thing’s for sure–you and I will probably never know. ; >

Includes massage oil, candle, lip balm, and soap. Continental US only, please!

Includes massage oil, candle, lip balm, and soap. Continental US only, please!

Don’t forget to subscribe to Lady Smut and be entered in our Valentine’s Giveaway

Elizabeth SaFleur writes contemporary erotic romance and she’s not afraid to get graphic about it  — “it” being the sex, the BDSM or Washington, DC society, which she regularly features in her series, the Elite Doms of Washington. Join her Sexy, Saucy, Sometimes Naughty exclusive reader’s group or follow her on Twitter and Facebook.

Bed Dance – Not Your Ordinary Lap Dance

11 Feb

…AS TOLD TO LADY SMUT BY SASHA SNOW

Sometimes you're in the mood for some lap dance action...only more horizontal.

Sometimes you’re in the mood for some lap dance action–only…more horizontal.

SASHA SNOW: I’ve been teaching exotic dance for the last seven or so years in a professional dance studio with curtains drawn, and the doors locked.  The idea behind these classes is to help ordinary women reclaim a part of themselves they often lose to years of child-rearing, stale marriages, and general malaise from living in the ordinary world.  I help them reclaim their sensual side to use however they see fit. One of the most popular offerings are lap dance workshops.

In the ninety minute workshop, you learn how to move seductively and give your partner a semi-choreographed dance on and around him while he’s sitting in a chair or on a couch. In the last few years, however, I made up a bed dance workshop. If you can seduce a man with dance and movement while he’s sitting in a chair, imagine what you can do with him lying in a bed.

This idea isn’t new. Bed dance has long been a staple in strip clubs. Female strippers charge big money to give a man a dance in a bed in the back room. But you can give your partner one at home.

LADY SMUT: There are good reasons to bring some movement and action into your bedroom.

“In fact, a recent science article suggests that instead of lying still in bed, women are actually much more aroused by moving around. University of Texas Dr. Cindy Meston reported this to the BBC:

‘For years we were told, ‘Have a bubble bath, calm down, listen to relaxing music, do deep breathing exercises, chill out before sex,” she says.

‘But my research shows the opposite, that you actually want to get women in an active state. So, you can run around the block with your partner and get them to chase you around the block, or watch a scary movie together, ride a rollercoaster together, even a good comedy act. If you really get laughing, you’re going to have a sympathetic activation response.’

Meston is talking about the sympathetic nervous system, which is responsible for subconscious muscle contractions that get us ready for the flight or fight mode, like heart rate and blood pressure. She has found that if this system is activated before sex it will help women respond more intensely and more quickly.

It’s quite the opposite for men.”

In other words, git up and dance! Sasha Snow has some helpful tips to offer.

TIPS FOR TRYING OUT A BED DANCE AT HOME:

Set some rules.  You need to do this so it doesn’t delve into sex right away:

  • no heels
  • no touching (this is a fun one to play with–how close can you get?)
  • no talking, no laughing
  • BE SAFE — hang onto the head board or hang onto the wall.
  • Move however feels good to you. 
  • Put on some music you like — not what he likes — what you like. (Cause he’s not really listening to the music.)
  • Spice it up! Remember — practice makes perfect.

And don’t forget — if you subscribe to LadySmut.com you are automatically entered in our V-day giveaway this weekend (2/10/17 to 2/14/17)

Includes massage oil, candle, lip balm, and soap. Continental US only, please!

Includes massage oil, candle, lip balm, and soap. Continental US only, please!

Kinky F*ckery in 50 Shades: Interview with Jackie C. Horne

11 Feb

Ladies—Jackie from ROMANCE NOVELS FOR FEMINISTS is here with me today to delve deeply into the core themes of the 50 Shades phenomenon. We focussed on two questions:

Why do women love this fantasy?

Two reasons I love this fantasy--and they're big and blue.

Two reasons why I love this fantasy–they’re big and blue.

Does 50 SHADES represent a step forward in women’s sexual freedom—or a step back?

If you like 50 Shades and smart discussion – you’re in for a treat!

MADELINE IVA: I’m very interested in focusing on what it is that draws women to the 50 Shades fantasy…

JACKIE C. HORNE: To answer that, you first have to answer the question “what is the fantasy” that these books and films hold out to us? And that fantasy may be different for different readers and viewers. As a literary critic, I see three different fantasies at play in books 1 & 2. First, the fantasy that an ordinary girl (ordinary in both looks and intelligence) can catch the attention of a wealthy, handsome man (the cornerstone of much romance writing).

Second, the fantasy that said ordinary girl can rescue/save an emotionally messed-up man (again, a foundational trope in romance).

And finally, the fantasy that indulging in “kinky fuckery” is something to take pleasure in, rather than something to be ashamed of, even for an ordinary girl. The latter fantasy is the most progressive one, the most positive one as far as women’s rights and women’s sexual freedom goes. But the two former ones are what makes it safe, I think, for readers to accept the latter one. It’s the combination of all three that made the books such a phenomenon. Romance tropes as the life preserver, if you will, that allow readers to imagine themselves swimming out into the less familiar waters of sex with a touch of kink.50

MADELINE IVA: I’ve never heard it stated so well, Jackie! We’ve touched upon this topic before: I see the role of BDSM in the romance genre as representing a fundamental evolution in the role of consent.  Women are now asking for the sex they want and negotiating with their partners for sex that they want –or don’t want!–tons more than they used to.  I’ll be interested in hearing your thoughts about this after watching the first movie.

JACKIE C. HORNE: I think this depends on the reader’s relationship with BDSM and the BDSM community. In the book 50 Shades Darker, when Ana is talking about Christian’s sexual needs with Christian’s psychiatrist, Dr. Flynn explains that “of course there is such a thing as sexual sadism, but it’s not a disease; it’s a lifestyle choice. And if it’s practiced in a safe, sane relationship between consenting adults, then it’s a non-issue” (412). If you are a reader who is a sexual sadist, or who is familiar with the BDSM community, then you’re probably going to find 50 Shades problematic when it comes to consent. The reason why I didn’t read these books until you asked me to participate in this discussion was because I had heard from romance writers who write erotic & BDSM romance that the books aren’t an accurate depiction of BDSM or of the BDSM community.

MADELINE IVA: True, but there’s a crap-ton of fantasy in BDSM erotic romance already. Inaccuracies abound and many fans want the fantasy—not the reality. (Esp. when it comes to sex clubs.)

JACKIE C. HORNE: If you’re not familiar with BDSM, though, if you read the consent to kinky sex not as a realistic possibility but as a metaphor, then yes, it can definitely be a metaphor for female consent.

It takes Ana a while (all the way to the end of book 1) to figure out what she wants, and doesn’t want, out of her sexual relationship with Christian. She’s up for bondage, up for spanking, up for lighter sexual pain, all things she never would have imagined she’d liked before she met Christian.

MADELINE IVA: Yes! And in the movie — what we see dominates what we hear. What we SEE is Ana enjoying lite kinky play…In the book, which is so much internal, her confusion and ambivalence take center stage.first-kiss-50

JACKIE C. HORNE: But in the book’s climactic scene, she realizes that she is not up for being punished, for being the object upon which Christian takes out his anger. Refusing to consent to the linking of love and male anger, the idea that male anger is always a part of male love—that may be the key shift from Old Skool romance novels to contemporary romances.

MADELINE IVA: This is a great interpretation, and I agree that if the fundamental message is not to accept male anger as a part of male love, that it’s a good one.  But I don’t know….(more on that later.)

What I saw as I watched that final scene in the first movie was her seeing his emotional pain and wanting to take on his pain — like a martyr.

Meanwhile, Cara McKenna is my touchstone for an author who shows consent VERY well without bogging down the plot or making us fall out of the fantasy.  50 Shades maybe does this less well, but it might be interesting to contrast how consent is carried out in the movie vs. the book.

JACKIE C. HORNE: Did you think there were major differences between book and movie in this regard? I didn’t notice any myself, but if you have specific scenes you can point to, I’d be happy to go back and re-watch the film again.

“Please, Ana, let me make love to you.”

“Yes,” I whisper, because that’s why I’m here. (50 Shades of Grey, 113) 

MADELINE IVA: I’m thinking of the contract stuff.  In the movie she was actively negotiating with him face to face and crossing out elements she vetoed. It seemed like there was energy to this exchange. To me this showed strong female agency — and have we ever seen a woman in a film before negotiating over sex so thoroughly? (Excepting scenes with sex workers–and even then not so much.)

In the book, meanwhile, the contract seemed (this is my interpretation) a packet of doom.  It seemed to make her cringe, and the details dwelt upon had to do with total control over her as well as painful sex acts.  It dragged her down into a pit of (again my take)  “No, no, no, no, OMG. Am I going to have to do this stuff? Gah!

JACKIE C. HORNE: Oh, yes, the contract scene is so great in the film! It shows Ana being far more empowered, and really enjoying the negotiating with Christian. Many film reviews cite that scene as the best thing in the movie.

In the book, the language of the contract appears not just once, but four times (at least in part). Is it just sloppy writing, that repetition? Or is there something really important in that legal language to James? The idea that this is a business relationship, rather than a personal one, to Christian? Which is an idea that Ana ultimately cannot accept.

MADELINE IVA: I’m interesting in talking about Jamie Dornan as a man/actor who was a kind of reluctant participant himself in the movie.  Yes, he did it for his career, and didn’t have long to think about his choice.  Also he is most definitely NOT a fan of the life style.

Dakota Johnson seems to have adapted a bit more (maybe because it’s the corner stone of her career?)

There are interviews where Dornan apologized profusely to Dakota Johnson before each take.  Do we care as much about male consent as we do about female consent? Is this going to be a problem? (Is it one already? Can men refuse sex without having their sexuality challenged, or facing aggressive repercussions –even if not physical violence?)

JACKIE C. HORNE: Your questions make me think about 15-year-old Christian, at the start of his affair with Elena. Did he consent? He says he did, but Ana is consistently appalled by the mere thought of an adult woman inviting a 15-year-old boy to have (kinky) sex with her. Ana never asks Christian to tell her more about his experience; she instantly assumes that he had no agency, no ability to consent, that he was molested and abused.50-shades-shower

I was disappointed that the books, which initially reserve judgment on this issue (was Christian abused? Or was his relationship with Elena a positive, even life-saving one?) end up coming down hard on the side of abuse by the end of book 2. Rather than presenting Ana’s intense jealousy of Elena as misguided or immature, the end of book 2 reinforces the idea that Ana is right to be wary of Elena. I thought this a very sexist move, complete with bitch-slap for the erring woman (not by Ana, but by Christian’s adopted mother).

I wished we could have heard more about Christian’s experience with Elena, that Ana had been more curious rather than judgmental about it. In some ways, you could say that Ana is infantilizing Christian by refusing to grant that even as a 15-year-old, he might have been capable of making informed decisions about his sexual desires.

MADELINE IVA: And this goes back to the core fantasies.  What you saw as the ordinary young woman saving/healing the wounded man I saw as a kind of mothering thing — the power of soothing.  “Let me make the hurt go away” kind of actions.

No cigarette burn scars on his chest in the first movie. Whoops! They fixed it for the second film.

No cigarette burn scars on his chest in the first movie. Whoops! They fixed it for the second film.

JACKIE C. HORNE: The larger issue—about male consent in general—is an interesting one. Yes, a man who turns down a chance to have sex is still likely to have his masculinity, or his heterosexuality, called into question, even in this day and age. But a man who turns down BDSM sex, or feels squicky about it, there’s something different going on there. BDSM sex isn’t as widely accepted, as widely admired, as straight heterosexual sex; there’s a taint attached to it for many people. Wanting to dominate women is a big no-no in our purportedly post-feminist age. So not consenting to participate in Dom/sub sex, or expressing uneasiness or discomfort with having to act as if you enjoy it, can be read by many as a positive thing, an endorsement of more equal power during sex between partners. A women’s rights kind of thing, no?

MADELINE IVA: Well, I actually know men who say “whatever she wants sexually I kinda have to do” and that with one man it’s kinky stuff with his wife. He’s okay with it, because she enjoys it.  With another man it’s about his incredible discomfort playing out semi-rape fantasies with women he’s having sex with…I think part of his discomfort involves reinforcing the perception that in some way he LOOKS predatory, etc.

JACKIE C. HORNE: I haven’t heard similar stories from any of my male friends or acquaintances. But your friends’ experiences do show how men can be subject to (or even victims of) sexual stereotypes. (I’m in the midst of reading a book about a gay asexual man, and he feels quite similarly, that he is surrounded by the imperative “men always want sex”). No man, or woman, should feel like they HAVE to do anything, sex-wise, that they don’t want to do. Ever. I hope your latter friend can find women to date who won’t push him to play the semi-rape game.

MADELINE IVA: Yup, I agree. The singles world of dating, hook-ups, etc, is a jungle—the price we pay for more sexual freedom seems to be more social pressure about sex and displaying sexuality in increasingly artificial ways.

Part of the conundrum of playing up one’s sexuality is that some men I know have that bad boy vibe, but at heart they’re good guys. They draw women to them, but eventually hit an impasse when looks and who he is just doesn’t match her expectations.  In this film the bad boy is gradually revealed as a ‘good boy’ on the inside. So maybe there’s hope for my friends…fifty-shades-ball-1486048963

Moving on! Has Trump ruined billionaire romances? Or put a significant dent in them? I remember thinking: “Consent all you want young woman from a poor family. Once you’re in handcuffs in his home he could do anything he wanted to you and probably get away with it…” and I know this is a direct line of thinking from the news/publicity about Trump during the election…

Yet there’s always one side in the romance world shouting “IT”S JUST A FANTASY!” Is there a problem with saying it’s all just a fantasy? And what are we to do with the constant  demand from women for forbidden sexual fantasy? Should we be pragmatic and accept this?

OR for instance, (as one who grew up watching male fantasies of women in the media), do we understand that this has deeply impacted and harmed our culture?

JACKIE C. HORNE: I was recently interviewed by a reporter for the Village Voice, who asked if I thought the billionaire romance trend had contributed to the acceptance of Trump by many women. Rather than ruining billionaire romances, Trump might be the logical outcome of this romance trend. Because billionaire romances paper over the trouble that actual billionaires present, don’t they? Unlike saintly Christian, whom we only ever see engaging in business that is meant to help the powerless (donating food to Darfur; developing solar technology; donating money to the university to develop sustainable food programs), most real-life billionaires make their money through capitalistic competition, competition that often relies on shortchanging the average Joe (or average Ana) worker. To fantasize about a powerful billionaire falling for them, women have to forget or ignore all the other women (and men) upon whom his billions were built, and upon whom his continued wealth still relies.

And they also have to keep imagining that the only path to power is an indirect one, by being in a relationship with a wealthy man, rather than imagining that they could gain power themselves. Those are both fantasies that limit, rather than empower, women.

So I don’t buy the “it’s just a fantasy” explanation/excuse. What is the fantasy, and why are we having it? That’s a far more productive question, and avenue for exploration.

MADELINE IVA: I have no problem with this, only sometimes the liberal peeps can be as judgmental and shaming as conservatives without exploring the needs, frustrations, and context of those who are very different from them in terms of race or class.  If we could explore all of these issues without a dose of shaming, it would be nice.

But you know, scientific research on sexuality seems to indicate that what sexually turns us on seems to be fixed.  Maybe the “Why” of the fantasy and the turn on go back to that slushy mix of our evolution and what we were exposed to in our youth/teens and that’s that…Which takes us right back to your point about Christian’s first sexual experiences…

Let’s turn to talking about the differences between the first book and movie.  Some things just not translate well from book to movie? I don’t recall when in the book he showed up in Savannah that it was as big a deal to me.  But in the movie I had an involuntary “Stalker!” reaction. He seemed so much creepier in the movie.  Or is this just that I’m coming off watching him in THE FALL where he played a serial killer? ; >50shadesbathrobe

JACKIE C. HORNE: Funny, I had just the opposite reaction!

MADELINE IVA: — Okay, I hang my head and accept that I am having a post-The Fall Dornan experience.

JACKIE C. HORNE: I thought he was far creepier in the book than he was in the film. Dornan just smiled too much to feel like the controlling Christian of the books to me! (Must say I’ve never seen The Fall, though). The film cut out many of book-Christian’s more stalker-y/controlling moves—no mention of him moving her to first class on the plane without asking her, and he’s not so insistent about her eating all the time—so he didn’t come across as quite so control-freakish in the film as he does in the book.

MADELINE IVA: The eating thing.  Ugh!  It also made Ana seem SO PASSIVE and waify/victim-y.50-touching-lips

JACKIE C. HORNE: On the other hand, in book 1, when Ana teases Christian in an email “Have you sought therapy for your stalker tendencies?” he tells her (and us) that “I pay the eminent Dr. Flynn a small fortune with regard to my stalker and other tendencies” (290). This reassured me; I had thought from what people had told me about the books that they normalized stalkery/über-controlling male behavior. That Christian is actively seeing a psychiatrist about his issues sends the opposite message: that stalkery/über-controlling behavior is psychologically problematic. I was disappointed that Christian’s shrink did not make it into the film.

MADELINE IVA: Yes! Anastasia seemed to enjoy most of what they did a whole lot more in the movie than her internals showed in the book.  And did that tilt the scales of problems some people had with the book?

ana-shirt-2JACKIE C. HORNE: For all that we get so much of her internal thoughts in the books, Anastasia of the novels is a pretty empty character. That’s not a good or a bad thing; it’s just a way of telling a story, a way that allows the reader more easily to project herself into the novel than if Ana’s character had more individuality, had been more fully developed. Ironically, though we get little of her internal thoughts in the film, seeing Dakota Johnson up on the screen made her more of a person to me, an individual with thoughts and emotions different from mine, rather than just an empty placeholder for me to project myself onto.

The lack of access to Ana’s thoughts makes her wishy-washy-ness re: the kinky sex less apparent. I agree that in the film, she seems to enjoy the kinky sex more than she does in the books. And that made the story more interesting to me—the story of a woman exploring the boundaries of her own sexual desires.

MADELINE IVA: I agree that Dakota Johnson did a great job of seeming vulnerable and kinda raw in her own skin, but also very fluid and interesting in the kinky scenes.  She also just seemed older, which I found reassuring…

Going back to how this series explores typical/conservative romance values side by side with the more progressive idea of a young woman exploring kinky sex—Ultimately, Ana rejects kinky sex.  Do you think that this is on par with the other more conservative values of the book’s romantic tropes and again, makes it more safe for more conservative romance readers to accept it?  (Noting that this move seems to enrage many BDSM erotic romance authors more than anything else.)

Are we back to the “forced seduction” sexual tropes of the 80’s? In those romance novels it was okay for the woman to have sex in those situations because she didn’t ask for it… In the 50 Shades franchise, is it okay for Ana to explore BDSM-lite because ultimately she rejects it and therefore is still ‘a good girl’?

Meanwhile, what are we in the audience doing throughout the movie if not enjoying Ana’s engaging in forbidden kink?

weredoingwhat

We’re doing WHAT? Everyone seems to agree that both actors are much more comfortable filming together now. Not surprising, given the success of the franchise, and the boost to their respective careers.

JACKIE C. HORNE: Funny, I was thinking about what title I would give this discussion and came up with “Having your kink and condemning it too”!

I agree with you that Ana’s disgust with and rejection of the punishment aspect of Dom/sub play does dovetail with the more conservative values of the book’s romance tropes. Her rejection gives readers an “out,” a having your cake and eating it too safety valve. Which does undercut the progressive message to a large degree.

But on the other hand, Ana doesn’t rejects ALL kink (at least by the end of book 2). As I noted above, she enjoys being tied up, being restrained, being spanked. And in DARKER the book, she’s bugging Christian all the time to go back to the Red Room of Pain. Which doesn’t seem to me to be just about serving Christian’s needs; it seems to be a deep curiosity of her own about kinky sex.

Ana’s rejection of Christian’s sadism (and the book’s rejection of that label for him) enrages many BDSM erotic romance authors because Ana’s decision at the end of book 1 has a larger ideological weight: it tells the reader that the power dynamics in ALL Dom/sub relationships are both shameful AND are signs of psychological damage that needs to be repaired. Which is exactly the opposite message of current psychological thinking, as Dr. Flynn explains. Someone is a sadist just because he (or she) is one, not because he or she was traumatized as a child.

Perhaps Ana should pay Dr. Flynn (or another qualified psychologist) a visit to talk about her own ambivalences about BDSM?

MADELINE IVA: Perhaps!

Thank you Jackie SO MUCH for chatting with me! And readers, don’t forget our KAMA SUTRA giveaway.  All you have to do is hit our pink subscribe button above and to the right.

kama-sutra-giveaway

This giveaway includes massage oil, candle, soap, and lip balm.  (Continental US only!)

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on Amazon, Barnes & Noble, Kobo, and through iTunes.  Sign up for Madeline Iva news & give aways.wickedapprenticefinal-fjm_low_res_500x750

 

 

 

Sexy Sunday Snippet

15 Jan

by Madeline Iva

Dear fantastic readers, Carlene Flores Love is here today with a sweet little excerpt from her book WICKED FLOWER.

wickedflower1m Here’s a blurb: 

Sin Pointe front man Stefan Calderon is playing a very dangerous game and his mom’s live-in caretaker, Dani Foster, just landed right smack in the middle of it.

Practically strangers when Stefan rolls into his small hometown looking to patch things up with Mom, his and Dani’s worlds collide with a hot and intense hook up. He knows right away this woman will make the perfect partner for his two weeks in town. But when she realizes whose son he is, and what he’s there to do, sexy times come to an abrupt halt.

That is until they come up with a solution. Rules. Every game needs them. The question isn’t if they’ll break them, but when and how hard.  It’s a wickedly delicious game, one neither of them intends to lose.

Excerpt from WICKED FLOWER:

Was Stefan ready to listen? Way back, like all the way back in his mind, he wondered if maybe it was time to consider quitting the game. There was something about seeing her in there, protecting what was hers.

One thing he couldn’t do was stand out here all night. Rain soaked through his hair and began to do the same to his shirt.

He stepped up to her car, leaned in and tapped on her passenger side window but she clearly mouthed the word No.

Fine, he could be creative when he wanted something and felt bad for how he’d already treated her. He leaned closer and then wrote through the raindrops on the window with his finger, TALK.

Nothing.

He tried again. PLEASE.

Zilch.

His head dipped and he tried once more. If she didn’t go for this one, he was done. This didn’t mean anything to her and it shouldn’t mean anything to him.

Instead of using his finger to write, he leaned down, and then pressed a kiss to the glass. The rain felt nice on his dry lips. He probably looked foolish but luckily he didn’t care right now. He took a step back and waited. It took a few seconds, but the lock sounded with a pop. He tried the handle.

She’d let him in.

Exhilaration at the clear win spiked his pulse for a moment until he realized something.

They had to talk and he doubted Dani was going to like anything he had to say.

Carlene is a huge sweetie!

Carlene is such a sweetie! We absolutely lurv her–check out her book!

ABOUT THE AUTHOR: Carlene Love is a fan of the stars (especially Orion), music (especially Depeche Mode), and the ocean (especially at sunset). These inspire her intimate stories. If she could touch someone’s heart with writing the way others have for her, she’d say there never lived a luckier girl. She’d love to hear from readers so feel to drop her a line at her website.

 

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