Archive | Steamy romance RSS feed for this section

I Want A Hot, Devoted, Skilled Soldier Lover and It’s All Susan Stoker’s Fault

28 Apr

by Elizabeth SaFleur

A new Susan Stoker book release generally sends her fans into hyper-ventilating excitement. So, everyone have your paper bags ready. Her fifth Delta Force Heroes book, Rescuing Kassie (Delta Force Heroes), arrives May 15 and is now on pre-order. Let the one-clicking commence.

Romantic suspense is a popular genre in Romancelandia, and Susan’s books have kept fan swooning over SEALs, Delta Force operatives, soldiers, cops and cowboys for the last few years. A prolific writer (i.e. almost the definition of prolific), Susan has several series available in e-book, paperback and audio, not to mention titles landing on the New York Times, USA Today, and Wall Street Journal Bestseller lists–more than once.

Susan stopped by LadySmut today to share her thoughts on the enduring love of men in uniform and what’s next for her hot heroes and strong heroines, and gave us a peek into her latest, Rescuing Kassie, with a new excerpt (bottom of this post).

~~~~~~~~~~~~

Interview with Susan Stoker 

ELIZABETH SAFLEUR: The romantic suspense genre seems to be growing, especially where military are involved. Do you think this is indicative of our world today, meaning it tracks with our fast, action-packed times?

SUSAN STOKER: I’m honestly not sure why it’s growing…I mean, I know why I write it and why I like to read it…men in uniform. 🙂 I simply think they make great Heroes because they’re ALREADY heroes. Who better to “save” someone, than a man in the military? But honestly, romantic suspense hits that “damsel in distress” trope that I think a lot of women enjoy. Just because we’re strong women in our everyday lives doesn’t mean we don’t think about being able to put our problems in someone else’s hands.

ELIZABETH SAFLEUR: Amen. I mean, SEALS! SEALS! SEALS! Oh, sorry, I got a little excited there. In your Seals of Protection series, a lot of saving goes on. What is it about the SEAL hero? Why do women swoon? Is it really because they can get you out of any jam? All that alpha energy? Or the fact they are so selfless in their service? Or something else?

SUSAN STOKER: I think it’s the fantasy of the man in uniform saving someone. Mr. Stoker was in the Army for twenty-one years and we were married for seven of those, and I’ve certainly seen a lot of men (and women) who wouldn’t be able to find their way out of a paper bag nonetheless try to rescue someone else. LOL

I’m a huge fan of the damsel-in-distress trope, and who better to rescue you than a hot man in uniform? SEALs are appealing because they’re a little mysterious, andthey have to be super in shape because of what they do and to even become a SEAL in the first place. So to have them swoop down and carry off the heroine is just such a heart-swooning image.

ELIZABETH SAFLEUR: Moving on to Delta force in your Delta Force Heroes series….I hear the Delta Force are the most secretive of the special ops world. I’m dying to know how you do your research! But, in the meantime, how do you differentiate your different special ops guys? SEALS from Delta? And is it important to do so?

SUSAN STOKER: I’d tell you, but then I’d have to kill you.

HA! Just kidding. You’re right, there’s not a lot of information about them, and that makes them even more mysterious and fun to imagine them swooping in to save the heroine.

My books aren’t really “military heavy.” And by that I mean a lot of time the drama that happens isn’t related to the military at all. The heroes just happen to be Delta Force (or a SEAL). But to answer your question, I differentiate them because of where they live and how they talk (using Army lingo). I believe that I don’t need to be super specific with guns, missions, uniforms, ranks, etc. It’s not necessary for the story. I let my reader use her/his imagination to fill in the blanks.

ELIZABETH SAFLEUR: In your Ace Security series, you have a band of brothers who launch an agency to help people free themselves from abuse. How did this series come about?

SUSAN STOKER: When I wrote Justice for Boone, the Hero was abused by his ex-girlfriend. There aren’t a lot of books out there where the male is the one being abused. But it happens. Just as I like to write about “real” issues out in the world, men being abused is one such issue. It’s just not talked about as much as women being abused.

As far as ideas, I watch a lot of crime shows. I’m totally addicted. Disappeared, Forensic Files, CSI, Criminal Minds, etc. are all great places to get a nugget, and then my imagination makes up the rest.

ELIZABETH SAFLEUR: In your Badge of Honor series, you turned to cowboys and law enforcement. What called you to write those kind of heroes? How are they different from your SEALs, Ace and Delta Force guys?

SUSAN STOKER:  Man in uniform…need I say more? 🙂 Seriously, again, it’s the saving the heroine thing. Who better to rush into a burning building and carry the heroine out than a fireman? Who better to save the heroine from a gun wielding lunatic, than a police officer? And honestly, they AREN’T a lot different. I always tell people, I could put my team of SEALs or Deltas in the BOH series and it wouldn’t be a lot different.

ELIZABETH SAFLEUR: You do the strong, selfless women with tragic backstories and the alpha males who find them really well. The women also seem quite supportive of one another. Do you take anything from your real world experiences and import them into your stories? And, what is it about this theme that attracts you as a writer?

SUSAN STOKER: I think close relationships with other women is something a lot of people are missing in their lives and it’s wonderful to read about close friendship circles like this. I know I would love to have a closer circle myself. I’ve moved a lot in my life and it seems as if those close friends have always been out of reach for me. So it’s a bit of “wishful thinking” on my part. 

ELIZABETH SAFLEUR: Your characters also deal with some dark stuff like abusive pasts, murder, trauma. Would you consider your books on the darker side or most realistic because that stuff happens in real life all the time?

SUSAN STOKER: I am very “mean” to my heroines. And I’m honest about that. A lot of it is fiction, but I also do that to show exactly how strong my heroines are. I mean, they take a beating (sometimes literally) and keep on going. I don’t really consider them “dark” because I don’t go into a ton of details with some of the situations, but again, women are living these kinds of life all over the world. So even though I write fiction, for many readers, it’s not.

ELIZABETH SAFLEUR: Alabama, Mozart, Summer, Rayne. You have a lot of interesting character names! How do you go about naming your characters?

SUSAN STOKER: I definitely use websites for baby names, but I also stalk social media, too. The name Jessyka is actually one of my readers. As is Adeline. Sometimes I see a name and just love it so much I want to use it in my books. Other times the names just come to me. But if you are a friend of mine on social media, don’t be surprised if I steal your first or last name sometime. It’s the best place to “research.” Ha!

ELIZABETH SAFLEUR: What is next for you, writing-wise? What can we expect in the future?

SUSAN STOKER: I’ve got a busy year planned, with a book coming out every month from May to December. Some are novellas, but most are full-length novels. You can expect more of the same in 2018. I like what I write, and I don’t have any plans to veer off in a different direction.

ELIZABETH SAFLEUR: What is your secret sauce for writing so many books so quickly? Asking for a friend….Seriously, you are so prolific. What is your writing process, and how long does it take you to go from idea to completion?

SUSAN STOKER: I can type really fast. 🙂  Okay, that’s not totally it, but I’m type A. Once I start a book, I get obsessed until I finish it. That means writing up to 7 to 10K words a day until it’s done. When I’m really into the story and it’s flowing well, I can manage to finish a full length book in two weeks. Then once I’m done, I don’t write anything for a couple of weeks…to let my brain re-fresh. Then I start again. I’m a pantser. I start out a book knowing how the characters meet and what the drama at 85% is going to be. Then I just start writing. My imagination takes over.

I also write “ahead.” Deadlines would never work for me. I have friends who can write a book right up to a deadline, but that’s not me. I’ve finished all the books coming out in 2017 (first drafts) and I’ll be starting on 2018 books soon.

ELIZABETH SAFLEUR: What is one questions readers ask you all the time? And what do you wish they ask?

SUSAN STOKER: What my favorite book/character is. I honestly don’t have one. I love all the stories and characters. I wouldn’t have been able to write the books if I didn’t.

I’m pretty open with my readers. They ask me stuff all the time and I can’t think of anything I didn’t want to answer. In fact, I probably give them TOO much info about upcoming books and plots sometimes. Ha.

But, how about, ”do you like what you do?”

Absolutely. I used to be a University Registar and not a day goes by when I miss it. There might be days where I struggle with writing, or marketing, or dealing with people, but when push comes to shove…I feel incredibly lucky to be able to make a living using my imagination and writing stories. I just want to say THANK YOU to every single person who has ever bought one of my books. It means the world.

ELIZABETH SAFLEUR: Thanks for being here, Susan!

~~~~~~~~~~~~

The LadySmut Fast Lane

We ask, Susan Stoker tells….

  • Beach or Mountains? Mountains
  • Coffee, Tea or a favorite alcoholic drink? (you can name it) Midori Sour
  • Seal, Delta, Cowboy or Cop? (menage is a completely valid answer) Um…ALL of the above!
  • Driving the motorcycle or riding on the back? Riding on the back
  • Favorite season? Spring
  • Dream vacation? Maui, Hawaii

Susan’s Love Links:  Web site  Facebook  Twitter   

~~~~~~~~~~~~

Excerpt from Rescuing Kassie

After she nodded at each of the men, Truck said, “You ladies want some punch? I’m going to get a round.”

Kassie looked over to where the large man had indicated and flinched. She’d been looking for the grog bowl, and wasn’t sure how she’d missed it. On a long table against the opposite wall were two large punch bowls.

“I don’t want any grog,” Kassie blurted.

“Pardon?”

“Grog? Did she say grog?”

“What?”

The murmured questions came from Hollywood’s friends, but Kassie only had eyes for Hollywood. “I don’t know what I did wrong, but please don’t make me drink it.” She knew she was panicking, but couldn’t help it. The grog bowl was one thing she’d researched that was true about Richard’s farce of a military function.

“Kass—” Hollywood began, but she cut him off.

“I promise I’ll be good. I won’t embarrass you. Just don’t make me drink it. I’ll gag. I know I will. I just—”

“Kassie,” Hollywood said sternly, putting his hands on either side of her neck and forcing her to look up at him. “There isn’t a grog bowl here. It’s punch. Just punch.”

Her brows furrowed, Kassie looked up at him in confusion. She gripped his wrists as if her life depended on it. She saw nothing but concerned eyes looking down at her. Didn’t hear his friends whispering to each other. “Punch?”

“Yeah, Kass. Plain ol’ watered-down Hi-C, most likely. Fruit punch. Not grog.”

She swallowed hard. “Are you sure? There’s always grog. I Googled it.”

Hollywood turned his head, but didn’t take his eyes from hers. “Blade. Can you tell Kassie the grog bowl tradition?”

“Sure. They’re commonplace at dining-ins. It’s a tradition dating back to the Knights of the Round Table. Because of the weight of armor back in the day, it was hard to move and get a drink. So it was used as a punishment for someone who was out of order or unruly. The same thing applies today. There’s usually an alcoholic and non-alcoholic version and people who are found to be in violation of any kind of rule have to drink from the grog bowl.”

“And what’s a dining-in?” Hollywood asked, still holding Kassie’s eyes.

“It’s a formal military ceremony for members of a unit to foster camaraderie,” Blade said immediately.

“And are spouses, girlfriends, or significant others invited?”

“No,” Blade said succinctly.

Hollywood’s eyes narrowed, and he asked Kassie in a low voice, “When did you partake of a grog bowl, sweetheart?”

“I…uh…” Suddenly Kassie was more than aware of all the men and women around her, staring. She swallowed hard, embarrassed, but the terror hadn’t left her.

“Did your ex take you to an event with a grog bowl? You saw people drinking from it?” Hollywood pushed.

“He had an event at his place one night that included it,” Kassie told him, then bit her lip. “I told you about that. His friends dressed up in their fancy uniforms and came over. I usually messed up the most and had to drink from it all night. They thought it was funny to make me.”

Hollywood’s eyes closed momentarily and Kassie swore she heard one of his friends say “motherfucker” under their breath, but before she could say anything, Hollywood’s eyes opened and he said earnestly, “I’m sorry you had to do that, Kassie. As Blade said, the grog bowl is reserved for special soldiers-only functions. I can’t deny it’s gross, we’ve all had our share, but it’s supposed to be all in good fun. And I swear to you, all that’s in the punch bowl tonight is punch. Nothing gross. Okay?”

Kassie nodded. Embarrassed now. She’d made a fool out of herself. She should’ve known Richard hadn’t been following proper military protocol. The grog bowl was a real thing, but only for closed ceremonies…not for friends or family members.

“I don’t think I like this ex of yours,” Hollywood said, straightening, and reaching down for her hand once more.

“That makes two of us,” Kassie said with a nervous chuckle.

“Now that we have that out of the way…anyone want a cup of watered-down, barely drinkable fruit punch?” Truck asked dryly.

“Oh, with that description, how can we say no?” Emily asked with a laugh.

“Four cups, coming right up,” Truck said, lifting his chin at Kassie in what she thought was supposed to be a reassuring gesture, but in fact was just confusing.

~~~~~~~~~~~~

Pre-Order Rescuing Kassie (Delta Force Heroes)

~~~~~~~~~~~~

Coming to the RT Booklovers Convention in Atlanta this May? Join the Ladysmut.com bloggers for a very special reader event – Never Have You Ever, Ever, Ever — and win crowns, toys, books and more. (Ooo, and we’ll have brownies….) Goodybags (with fun stuff!) to first 100 people in line! Wednesday, May 3 at 1:30 p.m. Add this event to your RT Personal Agenda here.

~~~~~~~~~~~~

Elizabeth SaFleur writes contemporary erotic romance and she’s not afraid to get graphic about it  — “it” being the sex, the BDSM or Washington, DC society, which she regularly features in her series, the Elite Doms of Washington. Join her Sexy, Saucy, Sometimes Naughty exclusive reader’s group or follow her on Twitter and Facebook.

Bang-able Villains

12 Apr

Hello Lovely Readers! Elizabeth Shore is away today. Instead, we have a happily edgy post from the amazing and kick-ass Saranna DeWylde here.  I asked Saranna to do a guest post after I saw this exchange on facebook:

Yes! Exactly!

So I asked Saranna to talk to us about why we women are sometimes (often?) a bit more interested in a really good villain than they are the hero.

I absolutely love a well-constructed villain. I don’t mean an anti-hero, I like them, but this post is all about the E-ville. Is that a misspelling? Not at all. Say it out loud, roll it around in your mouth. You’re not a good villain unless you have the mustache-twirling pronunciation. Maybe even a bit of goatee stroking. You know what I mean?

No, I didn’t. 

When I first think about favorite villains, Hannibal Lecter comes to mind, but he’s not really a villain anymore, is he? In the television show, he’s more of an anti-hero.

 

Is he??? I haven’t seen this show, but I’ve heard so much about it…Check out the preview above.

What especially interests me about villains and their bangability is societal reaction and what we deem acceptably attractive in people. No one thinks anything about me saying I’d like give Darth Vader a run for his money except to say that maybe his parts don’t work in that suit. I maintain he could probably give really great orgasms with The Force. A little breath play, and pretty much whatever else he wanted you to feel. (Is it getting hot in here, or is just me?)

Old Darth does it for Saranna, Kylo Ren is all tortured and interesting to a new generation.

If I say I thought Paul Spector was hot from The Fall, I’d be one of those twisted girls into serial killers. But I know real serial killers. I was a prison guard. I hung out with them for eight hours a day, sometimes sixteen. None of them look like Jamie Dornan. And none of them were ever the least bit attractive to me.

Which is not to suggest that because someone is physically handsome in real life he’s NOT a serial killer….Tiago Henrique Gomes da Rocha

(Incidentally, I didn’t crush on Jamie Dornan until The Fall.)

Fictional evil is attractive. There’s a nod to everything that’s not the ideal. That’s not a princess. That’s not perfect. And part of us wants them to win because that means we can too. A charismatic villain makes so much easier to acknowledge our own sins, see our own dark places, and we can empathize with him in fiction, because we don’t have to own our massive flaws for real.

I find when a hero holds up his virtues it’s much harder for me to say, yes…that’s me too. The writers of Luther posited through show dialogue that women specifically were attracted to evil men because we were able to claim some of their power for our own. There might be something to that.

While we’re at it, I kind of have a type. The Devil. Almost anyone can play The Devil, and that’s an insta-girl boner. Hell, this could probably comprise most of my list. Apologies to Tom Ellis in Lucifer, though. He’s hot, but he started out an antihero so he doesn’t make my list. So pretty, though.

Tom Ellis as Lucifer

With that said, let’s open our Slam Books to

Top Eleven Villains I’d Bang.

Not ten, because I’m being contrary in honor of our villains. (After, you better share yours, too, or I’m not going to share my slap bracelets.)

In no particular order:

Darth Vader– As I said before, he could do some crazy shit with The Force. I just keep thinking about that choke hold. Amirite?

Patrick Bateman (Christian Bale), American Psycho– That might actually be bad sex. I’m not so much down for the coat hanger and he’s so arrogant, he’s probably terrible in bed. I think I really just want to pet his shoulders and his hair after we eat at Dorsia.

Paul Spector (Jamie Dornan), The Fall– Well, I mean. C’mon.

Paul Spector in The Fall, aka Jamie Dornan

Santanico Pandemonium (Salma Hayek), From Dusk Till Dawn– Everyone wants to let her bite them. Everyone. She’s single-minded in her approach to food and any other pleasures. I support this wholeheartedly.

Jordan Belfort (Leonardo DiCaprio), The Wolf of Wall Street– I’m not sure if it’s the part where he says, “the book, motherfucker) or if it’s because he’s unrepentant about what a piece of shit he is, and I don’t know if I’d think the real JB was attractive, because he did actually hurt people. But his characterization? Yeah, I’d hit that.

Lizzie Borden (Christian Ricci) Lizzie Borden series– Here’s a woman who isn’t taking shit from anyone. She knows what she wants, and isn’t afraid to take it. Whatever the cost.

Viggo Mortenson, The Prophecy– His portrayal of the Big D is one of the best ever. He’s not meant to be attractive, yet, somehow still is. He’s horrible, and awful and I love every second of it. “Little Tommy Daggett. How I loved listening to your sweet prayers every night. And then you would jump into bed, so afraid that I was under there. And I was!” Really, do you promise? Please?

Gabriel Byrne, End of Days– Gimme. (I also dug him as the priest in Stigmata, but he was sort of a hero there. Kinda. It doesn’t count.)

Mark Pellegrino, Supernatural– He’s almost an anti-hero. But not quite. Just enough… I love his character so much.

Sam Neil, The Omen Part 6400-I don’t know. I just can’t help myself.

Bradley James, The Omen TV series-He doesn’t want to be bad, he just is. And when he finally owns it? Boo yeah. Bring it, handsome!

Anyway, those are my eleven for the moment. My list is ever-changing, but I’d love to know which villains you’d like to lock in your bedroom. Tell me in the comments below.

Want more Saranna? Check her out on facebook, or sign up for her newsletter at her website. Tomorrow I’m responding more to Saranna’s post — check it out!

And follow us at Lady Smut where we’ll happily explore your dark side all night long.

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on AmazonBarnes & NobleKobo, and through iTunes.  Sign up for Madeline Iva news & give aways.

Your Naughty Secrets = Sex Positivity!

5 Apr

by Madeline Iva

You know, even a Miz Vanilla like me — someone who’s been with one partner for almost a thousand years — can look back on my past and shake my head at a few of the things that I’ve experienced.  How about you?

Meanwhile, there’s nothing like some really down and dirty girl talk to take “Did I really do that?” into the hilarious realm of sexually bold myth-making.

Although the down and dirty stories can happen in a mixed-sex setting, there’s something instantly reassuring about being in the middle of a group of mature women sharing.

WHICH IS WHY–

Lady Smut is hosting a party at Romantic Times Booklover’s convention in Atlanta, GA.

HERE’S THE PLAN:

We gather at the event.  We share epic sex-capades, we laugh, we give you prizes.

It’s not just fun — it’s sex-positive.  No sluts, no slut shaming.

NO SEX — NO EXPERIENCE — NO PROBLEM!

Yet sometimes these things run the other way.

Sometimes the extremely experienced realize it’s their time to rule, and they start making those who are less experienced feel less-than.

None of that at our event! We’ve got prizes for the queens of chastity as much as anyone else.

Here are the deets:

Never Have You Ever, Ever, Ever

LadySmut bloggers are hosting an event at the RT Booklovers Convention May 3-7.

THE RULES: We’re going to play a game where everyone stands up to begin.  Then we ask you a series of questions starting with “Have you ever–” Answer ‘yes’ and stay in for the next round.  Answer ‘no’ and you’re out. It’s that easy.

Win crowns, toys, books and more. Goodybags to first 100 people in line! A raffle will be held for a big basket of books for all.

Event: Wednesday, May 3 at 1:30 p.m.Link: https://www.rtconvention.com/event/never-have-you-ever-ever-ever

Click on the link above — let RT know you’re coming.  Then follow us at Lady Smut, where you can tell us anything. ; >

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on AmazonBarnes & NobleKobo, and through iTunes.  Sign up for Madeline Iva news & give aways.

NEVER SWEETER: The Sweet Darkness in Charlotte Stein’s Dark Obsessions Trilogy

9 Mar

This one is going into my “special” kindle folder. ; >

by Madeline Iva

We posted a fun excerpt from Charlotte Stein’s story NEVER BETTER last Sunday.  NEVER BETTER is the final book in her Dark Obsession trilogy, so of course, I read it first, and then worked my way backwards, cause I’m perverse like that. I gobbled down NEVER BETTER like a chocolate chip cookie and advise you to do the same.  Now I’d like to take you on a journey through the open-mouthed, kindle-clutching, eye-squeezing moments I had while reading NEVER SWEETER, the first book in the series.  How to do so without delivering any spoilers is gonna be hard, but here I go…

CONTEMPORARY ROMANCE GOES TO THE DARK SIDE

What really keeps a man and a woman apart these days if they want to be together? Not much. After plundering the treasure chest of meet-cutes and other fabulously quirky ways to bring two people together and then keep them apart for two hundred odd pages, contemporary romance has gone to the dark side.

I personally blame paranormal romance.  Let’s face it–paranormal romance is just so much easier.  Look at the obstacles a heroine faces—Example: “He’s a vampire who’s killed THOUSANDS of people and he’s hundreds of years older than me.  How could we ever be together?” it’s a really messed up situation.

CRAZY-WRONG “I’D HAVE TO BE INSANE TO BE WITH SOMEONE AS EVIL AS YOU” SITUATION= STRONG ROMANTIC ROAD BLOCKS = LOTS OF ROMANCE FEELS & GREAT TENSION

After all, 50 Shades was based on a paranormal romance, wasn’t it?  E.L. James just fished around for a modern day ‘real’ equivalent for a evil-but-not-really, self-loathing, brooding hero.  She came up with a billionaire sadist, around the same time other authors were also plonking down flags into anti-hero territory. Do we want to blame 50 Shades for all the motorcycle clubs, hit-men, crime families, and other anti-hero-ish trappings that are so popular these days? No, but I think the E.L. James phenomenon illustrates a sweeping trend, and Charlotte Stein has taken some steps down the same path.

BUT CHARLOTTE STEIN ISN’T LIKE THAT! SHE’S SO SWEETLY DIRTY…

But maybe sometimes she isn’t. INTRUSION and some of her other works have strayed from abused heroines into more plum-colored territory. Which brings us to NEVER SWEETER.  Let’s look at the blurb:

Letty Carmichael can’t believe her eyes when she catches a glimpse of her high school tormenter, wrestling champ Tate Sullivan, on campus. College was supposed to be her escape from Tate’s constant ridicule. Now he’s in her classes again, just waiting for his chance to make her life hell.

skipping, skipping, skipping…

Loving him is impossible. Craving him is beyond all reason. So why can’t she stop?

Falling in love with your high school bully is messed up, peopleKids, don’t try this at home.

However, line by line Stein just sucks you in.  Great dialogue, great side-kick friend, very specific descriptions of torments she endured and then Tate — a classic Stein-i-an hero, just takes over.

What do we like about Tate? We like that he’s open, agreeable, and fast on his feet.  We like that he’s hotness plus, and can read people–especially the heroine–quickly.  We like that he’s a sexual beast wrapped up in a Nice Boy package–but is he really trustworthy?  It’s that last part that keeps readers furiously turning the pages and riding all the highs and shocking lows.

Why was he such a monumental dick? This is the big answer we need to know. Stein gives you answers, and then sweeps on by.  Do we believe these answers–ah! This is where she’s brilliant, because doubts may  linger, and she plays upon these same doubts later.

I just went through such a roller coaster of emotions with this book.  It really was so incredibly sweet at points–which is what I do look for from Stein–and so sweetly filthy at others–which is what I relish about Stein–and at other times it was kinda like a horror movie.  There’s a Carrie reference and it’s seriously well earned.

I think at one point I shouted “No!” in shock.  At another point I kinda cried, almost.  The whole time I felt as guilty as the heroine for being so sucked into a kind of situation that I would NEVER EVER EVER!!!! endorse in a million years in ‘real life’.

So go buy it already.

Meanwhile, I got the skinny from Charlotte Stein about RAW HEAT — her so good it hurts post-apocalyptic romance that’s out of print right now. Talk about bullying! It’s really unfair clobbering my friends and even total strangers over the head for not having read RAW HEAT if it’s not even in print. Stein has said she’s going to re-pub it in a collection with some of her other post-apocalyptic/paranormal stuff.  So happy about that. Soon none of you will have any excuse.

Okay, I’ve started going into Charlotte Stein withdrawal, so I’ll sign off for now.

Follow us at Lady Smut–if you want to.  It’s your own choice.  Really. We’d never bully you about it.

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on Amazon, Barnes & Noble, Kobo, and through iTunes.  Sign up for Madeline Iva news & give aways.wickedapprenticefinal-fjm_low_res_500x750

 

Edge of Power by Megan Crane: A Review

6 Mar

by Kiersten Hallie Krum

The highly anticipated, third installment of Megan Crane’s EDGE series, EDGE OF POWER, is finally here. Okay, technically, it releases tomorrow. Allow me the dramatic flourish.

This is Wulf’s book, the charismatic, fear-inspiring, panties-melting, ruthless leader of the raider brotherhood. Fans of the EDGE series have been greatly anticipating his book since he first appeared sprawled on a beach with lazy deception in EDGE OF OBSESSION and all readers sat up and said “hel-lo!”

Look! A blurb!

The ultimate Viking warrior meets outlaw biker: Wulf, the Raider King. He rules a future, destroyed world with the force of his will alone. Now he will meet the one woman who will change…everything.

Wulf is king of his clan and the ruthless head of the raider brotherhood.

Every foe in his path surrenders to his will. But when his mortal enemy’s beguiling daughter gets under his skin the way no one else ever has, a whole new intensity from the Raider King is unleashed…the fiery strength of dark passion and hard-hitting lust.

Kathlyn is no fan of the life she’s been forced to live under her savage father’s unforgiving rule. But the bold and powerful barbarian who steals her innocence—and her heart—is a dangerous bet. There’s nothing safe about a man who wants to destroy everything she knows and burn it to the ground. Except if Wulf can set her free, maybe safety is overrated…

Will the overwhelming heat of her warrior-king lead to something more powerful than either of them can imagine?

Strewth!

EDGE OF POWER has a lot going on betwixt it pages. But for all that, it is a slower book than the three that precede it. Let me qualify: it doesn’t read slow and the pace doesn’t drag. You’ll be hooked and unable to set it down without finishing first. I read it in one big gulp. It bulges with Crane’s signature sexy scenes and ribald, earthy language, and creative descriptions. Her world building continues to be imaginative and engaging, with increasingly more than a touch of prescience. I’m constantly struck by the relevance of this world’s structure and politics, and it, I think not accidentally, regularly calls to mind The Handmaid’s Tale. In EDGE OF POWER, a noble woman’s sexual status is noted by the color she wears. Kathlyn can only wear gold, which not only marks her publicly as a virgin princess, “but the particular property of the king.” Her virginity is considered her father’s to own and dispel as he sees fit. Kathlyn’s worth, like most women in this world, is solely equated with her sexual status. Beyond that, she has no value to her father or her world at large. Given our current political climate, a large part of which is unduly concerned with policing the sexual and reproductive rights of women, this seems like a particularly uncomfortable insight to our possible future. With or without Viking raiders.

Click on image to buy!

Click on image to buy!

EDGE OF POWER is a long burn of a story. Despite being action man, take-what-he-wants, never apologize, battle loving, Viking raider clan leader, for most of this book, Wulf is forced to bridle his instincts and usual modus operendi for a long wait and the messy, bloody dance of politics with his enemy. It’s totally against his nature. He wants to main and pillage and plunder and exact righteous revenge for the sins and insults the king has waged against Wulf’s clan before Wulf and the brotherhood were even aware of his existence. This juxtaposition simmers through the entire narrative, building a tension along the way that is almost gleeful in its release, once all things align and Wulf is finally set free of his self-imposed restraint.

This is a book about patience, not a prized virtue among the brotherhood. Wulf has to be patient and resist his instincts to rip his enemies apart and just get the job done. He knows if he makes the wrong move, all of his people will be at mortal risk. He has to taper his usual methods and play the long game, consorting with known enemies, weaklings and fools to his eyes, in order to gain the advantage and have his plan come to fruition. Kathlyn is one woman, a woman who is not under his protection. He cannot risk his clan for the daughter of his greatest enemy, a woman whose loyalties and ambitions are still a mystery. Yet, as the story goes on, his instinct and need expands to include Kathlyn. Wulf struggles to make decisions he knows will benefit his clan and his detailed, complex plan, but these are choices he also knows for which Kathlyn will, and does, suffer. He wrestles with that dual edge of being the leader when the needs of the many outweigh the needs of the king.

But Kathlyn has been at this game far longer than Wulf can initially imagine. Her patience is epic and her ability to survive the most heinous of circumstances is far beyond Wulf’s expectations. “I’m a princess, not a raider,” she tells Wulf in their first encounter. “If I launched myself into battle every time someone insulted me, I would’ve been dead long ago.”

Since the brutal death of her mother at the hand of her sociopath, psycho father, King Athenian, Kathlyn has existed in a living hell, staying as quiet and unobtrusive as she can manage, enduring unfathomable humiliations and dangers just by being the yet virginal daughter of the king, a commodity her father plans to auction off to the highest bidder at his convenience. It’s a carrot he’s dangled before the nobles for so long that Kathlyn herself is seriously tired of the wait. She wants to wear anything other than the gold dresses that define her, and not only because she’s desperate for a wardrobe change. At her level of nobility, the deflowering of a noble virgin is a public ceremony, done on a large bed in the great hall before all the world. Nothing like performance anxiety, yeah? Kathlyn wants to control at least this one thing in a world where being a princess is more of a prison than the lowliest offender has ever seen.

This is a world, remember, that had deemed sex only necessary for procreation to repopulate the world. People here enter into winter marriages where, if a child is conceived, they may stay together for a year until that child is born. If there is no child, both parties go their own ways. Pleasure doesn’t come into the matter at all. No foreplay, no fun. Just copulation for procreation.

Or, at least, for the women. The men indulge in sex for pleasure all they want (naturally). Kathlyn knows all too well how rampant this hypocrisy is among the men of the court. Finally deeming her virginity a burden she can no longer bear, she decides to offer it to the Raider King, a barbarian she’s sure won’t quibble over defiling his “host,” the king’s, daughter. Doing the deed puts Kathlyn’s life at enormous risk, but she’s reached the end of that long stretch of patience that’s kept her alive this long. Whomever she’s bargained off to in the end, she wants first to be able to make one choice for herself, especially about so intimate an event. Because, for the first time in a lifetime of restraint, of not allowing herself to want or need anything only to see it wrenched away, of living a quiet half-life always aware that her father could kill her in the next moment, Kathlyn wants. Wulf awakens in her a pulsing need, not just for sex, but for the wild freedom he represents to her. The crazy idea of choice and desire, of a life spent living and not enduring.

Here again, though, Wulf must resist his urges and instincts as he knows screwing Kathlyn will put both her life and his mission in danger. Obviously, since this is a romance, that resistance doesn’t last, but there is genuine, uncharacteristic struggle in Wulf about what he does to and with Kathlyn. He takes time with her, not only sexually, protecting her in his limited way and when he can’t, working to at least make their sins worthy of her punishments. They also take great risks to be together, and eventually, this leads to their (temporary) downfall. Even when forced into humiliating situations together, designed to denigrate and demean Kathlyn especially, Wulf does what he can to protect her, always keeping in mind what risk it may or may not pose to his mission. He strains against the inability to shield her from her father’s unreasonable and unpredictable wrath. Wulf’s burden of failure grows as he and Kathlyn’s situation becomes more and more perilous. Ultimately, he has to choose between his clan and his woman, perversely giving Kathlyn the life he thinks she wants by taking away the man she’s discovered she needs. Heavy hangs the head of the king.

Author Megan Crane

Author Megan Crane

Yet Wulf has the advantage of knowing how this game ends, or at least how he expects it to end, given his faith in the superiority of his brotherhood and confidence in the soundness of their strategy. Kathlyn takes these risks with him fully expecting to pay the ultimate price. She is so weary of her life, so tired of being afraid, so done with being victimized by her savage, sociopath of a father, even death is a relief, death on her terms, making her own choices, and, for once, feeling bliss with a barbarian who turns out to be the only man in her life to ever give a damn about her. Her strength of spirit in mind-boggling. She not only endures, she triumphs in her resolution. Kathlyn may bend and submit as she needs to in order to survive, but she is far from beaten and defeated, even when physically, she is both. Crane sketches her with such deft and layered strokes that Kathlyn resonates with the emotional authenticity of real-life abuse victims.

EDGE OF POWER is richly drawn with a fascinating dystopian world that is not so far out of our reality. Wulf and Kathlyn’s slow burn of a relationship amidst the perils and pitfalls of a ruthless, unforgiving, brutal court and king is a careful tap dance of sexy subterfuge beneath which lies the delicate waltz of conflict between duty and desire, where a woman with no hope who is accustomed to being betrayed by those closest to her falls for a man whose stalwart faith in his brotherhood and his own purpose cannot be shaken. EDGE OF POWER is sexy and sensual, fierce and touching. A fitting fulfillment of the Raider King’s story.

EDGE OF POWER is available for pre-order and will be on sale March 7, 2017.

A copy of this book was provided to the reviewer by the publisher via NetGalley. You can see more Lady Smut reviews of this series, along with a guest post from Megan Crane about the EDGE series, here.

P.S. If you join Megan Crane’s Clan Facebook page and/or check out her website, you’ll see the absolutely stunning map that her animator (as opposed to animated) husband drafted. As a visually oriented person, having the colorful, detailed map definitely helps me to picture this new, greatly changed world.

Writer, singer, editor, traveler, tequila drinker, and cat herder, Kiersten Hallie Krum avoids pen names since keeping her multiple personalities straight is hard enough work. She writes smart, sharp, and sexy romantic suspense. Her debut romantic suspense novel, WILD ON THE ROCKS, is now available. Visit her website at www.kierstenkrum.com and find her regularly over sharing on various social media via @kierstenkrum.

We Saw Fifty Shades Darker So You Don’t Have To

11 Feb

by Elizabeth SaFleur & Madeline Iva

Happy Weekend! We’re here to share with you all our thoughts after seeing FIFTY SHADES DARKER at the movie theatre last night. fifty-shades-darker

Madeline: I loved seeing that group of women who all came into the theatre wearing masks. In fact, my role here is to see the film with eyes of love.  To understand why women love it, why it’s so ridiculously successful.

Elizabeth: This blog post also could be titled, Fifty Scenes of Dakota’s Boobs. Or Fifty Shades of Mixed Messages.

Madeline: You’re in a mood this morning.  I can tell.

Elizabeth: I don’t hate the Fifty Shades franchise. I don’t love it either. I’m neutral, though I was really hoping Hollywood did a better job of portraying the lifestyle than they did previously. Of course, I recognized this story, from the get-go, isn’t a BDSM erotic romance at all.

Madeline: I mean, I agree.–But what is it then?

Elizabeth: It’s a story of a man with PTSD from his childhood who channels his angst by engaging in supposed sadism (I don’t think he’s really a sadist, by the way) with submissives. He meets an ordinary girl who sends this man mixed signals. But she would. She’s in her early twenties and still figuring herself out. But, Jesus, the back and forth!

All that chest--and no touching it. I would go mad.

All that chest–and no touching it. I would go mad.

Madeline: Yes, she’s still figuring it all out.  Jackie and I talked about that with the first movie. This is a strong message that’s getting out into the world these days and I applaud it.  You hear that men? Women are not playing games.  They’re not f**king with you.  They’re trying to figure it out, okay? And sometimes it’s not easy.

Elizabeth: I get why people love 50 Shades. Billionaires, mild kinky scenarios—

Madeline: Yay to mild-kink! Or, as I like to call it, Kinky-lite.  We need t-shirts.  I’ll get my people right on that.

Elizabeth: –especially if you’ve not been exposed before. People also love the luxurious settings, a man changed by the love of a woman. That trope is old as the hills.

Madeline Iva: As old as the hills–and yet there are real haters out there.  Haters who love romance, confoundingly.

Elizabeth: I get why people hate it. Bad BDSM benchmark set, a weak(er) story structure and did I mention the mixed signals from both characters?

Madeline: One thing about the mixed messages: I think that the movie makers had to do it the way that they did. They had to be true to the book and in the book, she’s walking away from kink.  On the other hand, what do we want? We want hot sex scenes in the movie! Like we had in the first movie, only different.  They delivered both.  Could they have delivered a movie that had a lot less sex? I don’t think so.

Elizabeth: The PR/Marketing person in me also thought they missed an opportunity to make the movie the best possible thing ever. No excuse! I mean, built-in audience, Hollywood! We had a row of women behind us who came as a group all wearing masks. You can’t buy this kind of loyalty.50-shades-darker-teaser-mask

Madeline: You think they should have really dug in and changed things, deepened the script, the plot, etc?

Elizabeth: Yes! So, sadly, this movie isn’t going to win any Oscars.

Madeline: So, here’s what I say — is this even really a movie? I mean, I thought of it as something in film form that was an homage to the book.  I think we’re in the early days of a whole new medium. We need to come up with a jazzy name for it.  I mean, that whole weird section with the helicopter crash? “Real” movies don’t actually work like that.  Which is okay–but comparing this to a movie is like comparing apples to…an apple flavored jolly roger candy.  You know?

Elizabeth: It will certainly please the 50 Shades crowd, but in equal measure that it will tick off the real-life BSDM enthusiasts. (I can’t help but think of how this mirrors our very-politically-divided country right now.)

Fifty pull ups. Cause you know *that* joke isn't getting old.

Fifty pull ups. Cause you know *that* joke isn’t getting old.

Madeline: Aren’t they already ticked off? I mean, by this point, I can’t imagine real-life BDSM enthusiasts going see this movie for sheer love.  Me, I was frankly relieved that it was so kinky-lite in the first movie.  FIFTY SHADES DARKER’s little play-time scenes were icing on the cake.  Besides, I brought my husband to see the movie, and was hoping to placate him with all the sexy biz.

Also, as Jezebel writers said: “What was good: basically nonstop puss eating.”

Elizabeth: !

Madeline: So sez Jezebel, so say we all. On the other hand, people kinda wanted to see Christian’s dick.  Not me, just…people.  #dickparity is a thing, I guess.

Elizabeth: What I liked about the movie: Dakota Johnson has got acting chops.

Madeline: I agree.

Elizabeth: She’d better than most people probably realize given she had to develop that character herself. Anastasia Steele’s clothes. I want that La Perla bustier garter set she’s wearing.

Madeline: We all want that La Perla bustier garter set.  And the body to go with it.

And it looks even better from the back...

And it looks even better from the back…

Elizabeth: –Ya know, for sitting around my home office so I can pretend I’m about to be whisked to a ball. Also, her lips. M and I agree – she had the best lipstick. And it stayed on no matter what they were doing like sucking face, which they did often.

Madeline: I liked the sucking face.  Jamie Dornan sucks face well.

Elizabeth: Christian Grey’s boat. Niiiice. Jamie Dornan’s buffness and scruffness – just the way I like it. Oh, and his neck! I just wanted to bury my face in it.

You want to grab him. Admit it.

You want to grab him. Admit it.

Madeline: I did not need him so buff.  But I am obsessed.  (Posting on that later.)

Elizabeth: The general eye candy was great. They live in a beautiful world.

Madeline: I was going through eye candy withdrawl. This movie definitely helped.

Elizabeth: But I can’t get over the mixed signals: “Christian, I can never, ever give you what you need.” Ten minutes later, “Christian, spank me.” “Take me to the red room.” Make up your mind, lady. You’re either into the kink or you’re not.

Madeline: Okay, here’s my take on that — at first in their relationship he wanted total control.  Even to the point of saying he didn’t “do relationships”.  Gah.  It’s like a dance, and he was always leading.

In FIFTY SHADES DARKER, she takes control.  It’s not about consistency.  It’s about her leading. In the past, with all his interactions the dominant dynamic was about them pleasing him.  Now he has to keep up with her, follow her lead, and prove to her that he can please her.  It’s all about her, people! (Which is catnip to us romance ladies.)

She's steering the ship now.

She’s steering the ship now.

Elizabeth: His admission that he’s not a Dominant, but a sadist really bothered me.

Madeline: It was certainly abrupt.

Elizabeth: And they acted like being a sadist must be a very, very, very bad thing. It’s not!!

Madeline: She’s getting on her BDSM soap box people.

Elizabeth: If you’re truly a responsible sadist, you play with consenting adults, and you never harm anyone.

Madeline: Which is different from causing them pain

Elizabeth: Right.  Pain is temporary, and some masochists get an endorphin rush off controlled pain, which registers as a kind of pleasure…so they like it.

Madeline: Yes, yes, yes!

Elizabeth: Harming someone is completely different.

Madeline: Noted.

Elizabeth: I had an issue with the symbolic kink. The movie brings out the usual kinky props, but clearly for symbolic reasons. There’s the blindfold and the cuffs but within one minute they’re having sex. They bring out the spreader bar and within one minute they’re having sex.  He gives her four spanks and then they’re having sex. I get it. They’re young, full of hormones and hot. But don’t expect any real BDSM. The movie had tons of sex and a little slap and tickle.

Madeline: I didn’t mind that at all. Huzzah to symbolic kinky sex!

Elizabeth: Speaking of the spreader bar. People…please DO NOT go to Amazon, buy the first spreader bar you see and do that flip move that Christian did to Ana without a lot of practice.

Do not try this at home...

Do not try this at home…

Madeline: It did look…quite…gymnastic.

Elizabeth: I’m not quite convinced that spreader bar exists in real life.

Madeline: A retractable spreader bar.  Yeah, that was a new one to me too.

Elizabeth: So don’t risk spraining an ankle or wrenching a back.

Madeline: Her breasts were like a third character in the movie.

Elizabeth: If there was an opportunity to show them off, the movie did.

Madeline: It’s actually in her contract–she must be topless or naked at least every fifteen minutes of the movie. (Joking.) But reading interviews, I think the actress has made this her thing.  And if an actor is a bit of an exhibitionist, who are we to complain? (I’m looking at you, Orlando Bloom.)

Elizabeth: Why couldn’t we get his glory to be the third character? Equal rights, man.

Madeline: #DickParity — starting that hashtag right now

Elizabeth: This movie was more sex positive than the last — and Ana wasn’t as big as a doormat as she was in the first movie.

Madeline: Amen to that!

Elizabeth: Oh, and for grins you really must check out this post from a Redbook writer, I Tried All the Sex From Fifty Shades Darker In One Weekend. Hilarious.

Madeline: I can’t believe Redbook did that…that is awesome.  Final comments?

Elizabeth: Bottom line: If you are a 50 Shades fan, you’ll love this movie.

Madeline: Durh.

Elizabeth: If you are a real-life BDSM lifestyler, you’ll probably stay away anyway. Christian is someone who needs to be “cured.” Yeah, right.  But what he needs (IMHO) is help with his PTSD, not his BDSM proclivities (though I’m not convinced BDSM even really is his thing).

Madeline: What is his thing?

Elizabeth: Okay–Growing up, Christian discovers how to use kink to channel his anger from his childhood trauma.  And so maybe when he gets together with her, and they bond, that anger starts to go away? And that’s why he walks away from it all.

Towards the end of the series, he says he doesn’t want to do it anymore.  In the third book he doesn’t want a red room in the new house.

A Dominant, meanwhile, that’s their main thing–being in control.  If he actually can be happy without being in control, yeah, he’s not a Dominant.  And a sadist — I’m sorry, but you don’t just actually decide not to be someone who gets off on pain.  It’s like trying to pray your way out of being gay.

Madeline: So if this was real life–which it’s not–Elena would be right.  Ana and Christian together as a couple would be a compromise for him.  A compromise most couples don’t survive.

Kim Basinger plays Elena in the movie--which makes it all very meta.

Kim Basinger plays Elena in the movie–which makes it all very meta.

Elizabeth: Right.  If it was real life.

Madeline: Which it’s not.

Elizabeth: I don’t care if this story is fiction, that idea should be sorted out. Okay, Hollywood, can you do that for us? So we’re ALL happy? See built-in audience above.50shadesshouldersleeping

And don’t forget out V-Day Giveaway.  Subscribe to Lady Smut — push the pink bottom at the top right of your screen and you’ll be entered to win. 

Includes massage oil, candle, lip balm, and soap. Continental US only, please!

Includes massage oil, candle, lip balm, and soap. Continental US only, please!

5 Ways Millionaires & Billionaires Aren’t Like Us

11 Feb

By Elizabeth SaFleur

bizmeetingAccording to the latest Fifty Shades Darker movie, Christian Grey makes $24,000 every 15 minutes. Possible? Yes. Over the years I’ve met a few billionaires and lots of mega millionaires in my day job. Not sure what they make in fifteen minutes, but I can tell you these super-magnets for wealth exist.

Christian Grey is young, hot, and tormented.  He’s not like you and me with his anti-relationship contracts, and crazed need for control.

Okay, this is really just an excuse to post more pics of Jamie Dornan.

Okay, this is really just an excuse to post more pics of Jamie Dornan.

While your average mega-rich guy may not be like that, neither is he like us ordinary folk. Here are five things I’ve observed about the super rich.

  1. NEVER ENOUGH.  You worry about money.  I worry about money.  The uber-wealthy worry about money too, but not like you and me. As long as I’m paying the bills, taking a nice trip or two a year and someone comes to clean my house once a week– I’m golden. That’s enough. Millionaires and Billionaires worry about losing their super-wealthy status, and they worry about it all the time. They’ll always have money, but it’s having “enough” that’s troublesome.  Their version of “enough” is in the seven figures–for a while. Then they need more…and more…
  2. CHEAP IS CHEAP. The super-rich have odd ideas about what’s expensive. Watch them recoil in horror that a Frappacino at Starbucks costs six dollars.  However they’ll approve that 60 grand for the new pool in the third house with the swipe of a pen. (Or a phone call. They have people who handle that stuff for them.)
  3. RICH MEN DON’T ANSWER THE PHONE. It’s usually someone calling for money. Their voice mail is perpetually full. Their people will get back to you.  Maybe.
  4. RICH MEN DON’T RUSH. They walk. Other people can run–and should run, because rich men despise tardiness in others. So don’t be late for meetings with them.
  5. RICH MEN SAY NO. If a situation doesn’t suit them (like they don’t like the restaurant you pick or that company they thought they might buy), they walk away–even if they leave you hanging. Is that rude? Well, yeah.  Sometimes. Do people around them point that out? Well, no.
Thinking important business thoughts. This is what the super-rich do.

Thinking important business thoughts. This is what the super-rich do.

Ultimately, there are two kinds of super-wealthy men: those that buy their way into everything and those that buy their way out.  Is this nature or nurture? Are they rich because they have these traits, or does being rich change them? One thing’s for sure–you and I will probably never know. ; >

Includes massage oil, candle, lip balm, and soap. Continental US only, please!

Includes massage oil, candle, lip balm, and soap. Continental US only, please!

Don’t forget to subscribe to Lady Smut and be entered in our Valentine’s Giveaway

Elizabeth SaFleur writes contemporary erotic romance and she’s not afraid to get graphic about it  — “it” being the sex, the BDSM or Washington, DC society, which she regularly features in her series, the Elite Doms of Washington. Join her Sexy, Saucy, Sometimes Naughty exclusive reader’s group or follow her on Twitter and Facebook.

Bed Dance – Not Your Ordinary Lap Dance

11 Feb

…AS TOLD TO LADY SMUT BY SASHA SNOW

Sometimes you're in the mood for some lap dance action...only more horizontal.

Sometimes you’re in the mood for some lap dance action–only…more horizontal.

SASHA SNOW: I’ve been teaching exotic dance for the last seven or so years in a professional dance studio with curtains drawn, and the doors locked.  The idea behind these classes is to help ordinary women reclaim a part of themselves they often lose to years of child-rearing, stale marriages, and general malaise from living in the ordinary world.  I help them reclaim their sensual side to use however they see fit. One of the most popular offerings are lap dance workshops.

In the ninety minute workshop, you learn how to move seductively and give your partner a semi-choreographed dance on and around him while he’s sitting in a chair or on a couch. In the last few years, however, I made up a bed dance workshop. If you can seduce a man with dance and movement while he’s sitting in a chair, imagine what you can do with him lying in a bed.

This idea isn’t new. Bed dance has long been a staple in strip clubs. Female strippers charge big money to give a man a dance in a bed in the back room. But you can give your partner one at home.

LADY SMUT: There are good reasons to bring some movement and action into your bedroom.

“In fact, a recent science article suggests that instead of lying still in bed, women are actually much more aroused by moving around. University of Texas Dr. Cindy Meston reported this to the BBC:

‘For years we were told, ‘Have a bubble bath, calm down, listen to relaxing music, do deep breathing exercises, chill out before sex,” she says.

‘But my research shows the opposite, that you actually want to get women in an active state. So, you can run around the block with your partner and get them to chase you around the block, or watch a scary movie together, ride a rollercoaster together, even a good comedy act. If you really get laughing, you’re going to have a sympathetic activation response.’

Meston is talking about the sympathetic nervous system, which is responsible for subconscious muscle contractions that get us ready for the flight or fight mode, like heart rate and blood pressure. She has found that if this system is activated before sex it will help women respond more intensely and more quickly.

It’s quite the opposite for men.”

In other words, git up and dance! Sasha Snow has some helpful tips to offer.

TIPS FOR TRYING OUT A BED DANCE AT HOME:

Set some rules.  You need to do this so it doesn’t delve into sex right away:

  • no heels
  • no touching (this is a fun one to play with–how close can you get?)
  • no talking, no laughing
  • BE SAFE — hang onto the head board or hang onto the wall.
  • Move however feels good to you. 
  • Put on some music you like — not what he likes — what you like. (Cause he’s not really listening to the music.)
  • Spice it up! Remember — practice makes perfect.

And don’t forget — if you subscribe to LadySmut.com you are automatically entered in our V-day giveaway this weekend (2/10/17 to 2/14/17)

Includes massage oil, candle, lip balm, and soap. Continental US only, please!

Includes massage oil, candle, lip balm, and soap. Continental US only, please!

Kinky F*ckery in 50 Shades: Interview with Jackie C. Horne

11 Feb

Ladies—Jackie from ROMANCE NOVELS FOR FEMINISTS is here with me today to delve deeply into the core themes of the 50 Shades phenomenon. We focussed on two questions:

Why do women love this fantasy?

Two reasons I love this fantasy--and they're big and blue.

Two reasons why I love this fantasy–they’re big and blue.

Does 50 SHADES represent a step forward in women’s sexual freedom—or a step back?

If you like 50 Shades and smart discussion – you’re in for a treat!

MADELINE IVA: I’m very interested in focusing on what it is that draws women to the 50 Shades fantasy…

JACKIE C. HORNE: To answer that, you first have to answer the question “what is the fantasy” that these books and films hold out to us? And that fantasy may be different for different readers and viewers. As a literary critic, I see three different fantasies at play in books 1 & 2. First, the fantasy that an ordinary girl (ordinary in both looks and intelligence) can catch the attention of a wealthy, handsome man (the cornerstone of much romance writing).

Second, the fantasy that said ordinary girl can rescue/save an emotionally messed-up man (again, a foundational trope in romance).

And finally, the fantasy that indulging in “kinky fuckery” is something to take pleasure in, rather than something to be ashamed of, even for an ordinary girl. The latter fantasy is the most progressive one, the most positive one as far as women’s rights and women’s sexual freedom goes. But the two former ones are what makes it safe, I think, for readers to accept the latter one. It’s the combination of all three that made the books such a phenomenon. Romance tropes as the life preserver, if you will, that allow readers to imagine themselves swimming out into the less familiar waters of sex with a touch of kink.50

MADELINE IVA: I’ve never heard it stated so well, Jackie! We’ve touched upon this topic before: I see the role of BDSM in the romance genre as representing a fundamental evolution in the role of consent.  Women are now asking for the sex they want and negotiating with their partners for sex that they want –or don’t want!–tons more than they used to.  I’ll be interested in hearing your thoughts about this after watching the first movie.

JACKIE C. HORNE: I think this depends on the reader’s relationship with BDSM and the BDSM community. In the book 50 Shades Darker, when Ana is talking about Christian’s sexual needs with Christian’s psychiatrist, Dr. Flynn explains that “of course there is such a thing as sexual sadism, but it’s not a disease; it’s a lifestyle choice. And if it’s practiced in a safe, sane relationship between consenting adults, then it’s a non-issue” (412). If you are a reader who is a sexual sadist, or who is familiar with the BDSM community, then you’re probably going to find 50 Shades problematic when it comes to consent. The reason why I didn’t read these books until you asked me to participate in this discussion was because I had heard from romance writers who write erotic & BDSM romance that the books aren’t an accurate depiction of BDSM or of the BDSM community.

MADELINE IVA: True, but there’s a crap-ton of fantasy in BDSM erotic romance already. Inaccuracies abound and many fans want the fantasy—not the reality. (Esp. when it comes to sex clubs.)

JACKIE C. HORNE: If you’re not familiar with BDSM, though, if you read the consent to kinky sex not as a realistic possibility but as a metaphor, then yes, it can definitely be a metaphor for female consent.

It takes Ana a while (all the way to the end of book 1) to figure out what she wants, and doesn’t want, out of her sexual relationship with Christian. She’s up for bondage, up for spanking, up for lighter sexual pain, all things she never would have imagined she’d liked before she met Christian.

MADELINE IVA: Yes! And in the movie — what we see dominates what we hear. What we SEE is Ana enjoying lite kinky play…In the book, which is so much internal, her confusion and ambivalence take center stage.first-kiss-50

JACKIE C. HORNE: But in the book’s climactic scene, she realizes that she is not up for being punished, for being the object upon which Christian takes out his anger. Refusing to consent to the linking of love and male anger, the idea that male anger is always a part of male love—that may be the key shift from Old Skool romance novels to contemporary romances.

MADELINE IVA: This is a great interpretation, and I agree that if the fundamental message is not to accept male anger as a part of male love, that it’s a good one.  But I don’t know….(more on that later.)

What I saw as I watched that final scene in the first movie was her seeing his emotional pain and wanting to take on his pain — like a martyr.

Meanwhile, Cara McKenna is my touchstone for an author who shows consent VERY well without bogging down the plot or making us fall out of the fantasy.  50 Shades maybe does this less well, but it might be interesting to contrast how consent is carried out in the movie vs. the book.

JACKIE C. HORNE: Did you think there were major differences between book and movie in this regard? I didn’t notice any myself, but if you have specific scenes you can point to, I’d be happy to go back and re-watch the film again.

“Please, Ana, let me make love to you.”

“Yes,” I whisper, because that’s why I’m here. (50 Shades of Grey, 113) 

MADELINE IVA: I’m thinking of the contract stuff.  In the movie she was actively negotiating with him face to face and crossing out elements she vetoed. It seemed like there was energy to this exchange. To me this showed strong female agency — and have we ever seen a woman in a film before negotiating over sex so thoroughly? (Excepting scenes with sex workers–and even then not so much.)

In the book, meanwhile, the contract seemed (this is my interpretation) a packet of doom.  It seemed to make her cringe, and the details dwelt upon had to do with total control over her as well as painful sex acts.  It dragged her down into a pit of (again my take)  “No, no, no, no, OMG. Am I going to have to do this stuff? Gah!

JACKIE C. HORNE: Oh, yes, the contract scene is so great in the film! It shows Ana being far more empowered, and really enjoying the negotiating with Christian. Many film reviews cite that scene as the best thing in the movie.

In the book, the language of the contract appears not just once, but four times (at least in part). Is it just sloppy writing, that repetition? Or is there something really important in that legal language to James? The idea that this is a business relationship, rather than a personal one, to Christian? Which is an idea that Ana ultimately cannot accept.

MADELINE IVA: I’m interesting in talking about Jamie Dornan as a man/actor who was a kind of reluctant participant himself in the movie.  Yes, he did it for his career, and didn’t have long to think about his choice.  Also he is most definitely NOT a fan of the life style.

Dakota Johnson seems to have adapted a bit more (maybe because it’s the corner stone of her career?)

There are interviews where Dornan apologized profusely to Dakota Johnson before each take.  Do we care as much about male consent as we do about female consent? Is this going to be a problem? (Is it one already? Can men refuse sex without having their sexuality challenged, or facing aggressive repercussions –even if not physical violence?)

JACKIE C. HORNE: Your questions make me think about 15-year-old Christian, at the start of his affair with Elena. Did he consent? He says he did, but Ana is consistently appalled by the mere thought of an adult woman inviting a 15-year-old boy to have (kinky) sex with her. Ana never asks Christian to tell her more about his experience; she instantly assumes that he had no agency, no ability to consent, that he was molested and abused.50-shades-shower

I was disappointed that the books, which initially reserve judgment on this issue (was Christian abused? Or was his relationship with Elena a positive, even life-saving one?) end up coming down hard on the side of abuse by the end of book 2. Rather than presenting Ana’s intense jealousy of Elena as misguided or immature, the end of book 2 reinforces the idea that Ana is right to be wary of Elena. I thought this a very sexist move, complete with bitch-slap for the erring woman (not by Ana, but by Christian’s adopted mother).

I wished we could have heard more about Christian’s experience with Elena, that Ana had been more curious rather than judgmental about it. In some ways, you could say that Ana is infantilizing Christian by refusing to grant that even as a 15-year-old, he might have been capable of making informed decisions about his sexual desires.

MADELINE IVA: And this goes back to the core fantasies.  What you saw as the ordinary young woman saving/healing the wounded man I saw as a kind of mothering thing — the power of soothing.  “Let me make the hurt go away” kind of actions.

No cigarette burn scars on his chest in the first movie. Whoops! They fixed it for the second film.

No cigarette burn scars on his chest in the first movie. Whoops! They fixed it for the second film.

JACKIE C. HORNE: The larger issue—about male consent in general—is an interesting one. Yes, a man who turns down a chance to have sex is still likely to have his masculinity, or his heterosexuality, called into question, even in this day and age. But a man who turns down BDSM sex, or feels squicky about it, there’s something different going on there. BDSM sex isn’t as widely accepted, as widely admired, as straight heterosexual sex; there’s a taint attached to it for many people. Wanting to dominate women is a big no-no in our purportedly post-feminist age. So not consenting to participate in Dom/sub sex, or expressing uneasiness or discomfort with having to act as if you enjoy it, can be read by many as a positive thing, an endorsement of more equal power during sex between partners. A women’s rights kind of thing, no?

MADELINE IVA: Well, I actually know men who say “whatever she wants sexually I kinda have to do” and that with one man it’s kinky stuff with his wife. He’s okay with it, because she enjoys it.  With another man it’s about his incredible discomfort playing out semi-rape fantasies with women he’s having sex with…I think part of his discomfort involves reinforcing the perception that in some way he LOOKS predatory, etc.

JACKIE C. HORNE: I haven’t heard similar stories from any of my male friends or acquaintances. But your friends’ experiences do show how men can be subject to (or even victims of) sexual stereotypes. (I’m in the midst of reading a book about a gay asexual man, and he feels quite similarly, that he is surrounded by the imperative “men always want sex”). No man, or woman, should feel like they HAVE to do anything, sex-wise, that they don’t want to do. Ever. I hope your latter friend can find women to date who won’t push him to play the semi-rape game.

MADELINE IVA: Yup, I agree. The singles world of dating, hook-ups, etc, is a jungle—the price we pay for more sexual freedom seems to be more social pressure about sex and displaying sexuality in increasingly artificial ways.

Part of the conundrum of playing up one’s sexuality is that some men I know have that bad boy vibe, but at heart they’re good guys. They draw women to them, but eventually hit an impasse when looks and who he is just doesn’t match her expectations.  In this film the bad boy is gradually revealed as a ‘good boy’ on the inside. So maybe there’s hope for my friends…fifty-shades-ball-1486048963

Moving on! Has Trump ruined billionaire romances? Or put a significant dent in them? I remember thinking: “Consent all you want young woman from a poor family. Once you’re in handcuffs in his home he could do anything he wanted to you and probably get away with it…” and I know this is a direct line of thinking from the news/publicity about Trump during the election…

Yet there’s always one side in the romance world shouting “IT”S JUST A FANTASY!” Is there a problem with saying it’s all just a fantasy? And what are we to do with the constant  demand from women for forbidden sexual fantasy? Should we be pragmatic and accept this?

OR for instance, (as one who grew up watching male fantasies of women in the media), do we understand that this has deeply impacted and harmed our culture?

JACKIE C. HORNE: I was recently interviewed by a reporter for the Village Voice, who asked if I thought the billionaire romance trend had contributed to the acceptance of Trump by many women. Rather than ruining billionaire romances, Trump might be the logical outcome of this romance trend. Because billionaire romances paper over the trouble that actual billionaires present, don’t they? Unlike saintly Christian, whom we only ever see engaging in business that is meant to help the powerless (donating food to Darfur; developing solar technology; donating money to the university to develop sustainable food programs), most real-life billionaires make their money through capitalistic competition, competition that often relies on shortchanging the average Joe (or average Ana) worker. To fantasize about a powerful billionaire falling for them, women have to forget or ignore all the other women (and men) upon whom his billions were built, and upon whom his continued wealth still relies.

And they also have to keep imagining that the only path to power is an indirect one, by being in a relationship with a wealthy man, rather than imagining that they could gain power themselves. Those are both fantasies that limit, rather than empower, women.

So I don’t buy the “it’s just a fantasy” explanation/excuse. What is the fantasy, and why are we having it? That’s a far more productive question, and avenue for exploration.

MADELINE IVA: I have no problem with this, only sometimes the liberal peeps can be as judgmental and shaming as conservatives without exploring the needs, frustrations, and context of those who are very different from them in terms of race or class.  If we could explore all of these issues without a dose of shaming, it would be nice.

But you know, scientific research on sexuality seems to indicate that what sexually turns us on seems to be fixed.  Maybe the “Why” of the fantasy and the turn on go back to that slushy mix of our evolution and what we were exposed to in our youth/teens and that’s that…Which takes us right back to your point about Christian’s first sexual experiences…

Let’s turn to talking about the differences between the first book and movie.  Some things just not translate well from book to movie? I don’t recall when in the book he showed up in Savannah that it was as big a deal to me.  But in the movie I had an involuntary “Stalker!” reaction. He seemed so much creepier in the movie.  Or is this just that I’m coming off watching him in THE FALL where he played a serial killer? ; >50shadesbathrobe

JACKIE C. HORNE: Funny, I had just the opposite reaction!

MADELINE IVA: — Okay, I hang my head and accept that I am having a post-The Fall Dornan experience.

JACKIE C. HORNE: I thought he was far creepier in the book than he was in the film. Dornan just smiled too much to feel like the controlling Christian of the books to me! (Must say I’ve never seen The Fall, though). The film cut out many of book-Christian’s more stalker-y/controlling moves—no mention of him moving her to first class on the plane without asking her, and he’s not so insistent about her eating all the time—so he didn’t come across as quite so control-freakish in the film as he does in the book.

MADELINE IVA: The eating thing.  Ugh!  It also made Ana seem SO PASSIVE and waify/victim-y.50-touching-lips

JACKIE C. HORNE: On the other hand, in book 1, when Ana teases Christian in an email “Have you sought therapy for your stalker tendencies?” he tells her (and us) that “I pay the eminent Dr. Flynn a small fortune with regard to my stalker and other tendencies” (290). This reassured me; I had thought from what people had told me about the books that they normalized stalkery/über-controlling male behavior. That Christian is actively seeing a psychiatrist about his issues sends the opposite message: that stalkery/über-controlling behavior is psychologically problematic. I was disappointed that Christian’s shrink did not make it into the film.

MADELINE IVA: Yes! Anastasia seemed to enjoy most of what they did a whole lot more in the movie than her internals showed in the book.  And did that tilt the scales of problems some people had with the book?

ana-shirt-2JACKIE C. HORNE: For all that we get so much of her internal thoughts in the books, Anastasia of the novels is a pretty empty character. That’s not a good or a bad thing; it’s just a way of telling a story, a way that allows the reader more easily to project herself into the novel than if Ana’s character had more individuality, had been more fully developed. Ironically, though we get little of her internal thoughts in the film, seeing Dakota Johnson up on the screen made her more of a person to me, an individual with thoughts and emotions different from mine, rather than just an empty placeholder for me to project myself onto.

The lack of access to Ana’s thoughts makes her wishy-washy-ness re: the kinky sex less apparent. I agree that in the film, she seems to enjoy the kinky sex more than she does in the books. And that made the story more interesting to me—the story of a woman exploring the boundaries of her own sexual desires.

MADELINE IVA: I agree that Dakota Johnson did a great job of seeming vulnerable and kinda raw in her own skin, but also very fluid and interesting in the kinky scenes.  She also just seemed older, which I found reassuring…

Going back to how this series explores typical/conservative romance values side by side with the more progressive idea of a young woman exploring kinky sex—Ultimately, Ana rejects kinky sex.  Do you think that this is on par with the other more conservative values of the book’s romantic tropes and again, makes it more safe for more conservative romance readers to accept it?  (Noting that this move seems to enrage many BDSM erotic romance authors more than anything else.)

Are we back to the “forced seduction” sexual tropes of the 80’s? In those romance novels it was okay for the woman to have sex in those situations because she didn’t ask for it… In the 50 Shades franchise, is it okay for Ana to explore BDSM-lite because ultimately she rejects it and therefore is still ‘a good girl’?

Meanwhile, what are we in the audience doing throughout the movie if not enjoying Ana’s engaging in forbidden kink?

weredoingwhat

We’re doing WHAT? Everyone seems to agree that both actors are much more comfortable filming together now. Not surprising, given the success of the franchise, and the boost to their respective careers.

JACKIE C. HORNE: Funny, I was thinking about what title I would give this discussion and came up with “Having your kink and condemning it too”!

I agree with you that Ana’s disgust with and rejection of the punishment aspect of Dom/sub play does dovetail with the more conservative values of the book’s romance tropes. Her rejection gives readers an “out,” a having your cake and eating it too safety valve. Which does undercut the progressive message to a large degree.

But on the other hand, Ana doesn’t rejects ALL kink (at least by the end of book 2). As I noted above, she enjoys being tied up, being restrained, being spanked. And in DARKER the book, she’s bugging Christian all the time to go back to the Red Room of Pain. Which doesn’t seem to me to be just about serving Christian’s needs; it seems to be a deep curiosity of her own about kinky sex.

Ana’s rejection of Christian’s sadism (and the book’s rejection of that label for him) enrages many BDSM erotic romance authors because Ana’s decision at the end of book 1 has a larger ideological weight: it tells the reader that the power dynamics in ALL Dom/sub relationships are both shameful AND are signs of psychological damage that needs to be repaired. Which is exactly the opposite message of current psychological thinking, as Dr. Flynn explains. Someone is a sadist just because he (or she) is one, not because he or she was traumatized as a child.

Perhaps Ana should pay Dr. Flynn (or another qualified psychologist) a visit to talk about her own ambivalences about BDSM?

MADELINE IVA: Perhaps!

Thank you Jackie SO MUCH for chatting with me! And readers, don’t forget our KAMA SUTRA giveaway.  All you have to do is hit our pink subscribe button above and to the right.

kama-sutra-giveaway

This giveaway includes massage oil, candle, soap, and lip balm.  (Continental US only!)

Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on Amazon, Barnes & Noble, Kobo, and through iTunes.  Sign up for Madeline Iva news & give aways.wickedapprenticefinal-fjm_low_res_500x750

 

 

 

Sexy Sunday Snippet

15 Jan

by Madeline Iva

Dear fantastic readers, Carlene Flores Love is here today with a sweet little excerpt from her book WICKED FLOWER.

wickedflower1m Here’s a blurb: 

Sin Pointe front man Stefan Calderon is playing a very dangerous game and his mom’s live-in caretaker, Dani Foster, just landed right smack in the middle of it.

Practically strangers when Stefan rolls into his small hometown looking to patch things up with Mom, his and Dani’s worlds collide with a hot and intense hook up. He knows right away this woman will make the perfect partner for his two weeks in town. But when she realizes whose son he is, and what he’s there to do, sexy times come to an abrupt halt.

That is until they come up with a solution. Rules. Every game needs them. The question isn’t if they’ll break them, but when and how hard.  It’s a wickedly delicious game, one neither of them intends to lose.

Excerpt from WICKED FLOWER:

Was Stefan ready to listen? Way back, like all the way back in his mind, he wondered if maybe it was time to consider quitting the game. There was something about seeing her in there, protecting what was hers.

One thing he couldn’t do was stand out here all night. Rain soaked through his hair and began to do the same to his shirt.

He stepped up to her car, leaned in and tapped on her passenger side window but she clearly mouthed the word No.

Fine, he could be creative when he wanted something and felt bad for how he’d already treated her. He leaned closer and then wrote through the raindrops on the window with his finger, TALK.

Nothing.

He tried again. PLEASE.

Zilch.

His head dipped and he tried once more. If she didn’t go for this one, he was done. This didn’t mean anything to her and it shouldn’t mean anything to him.

Instead of using his finger to write, he leaned down, and then pressed a kiss to the glass. The rain felt nice on his dry lips. He probably looked foolish but luckily he didn’t care right now. He took a step back and waited. It took a few seconds, but the lock sounded with a pop. He tried the handle.

She’d let him in.

Exhilaration at the clear win spiked his pulse for a moment until he realized something.

They had to talk and he doubted Dani was going to like anything he had to say.

Carlene is a huge sweetie!

Carlene is such a sweetie! We absolutely lurv her–check out her book!

ABOUT THE AUTHOR: Carlene Love is a fan of the stars (especially Orion), music (especially Depeche Mode), and the ocean (especially at sunset). These inspire her intimate stories. If she could touch someone’s heart with writing the way others have for her, she’d say there never lived a luckier girl. She’d love to hear from readers so feel to drop her a line at her website.

 

%d bloggers like this: