Tag Archives: Movies

The Enduring Romance of Beauty and the Beast

20 Mar

by Kiersten Hallie Krum

I remember the first time I saw Beauty and the Beast in 1991. It was in the Berkeley Heights movie theater. Thursday nights were buy one, get one, but I went with my friends for a matinée. Funny, I can’t remember who I was with, but I distinctly remember that first moment when the curtain drew back (yes, it had a curtain across the screen) and the first image of the movie filled the frame.

I gasped. For real. I spent the first 90 seconds wavering back and forth between thinking it was real and believing it was a cartoon. The colors were so bright, the images so crisp, it was breathtaking, as in it literally took my breath away. Minutes later, the opening number “Belle” began and I was officially enraptured. The complexity of the song, the brilliance of the lyrics, the timing of the animation. This was revolutionary. It was pre-motion captured, when digital was only just becoming part of our vocabulary. There were no DVDs yet, CDs were only just becoming known, laser disks were still the premiere idea of home movies. The Little Mermaid had taken the world by storm barely a year earlier. But Beauty and the Beast was a wunderkind of animation never seen before. Its music was fresh and exciting. Its story took a well-known tale and infused it anew with adventure and romance.

And don’t even get me started on the ballroom scene.

A few days later, I took my sister to see it before I went back to college, and after she had to endure me going on and on about it. Within the first few minutes, she turned to me and whispered, “You were absolutely right.”

Last Friday, I saw the new live-action version of Beauty and the Beast, not another retelling of the story, but the same 1991 animated film remade with live people as opposed to cartoons. I’ve been anticipating this movie but at the same time, had little expectation as to what it might turn out to be. Like looking forward to seeing a favorite book brought to the screen, there was bound to be new interpretations to the story that would tick me off (I’m a purist, I confess), but as I was coming off a long convalescence from surgery, I went to a matinée solo simply to enjoy seeing an old friend given new life.

It was, in a word, perfect. Absolutely perfect.

Was it flawless? No. That’s an impossibility. But as Sleeping Beauty’s castle in the Disney logo was replaced by the Beast’s enchanted castle and the familiar words of the prologue filled the air now in a female’s voice, I knew this was going to be the rare film that met the demands of its source material. Perhaps even exceeded it.

I’m not going to go over the particulars of the new movie as it’s enough to say it’s a near perfect match to its animated doppelgänger. OK, scratch that idea. A few quick thoughts: the new movie does address a few loopholes the animated film skipped over that have plague fans for years–or maybe that’s just me. Things like, why does no one in the village see the honking huge palace in the forest? Why is it beautiful autumn in the village and winter around the castle? How come no one seems to remember there was ever a prince in residence nearby? How the hell does wee Belle manage to get huge Beast up on Philippe the horse after Beast collapses following the wolf attack? Answers are finally found. Also, where I often loathe new music added to an established libretto (Phantom of the Opera, I’m looking at you), the new songs added to this version of Beauty and the Beast fit in perfectly. Oh and Luke Evans nearly steals the show as pitch-perfect Gaston. Finally, visually, it is a masterpiece. I don’t even want to know how it was done, which part is motion capture and which part is actual people, or where the animation begins or which pieces are on a set and which are in a proper 18th-century palace. It’s a sumptuous feast on par with the magnitude of its counterpart for its time. You will not be disappointed.

But what struck me as I teared up over the ending (and yea, I did sniffle, and applaud while the credits rolled) was how this well-known and beloved story still had the power to move me. Women are weened on romantic fantasy and Disney has made a killing exploiting that deeply ingrained expectation. But archetype stories like Beauty and the Beast endure because they resonate with truth that is better than any fantasy.

In both films, the key is that Belle must fall in love with a “hideous” beast in order to break the curse. But the prince’s outward beast is merely the reflection of the inner asshole that was hiding beneath his human pretty face. As he learns not only to love, but to be lovable, the core good person who yet lives beneath both beastly versions comes back to life. This is another aspect this film has the time and means to address. Mrs. Potts informs Belle of how the prince was warped by his cruel father after his mother’s death when the prince was but a boy. Adding the somewhat rout psychological element adds layers to the prince’s repulsive behavior prior to his beastliness being made manifest, which also explains why the staff remains so loyal to one who appeared to be so horrible in both guises.

Beast also learns the sacrificial aspect to love, that truly loving someone means putting their needs first and that sometimes can cause great agony for the lover. In the new film, when Beast releases Belle to go to her father, he watches her flee through the maze, her gold dress a beacon, and sings the beautiful, new, heart-wrenching song “Evermore”.

Sidebar: Holy cats, can Dan Stevens sing. Strewth.

In “Evermore,” Beast sings about how Belle has changed his life and how he knows he’ll now be haunted by her for the rest of his days. But even as he despairs over this and the expectation that he’ll never see her again, especially since, in this film, there is a very real threat to his and the others existence, (outside of Gaston and the mob, that is), Beast knows he’s forever been changed by falling in love with her. Whatever the future brings him, he will not be the same person, man or beast, because of Belle.

Now I know she’ll never leave me
Even as she runs away
She will still torment me, calm me, hurt me
Move me, come what may

Now I know she’ll never leave me
Even as she fades from view
She will still inspire me, be a part of
Everything I do

Wasting in my lonely tower
Waiting by an open door
I’ll fool myself she’ll walk right in
And as the long, long nights begin
I’ll think of all that might have been
Waiting here for evermore!

– “Evermorefrom Beauty and the Beast 2017 ©Disney

Poor Beastie. Fortunately, we know he’s not meant to waste away in his lonely tower without his Belle, but still! Sob.

In this live-action version of the story, as Belle and her prince dance through the final moments, she makes a cheeky request of him that makes it clear she actually prefers or at least misses his hairier visage, a request that makes the prince laugh because he knows exactly what she’s saying. She doesn’t love him more or less for now being human; she loves him period. But having fallen in love with his beastly component, she’s not adverse to his human self sporting a sartorial reminder. (And I think, for those of us who may know, there was a sly sexual component to her request as well.)

But it’s not only the Beast/Prince who is loved for himself. Belle too doesn’t fit in her environment. She’s thought to be odd and out-of-place because she reads and longs for a life far beyond that of a provincial village. In the original film, when Belle has her Sound of Music moment running up the hill while she sings “I want adventure in the great wide somewhere, I want it more than I can tell. And for once it might be grand, to have someone understand. I want so much more than they’ve got planned…” my young heart swelled and I got chills. When Emma Watson did the same move and sang the same words in the live-action film, my battered, weary heart swelled and I got chills as I smiled and sang along.

So many of us were that girl, nose in a book, dreaming of more, maybe a prince or at least that one person who “got” us, who didn’t think we were weird because of who we are or what we like to do. Who wanted to be with us because of what others thought made us odd, not in spite of them. Who wanted us for us. Now, as women, some of us have been fortunate to have found that person. Some of us are still looking but remain hopeful. Meanwhile, we read and, in my case, write romances to keep that hope alive. Not because we’re entrenched in romantic fantasy, but because we know the truth that fantasy exploits: happily ever after isn’t just for fiction.

This is why Beauty and the Beast is such an enduring romance. And it’s why those of us who write romance continue to believe. Be it romantic suspense or epic fantasy or erotic romance or BDSM romance or Amish romance, whatever the genre or subgenre, whether we write about hot alpha heroes or handsome beta heroes or gorgeous women who’ve got it going on or ladies in search of their own kind of special who are the heroines of their own stories, at the core, we’re spinning relationships where the parties involved find the one who loves them for themselves, for who they are at the best and worst of times (thank you Victor Hugo), who love those moments when we’re all a unique beauty and more, when we show our inner beasts.

Women may be weened on romantic fantasy, but stories like Beauty and the Beast remind us that true love sees and loves all.

And that is no fantasy.

Writer, singer, editor, traveler, tequila drinker, and cat herder, Kiersten Hallie Krum avoids pen names since keeping her multiple personalities straight is hard enough work. She writes smart, sharp, and sexy romantic suspense. Her debut romantic suspense novel, WILD ON THE ROCKS, is now available. Visit her website at www.kierstenkrum.com and find her regularly over sharing on various social media via @kierstenkrum.

Now available exclusively from Kindle. Click image to buy!

Why don’t you? The appeal of Fifty Shades of Grey

10 Mar

“Why don’t you write something like Fifty Shades of Grey?”

We romance writers get asked this question by friends and family. I have to admit this question puzzles me. Each time I’m asked I wonder:

  • Do you mean, why don’t I write something about two people seeking love and connection?
  • Do you mean, why don’t I write something erotic?
  • Do you mean, why don’t I write something that pushes the boundaries of relationships?

I only wonder these things because me asking them aloud would draw attention to the fact that the person asking the question hasn’t read any of my books. Of course, I don’t care whether or not the person has read my stuff but …well, I don’t want to make things awkward by pointing that out. Besides, as a writer, here’s the question that makes the most sense to me:

  • Do you mean why don’t I write something that sells millions of copies and creates just as many devoted readers and fans?

That one I don’t have an answer for. Nobody does. Many–many–of us writers have tried to figure out why that series in particular took off like that.

50 2

In my other life, I teach freshman composition at a college. We write essays, the standard sort that college freshman have been writing for years. Thesis statements, MLA formatting, research. All the usual stuff. One place where I get to mix things up is in the prompts. So, wondering what my students think of the 50 phenomenon, I include a prompt about the widespread popularity of the series. The prompt encourages the students to question the contrast between the book’s content, the relationship between the two characters, and the current wave of new feminism. Bottom line–why do women connect this book?

As you might imagine, the prompt generates interest. After reading seve50 3ral essays I’ve found a distinct difference between the younger, 18-20, and older, 25-30 women in regard to Mr. Grey’s relationship appeal.

The younger women find him super romantic. They are drawn to the idea of having a man so dedicated to you that he is “interested” in every aspect of your life. They don’t find him stalky or boundary-crossing, they find him devoted. These younger women write very little about the sex; they write almost exclusively about the attentive relationship. It seems that while young women view career and societal contribution as essential and validating, they still long for a dedicated partner.

The older women write about the sex. They are drawn to the idea of an extremely intense almost completely sexual relationship that has no emotional commitments. These women reflect that while they hope to have an emotionally intimate relationship in the future, they are, at present, busy with school and work and don’t have time to develop “that sort of thing” right now. This staying-single-longer, waiting-for-real-commitment life plan is on the rise,  but as noted above with the younger set, this older set seeks devotion. They simply define devotion in a different way.

If you’re one of the thousands, maybe millions, of people who’ve had this conversation–why is 50 so compelling–we’d love to hear what you think. Give us a shout in the comments.

And – follow us here at Lady Smut. We’re always here to inform, entertain, and keep you up to date.

Isabelle Drake writes erotica, erotic romance, urban fantasy, and young adult thrillers.

Fifty Shades Darker Celebration & Valentine’s Giveaway

9 Feb

by Madeline Iva

Are you going to see FIFTY SHADES DARKER this weekend? We are!fifty-ball

Well, Elizabeth SaFleur and I are. We’ve already got our tickets and we’re taking our spouses.  Not only that–we’re holding a celebration event on Facebook to chat with y’all about the FIFTY SHADES DARKER movie.  We hope you join us!50shadesshouldersleeping

Go to our event on facebook, press the *interested* button, then tell us what you thought about the movie:

  • What did you love? The actors, characters, settings, costumes, plot?
  • How did FIFTY SHADES DARKER compared to the book and the first movie?
  • Do you love billionaire romance themes in general? Or BDSM romances in particular? ; >

We’re also blogging about fascinating aspects of the movie here.  (Don’t worry, we’ll post everything over at the fb event too.)

  • Reasons Why Billionaire Romances Are Never Going Away
  • My obsession with Jamie Dornan
  • 5 Ways In Which Real Life Millionaires Aren’t Like Us
  • Jackie Horne from ROMANCE NOVELS WITH FEMINISTS will stop by. We’re discussing where young women are going with BDSM and how this is or isn’t reflected in the movie.
  • Joey Hill shares with us how to get kinky with her 10 favorite kitchen items.

50-shades-take-2

Admittedly, not all of us at the blog are 50 Shades lovers.  You might not be either — that’s why we have other smexy Valentine’s Day posts to offer you this month.  pantiesCheck out our posts on:

BUT WAIT! THERE’S MORE!

This Valentine’s Day weekend, we’re offering a Kama Sutra giveaway from Lux Aromatica that includes massage oil, soap, a candle, and lip balm.

To enter the giveaway, hit the SUBSCRIBE button on our blog now–it’s the pink button up at the top on the right–and fill out the form.  One random winner will be chosen from central Virginia where Kerensa’s stores are located and one random winner from the nation at large. (Continental US only, please!)

We look forward to seeing you all this weekend, even if you’re just stopping by to say hi. — xoxo

wickedapprenticefinal-fjm_low_res_500x750Madeline Iva writes fantasy and paranormal romance.  Her fantasy romance, WICKED APPRENTICE, featuring a magic geek heroine, is available on Amazon, Barnes & Noble, Kobo, and through iTunes.  Sign up for Madeline Iva news & give aways.

 

 

Turned on by wires & circuits? Intrigued by the opportunity to pre-program your experience? Robot fetish 101

13 Jan

By Isabelle Drake

Want to get busy with a techno man?  Interested in androids? Love the AMC show Humans?

If you are a Duran, Duran fan, or remember the old school video to Electric Barbarella, the sexy robot thing is nothing new to you.

Here’s something that might be new. Robot fetishism, considered part of technosexuality, is divided into two usually separate fantasies:

  • Sex with a person dressed in a robot costume, a person acting like a robot, or sex with pre-made sex android robot.
  • Sex with person who has been willingly or unwillingly transformed into a robot or being transformed into a robot oneself and subsequently having sex. The transformation is of key interest in this fantasy.

Both of these interests stem from the uncanniness of the android.

Ernst Jentsch, credited with being the first to identify the state of the uncanny in a 1906 essay, “On the Psychology of the Uncanny,” defines the state as a person’s “doubts whether an apparently animate being is really alive; or conversely, whether a lifeless object might be, in fact, animate.” He was quick to note that awareness and understanding of such a state is important to a fiction writer. “In telling a story one of the most successful devices for easily creating uncanny effects is to leave the reader in uncertainty whether a particular figure in the story is a human being or an automaton and to do it in such a way that his attention is not focused directly upon his uncertainty, so that he may not be led to go into the matter and clear it up immediately.”

In the show, Humans, Anita confesses her love for Ed the scene is both compelling and disturbing. According to Sigmund Freud the basis for this reaction in the uncanny.

In his essay, “The Uncanny” Freud expanded this concept of the uncanny state being linked to the relationship between the animate and the innate. Additionally, he examined concepts of human development in regard to maturation as having a key relationship to a person’s perception of what is uncanny. For example, in childhood humans enjoy repetition. This appreciation begins before the child is old enough to desire, or even understand, control. As the child matures, and begins to understand the advantage of control and thus desires it, the child takes less pleasure in repetition.

Therefore, continued, undesired, and uncontrollable repetition is disturbing because it represents a lack of control and thus regression and is therefore potentially alarming. Freud asserted that the state of the uncanny is linked to the subconscious in additional way. He stated that a person experiences something as uncanny because it reminds the individual of the conflict between their repressed desires, desires which the individual presumably struggles to control, and feared punishment for deviating from societal norms.

Tell us what you think in the comments. Are human-like robots sexy or scary? Want to get busy with an android?7818008_f260

And – follow us here at Lady Smut. We’re always here to inform, entertain, and keep you up to date.

Isabelle Drake writes erotica, erotic romance, urban fantasy, and young adult thrillers. She’s also working on her own sexy android erotica.

Indivisible: The Simple Invincibility of Loving

22 Nov
It is as simple, and as powerful, as this.

It is as simple, and as powerful, as this.

By Alexa Day

About 18 months ago, I received news of Jeff Nichols’s film, Loving, with a distinct lack of enthusiasm. I did promise to give the movie a fair chance, but I could not imagine that any film would do justice to the real Richard and Mildred Loving, two people who simply belonged together.

I saw Loving this past weekend. It is magnetic.

From the very beginning, Nichols draws us into a world that never gets much larger than the two people at the heart of the story. The energy that flows between Joel Edgerton and Ruth Negga, who play the Lovings, is palpable but very gentle, a deep-running but quiet passion. As we follow them to Washington, D.C. and then back to Virginia, with three children in tow, the only thing any of us knows for certain is that these two people belong to each other. They nourish each other, and they grow into and through each other, and they are absolutely bound to each other. They are indivisible.

Given the groundbreaking nature of the Loving decision, I imagine that there’s always a temptation to turn this story into something large and sensational. It would be easy to play to the audience with raised voices and racial slurs and the protracted study of racial inequality in America in the 1960s. Nichols resists this temptation, and the film shines because of his restraint.

The beauty of the Virginia countryside fills the screen with lush color. The changing seasons come to life, softly reminding the viewer of just how long it took for the case to rise from Caroline County to the Supreme Court. Don’t even start me talking about the cars. Every detail is beautifully rendered, but all of that is just a backdrop for Richard and Mildred. They’re a constant in a world that slides around them. It is impossible to look away from them.

The movie never raises the question of whether the Lovings would stay together despite the opposition to their marriage. The film is built on one premise, the unbreakable certainty that neither would abandon the union. A different question arises from that foundation. We never wonder if the Lovings will stay together … but before long, we doubt society’s power to challenge them.

There is tremendous comfort to be found in the knowledge that two people would survive and thrive, despite opposition, simply by refusing to let go of each other. At one point, Mildred tells a reporter that she’s aware of the conflict she faces, but that she also knows that she and her husband have many, many allies. No matter what happens, the two of them are determined to live their lives on their terms, surrounded by family and friends.

That sort of confidence is the source of real, lasting change.

Is Loving playing in your town? Go check the website. Then have a look at Grey Villet’s photos of the Lovings.

And follow Lady Smut.

Give Me A Side Of Sex With My Frights

5 Oct

By Elizabeth Shore

Apparently, it’s happened again. I blinked and suddenly summer was over. WTF? I was just pulling out my floaty flower-print dresses and strappy sandals five minutes ago, wasn’t I? Now I’m hunting for sweaters and boots. Ah well. Tempting though it may be to mourn summer’s demise, let’s look on the bright side. It’s October, peeps! Fall colors, crisp chill in the air, everything under the sun made with pumpkin, everything under the sun made with apples, and, oh yeah. Halloween!

To be honest, I’m not actually a costume kinda gal, so Halloween parties don’t do much for me. On the other hand, Halloween also means horror movies. Scary, spine-tingling, watching-with-one-eye covered spooky thrillers. Yippee! To be clear, horror movies for me are not slasher gore fests. Too much blood and guts just becomes more gross than ghoulish. What I want from my horror movies is a good and proper scare. The kind where you’re curled up into a ball on your couch, feeling the hairs on your head standing straight up, wanting to look away but no way in hell do you dare. Those are the fun ones, the ones worth many repeat views. I remember the first time I saw When A Stranger Calls, the 1979 version. Teenage babysitter alone in the house with kids sleeping upstairs. She starts getting creepy ass phone calls replete with heavy breathing in which a stranger keeps asking if she’s “checked the children.” Suspense builds as the scare-o-meter jumps with every call until finally, after the babysitter asks the police to trace the calls it’s discovered that they’re coming from inside the house!!! Ahhh!!

That’s the kind of horror movie I’m talking about. And yet, being a true Lady of Smut, I’ll readily admit that if a horror movie also weaves in sensual, sexy, even erotic elements into the plot, it’s icing on the spooky cake. The primal fear and desire instincts work in the horror genre, both on film and in print. Why? I think film writer Martyn Conterio aptly explains it this way: Horror films can be seen as the battleground between the mind and the body. Between fears and pleasures of the flesh. Eroticism is a striking feature of so many classics and cult movies, whether forming a small part of the overall experience or more explicitly focused. Psychological terrain explored in nightmare movies can be freaky, scary and downright weird. For it is true that sex and death rule the cinematic imagination as they rule life.

There are now four weekends until Halloween, four weekends in which to enjoy sexy scary flicks. But what to watch? How to know what works? Why, I thought you’d never ask. Below, in no particular order, some suggestions to get your sexy spook on.

First off, let me say something about vampire flicks. Sex and biting go as well together as butts and plugs. Or…well, you get the point. It works. We all know vampires are hot. This is by far the most prevalent theme in the erotic horror genre and there are several scary sexy vamp movies to choose from, including:

the-hunger

Late, great David Bowie, feeling hungry

The Hunger. David Bowie, Susan Sarandon, Catherine Deneuve. Sexy vampire Deneuve needs a new lover when her current one (Bowie) starts aging too fast. She sets her sights on Susan Sarandon. Lesbian vampire sex! And if you need more where that comes from…

Daughters of Darkness. A tale featuring that most ruthless of beauty seekers, Countess Elizabeth Bathory, who killed virgins so she could bathe in their blood and perpetuate her youth. When a young couple has the misfortune of crossing her path, it’s curtains for the husband, but the Countess decides that his young wife is just the lover she’s been seeking. The two women eventually kill the husband and drink his blood and have hot lesbian relations. Yummy! And lastly on this theme:

Vampyros Lesbos. Just like it sounds.

bram-stokers-draculaDracula. I’m specifically talking about the 1992 Francis Ford Coppola version. Keanu Reeves gets down and dirty with three hot Brides of Dracula. This movie has made numerous “sexiest erotic horror movies ever made” lists. Decide for yourself whether you agree.

Thirst. Korean director Chan-wood Park’s spin on a vamp tale, this one involves a priest who gets infected during a blood transfusion and turns into a vampire. The interesting part of this set-up is that in his former life the priest had made a decision to avoid those tempting sins of the flesh. After his transformation, however…well, he feels a little different.

For some non-vampire sexy scares, let me suggest:

Cat People. This is another one on several critics’ “best erotic horror” lists, largely due to the provocative performance of 21-year-old Nastassja Kinski. She plays a young woman descended from an ancient bloodline causing her to mutate into a murderous blank panther after having sex. Kinski prowls about the film like the panther she is, oozing sex appeal with every scene. Oh, and the skinny dipping scene is hot, too.

Jennifer’s Body. Mean Girl Megan Fox is a succubus who must dine on man flesh to stay alive. Yeah, OK, it’s vampire-ish, but not in the classical sense. Written by Diablo Coty (she of Juno fame), Jennifer’s Body is silly and campy, scary and hot.

Hellraiser. Clive Barker’s S&M zombie flick will be 30 years old next year but hasn’t aged a bit in failing to seduce and scare.

And last but not least…Under the Skin. Never heard of this one? You’re in popular company. Scarlett Johansson plays The Female, a woman who gallivants around Scotland seducing men before ending their lives through submersion in a giant vat of black liquid. ScarJo gives us plenty of skin, and so do others. This isn’t a typical Hollywood film and some have criticized its slow pace. But for sure it’s got the creep factor, and the nakedness, and the seductive pull of a good erotic horror.

Have I left anything out? A sexy fright you think should be on the list? Give me a shout in the comments, and pass the popcorn.

Elizabeth Shore writes both contemporary and historical erotic romance. Her newest book is an erotic historical novella, Desire Rising, from The Wild Rose Press. Other releases include Hot Bayou Nights and The Lady Smut Book of Dark Desires

 

 

Whip It Good

21 Sep
Whip me, baby

When a problem comes along You must whip it Before the cream sets out too long You must whip it When something’s goin’ wrong You must whip it – Devo

By Elizabeth Shore

You know how it is when you’ve got a day off from work or other obligations and you find yourself with an entire day to yourself? Yay! you mentally cheer. You can get an enormous laundry list of things accomplished – including the laundry itself! – and you’re imbued with a sense of purpose. But then…well, remember that saying about the best laid plans? Without warning your motivation dries up, you realize you’re exhausted, the weather outside is crap, and nothing seems better than watching a movie or three and deciding the chores can stuff it.

I found myself in just that situation last Sunday. I was going to do laundry but every machine in my building was in use. I could have gone for a walk but the clouds looked ominous. I could have read a book – my tbr pile is scraping the sky – but a sense of drowsiness warned me that my eyes would start drooping after about page 2. So instead I plopped down on the couch and rented a juicy little French flick called Alice, ou les désirsA teaser photo for the main character showed her dressed up in a tight, black leather number complete with studs and a collar. Awesome! I was hooked (just like she was!).

As it turned out, Alice was a sexual awakening film focused on the main character’s introduction to, and exploration of, a lifestyle of kink. Well, sign me up! It all started with Alice confronting her loser husband at a dinner party hosted by Alice’s cousin, Léa. Alice decides she’s had enough of him and informs him she’s leaving. Problem: she has no place to go. Cousin Léa to the rescue. Subsequent scenes reveal Léa letting Alice know that she’s really, really into kink. Wide-eyed Alice is at first stunned, then intrigued, then, as the film goes on, part of the scene. Léa dresses Alice in sexy unmentionables and takes hot photos of her, both inside the apartment and then eventually – as Alice becomes bolder –  outside on the street. So far, so good.

Alice takes her burgeoning interest to an online chatroom where she meets a Dom who insists she call him Master. Being a good little submissive, Alice is quick to obey. There’s a pretty hot scene with Master telling Alice to spread her legs, touch herself, and imagine that he’s whipping her. This really gets her going, and she loves him telling her what to do, eventually bringing herself to orgasm and telling Master all about it. Nice.

Eventually Léa lets Alice know that a younger guy, Rémy – a student of Alice’s, as it turns out (she’s a math teacher) – is also into the kink lifestyle and wants to get it on with Alice. She’s initially outraged since she could lose her job over sex with a student (anyone’s thoughts going to Mary Kay Letourneau at this point? Yeah, me too). But Léa poo-poos Alice’s outrage and convinces her it’ll be fun. Alice relents and a long sexy scene follows in which Rémy and Léa dress up Alice in a tight black dress with a collar and leash and parade her in the street. Then they take her to a classroom, and (this next scene’s my favorite) here’s where the ultimate hotness takes place. Alice has to fully undress, stand in front of the blackboard and solve a complex math equation while Rémy is behind her, touching and kissing her everywhere. Her mind’s getting blown and it’s impossible to focus, but Rémy’s in full Dom mode and firmly insists that she keep at the math equation. This, my friends, was awesome. I loved the contrast between fully dressed, bossy Dom and naked, submissive, highly aroused Alice.

An interesting focus of this particular BDSM journey was the emphasis on whipping. There were several whipping scenes yet nary a paddle to be found. Even spanking was a rare commodity. So what’s writer Cécile Calvet doing getting us all whipped into a frenzy? I did a bit of research to see what peeps in the know are saying about whipping vs paddling. A detailed book, In Praise of the Whip by Niklaus Largier, offers a comparison between religious and erotic whipping, but that wasn’t quite what I was after. Ultimately I found someone in a kink chatroom who offers up this perspective: whipping, flaggelation, and paddling are all a hot turnon, it just depends on if you’re into the sting or the thud.

What say you, dear readers? To sting or to thud – that is the question. Or does it even matter? For those into kink, let us know what you think.

Elizabeth Shore writes both contemporary and historical erotic romance. Her newest book is an erotic historical novella, Desire Rising, from The Wild Rose Press. Other releases include Hot Bayou Nights and The Lady Smut Book of Dark Desires

 

Goodnight innocence

9 Sep

Isabelle Drake’s Fetish 101

Who doesn’t love the sweet fairytale Sleeping Beauty? A beautiful woman, frozen in time, awaiting her true love’s, awakening tender kiss. Ahhh.

Recently, I stumbled upon a very different version of Sleeping Beauty. In this one, from 2011, the main character is a university student who needs cash. She replies to an ad and starts working as a series of erotic freelance jobs.

I started to wonder, did a little research, and sure enough this sleeping beauty thing is a fetish: somnophilia. In its simplest form, the somnophiliac seeks to awaken a sleeping person with erotic caresses, gentle non-violent touches. Some scholars speculate that this particular interest is related to the much less romantic necrophilia, the desire to have sex with dead bodies. Obviously in this case the goal is not to awaken the sleeping but rather to take advantage of their incapacitated state.

It was difficult finding scholarly work on this topic but I did find an article from Psychology Today that offers some analysis. “Although somnophilia appears to have some characteristics in common with necrophilia, the two syndromes do not necessarily reflect the same underlying pathology. Using Freudian theory, Calef and Weinshel speculated that underlying somnophilia was the desire to return to the maternal womb, and that somnophiliacs had unresolved Oedipal complex issues, fixations on pre-genital stages of psychosexual development, and castration anxiety. However, as with almost all psychoanalytic theory, it is hard to design any research to either confirm or deny such speculations.”princessaurorasleeps

Carolyn Fay’s of the University of Virginia, explores the sinister side of this fetish. “Contemporary sleep fetish culture is driven by the idea that the sleeping person is an absent person…To the fetishist, sleep is that perfect moment when consciousness is evacuated, leaving a living, breathing fragment, worthy of love.” [Those who seek to actualize their desire to have intercourse with a sleeping person may use drugs to maintain the unconscious state] “for if the person wakes up, the fantasy and the fetish object become lost.” (2002).

That’s all very dark. Whatever happened to the sweet, delicate princess trapped under the glass? Is that innocence gone forever?

After some looking, I found House of the Sleeping Beauties (2006). Plot info from IMDb: Edmond, a man in his sixties whose wife has recently passed away, is told about a secret establishment where men can spend an entire night in bed alongside beautiful, sleeping young women, who stretch, roll over and dream, but never awaken. Bedazzled by their seductive yet innocent tenderness, but distressed about the reason for their deep sleep, he delves into the mystery of the house of sleeping beauties.

The film is German and the only trailer I could find is without subtitles, but I don’t think you need to understand the words to understand the story or main character.

What have we learned? The Sleeping Beauty fetish is out there and until some of the other fetishes we’ve explored here on Lady Smut this one comes in extremes. From sweetly romantic to darkly dangerous.

Keeping you up-to-date and informed is what we do here at Lady Smut. So follow us. We know what you like.

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Isabelle Drake writes erotica, erotic romance, urban fantasy, and young adult thrillers. Best Friends Never, her newest release is the first in the Cherry Grove dark YA series. You can follow her serial SERVANT OF THE UNDEAD here, every Sunday on Lady Smut.

The Best Forbidden Romances Streaming on Netflix

5 Feb

like water

By G.G. Andrew

It’s a little over a week until Valentine’s Day, and the time is ripe to queue up some romance movies. You’re in luck: there are hundreds of love stories to stream.

But sometimes you want to watch something that’s a bit more racy, a touch more taboo…

I got your back. Here’s a list of four of the most tantalizing films on Netflix of people falling in love with someone who’s forbidden by their family, society, or marital vows. There’s something for everyone here: these films are set all over the world and throughout time, and they have different steam settings–from the repressed to the ultra-hot.

A Royal Affair (2012)
If you like your taboo dressed up in period clothing, A Royal Affair is the forbidden romance you’re after. Set in Europe in the late 18th century, it tells the story of Caroline (Alicia Vikander), an English woman who marries the king of Denmark–whom she soon realizes is mentally unstable. To deal with the king’s erratic behavior, the court hires a German doctor, Johann (Mads Mikkelsen), to be his healer and confidant. Gradually, the doctor and Queen Caroline are drawn to each other, against all good sense. The romance here is a slow burn, and much of the couple’s attraction is intellectual, as they’re kindred spirits as book lovers and supporters of the Enlightenment. But once their passion catches fire, it burns as hot as any candle. Along with gorgeous sets, A Royal Affair features some of the most well-developed, three-dimensional characters and relationships I’ve seen in a movie.

I Am Love (2009)
Possibly the most lush film on this list, I Am Love is the tale of Emma Recchi (Tilda Swinton), a Russian married into a prominent Italian family. When she meets her son’s chef friend, Antonio (Edoardo Gabbriellini), she quickly falls into a love affair with his food–and eventually with him. Set in Milan, this May/December film is beautiful and sensual, especially with its many scenes involving cooking (not to mention Emma and Antonio making love in the mountains). The many closeups of Antonio focusing on his hands, as he cooks or touches Emma, are especially great. So much of the movie is intense and melodramatic, but it suits the setting so well. Watch it when you’re in the mood for drama, or at least Italian scenery. Plus: food porn.

Like Water for Chocolate (1992)
Based on Laura Esquivel’s novel, Like Water for Chocolate is a charming little film that feels almost like a fairy tale. In late 19th century Mexico, Pedro (Marco Leonardi) asks for the hand of the young Tita (Luma Cavazos), but is rejected by her mother, who upholds a tradition that the youngest daughter of each family must care for her mother. Instead, Tita’s mother suggests Pedro marry Tita’s sister, and he agrees–if only to be closer to Tita. What follows is Tita’s journey as she watches the man she loves marry her sister, and she’s denied the passion she craves under her abusive mother’s watchful eye. This film plays with magical realism: as Tita grieves, the food she cooks imparts her emotions, leading to some interesting results for her family. And there are ghosts. And a sister who runs away naked on horseback. If you haven’t seen this one yet, queue it up ASAP.

Take this Waltz (2011)
Set in Toronto, Take this Waltz stars Michelle Williams as Margo, a writer living with her husband of five years, Lou (Seth Rogen). Despite her loving marriage, when Margo meets Daniel (Luke Kirby), she’s attracted to him and finds herself falling for him, even with many attempts to hold herself at arm’s length. Margo is a very realistic and relatable heroine in this film, as we see her care for her friends and family and struggle within her marriage. The movie also sizzles with sexual tension, as Margo tries to keep herself from entering into an affair that seems inevitable. There’s a scene at a restaurant where Margo asks Daniel what he’d do to her if he could, and his answer is one of the hottest, sweetest pieces of dialogue in romantic movies (and lasts at least a couple minutes). The film, though, is complex, and the ending is one of those surprising conclusions that cast the whole movie in a different light. Watch it when you like your steam paired with a great conversation starter.

 

G.G. Andrew writes quirky romantic comedy–stories about people who fall in love with the most unlikely person, and stumble through some awkward conversations, mistaken identities, and ill-advised kisses along the way. Her latest book is GRAFFITI IN LOVE, a romance between an infamous British graffiti artist and the American woman who hates him.

Follow us here at Lady Smut for more recommendations on steamy films and hot books!

Bad girls of the night, here to warm you up

8 Jan

Need something steam, steam steamy to warm you up?

Want to shiver?

Watch Kiss of the Damned.

First off, must admit that I love the wicked, bad ass female characters. Sexy, powerful  and unapologetic. If you like aggressive, evil women vampires who seek out hot, dark sex, you may want to check this one out. As long as you aren’t hoping to be surprised by a twisting, tukkkrning plot and the not-quite-so-well-done accents of the vampires don’t bother you, you’ll be happy.
Keep in mind, the movie poster and trailer makes it clear, this film is influenced by the swank of the 60’s and 70’s. Huge hint: the purple font for the title and credits. Hello. If that doesn’t tell you what’s up…

Be ready for a touch of camp. It seems to me, Kiss of the Damned, is equal parts silly (note, the music) and serious (willingness to just go for it). Much like Jean Rollin, a master of lighting and imagery, the director of Damned uses the screen shots to full advantage. Yet be prepared for a couple over the top moments–like the fights between the sisters–and some slow spots–like when nothing is actually happening. But shoot, nothing happening for a minute or two is no big deal. Be patient, viewer.

kkkk2A couple reviews I read were concerned about the teen market watching the violent sex. Apparently, these reviewers have not seen The Vampire Diaries, a series where the males regularly throw the females around. Here it’s the males who are getting the rough treatment and for the most part they aren’t complaining.

The trailer below will give you a little idea what you’re in for but if you’re intrigued I say just open a bottle of wine and go for it.

Here’s what I’d like to know:

What other sexy horror jems are out there? These hotties can’t be the only take-no-prisoners bad girls of fright. If you know some other films that feature sexy & evil girls, please put the film titles in the comments! Because here at Lady Smut like to look out for each other.

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